Turista per caso

the Accidental Tourist is among the best movies ever made in the world.Maybe it is not absolutely the best, but as to me it is the most well understood one. that probably is the reason why i love it so much. When i watched it, i can even felt what Macon Leary was feeling inside---i could feel the complicated mood when he called Sarah in his hotel in Paris, i can understand that his heart has already belonged to Muriel when he said it's OK to Sarah, who asked for his opinion on the newly bought sofa. he was a captious guy!and i can also read his heart when he close the door to Muriel, not willing to take her on his trip the next morning. Also i can read the deep love for Muriel on his smiling face when he met Muriel at the gate of the hotel at the end of the movie. I can't agree with some people who think this movie lacks energy. it might appear to lack, but u could have felt the passion in their hearts if u can understand them. this remind me of another movie--Once Upon A Time In America, which is also said to lack energy, but i can feel the great passion in Noodles and Deborah's heart when they "quietly" meet in the bar after Noodle was released from the jail. only a few words from Deborah can make me feel that! Just as sometimes the clothes do not make the man, sometimes the movie is not what it appears! there is seldom any good movies from which we can not feel the passion!

This is a faithful adaption of a brilliant novel. I have seen this movie a dozen times and it gets better with each viewing. It is subtle, yes, and that probably means it is not for everyone. Subtle, however, is not synonymous with boring, as unfortunately many people accustomed to a non-stop barrage of sense-dulling special effects and violence have come to believe. This film is as far from boring as it gets.

What I walked away from this story with is a reaffirmation of a force bigger than ourselves that takes our lives in a new direction -- one that we often consciously choose to reject. Macon Leary, as superbly played by William Hurt, has been sleepwalking through life for years. His profession says it all: he writes books for business travelers who have to visit exotic places but want to feel as if they never left home. Thus, the title, "The Accidental Tourist".

He is separated from his beloved wife, Sarah, played very well by Kathleen Turner. She could no longer live in with the waking death their life had become since the senseless murder of their young son years before. But he still wants nothing more than for her to return and resume that life. Even after a quirky dog-trainer played by Geena Davis (in her well-deserved Oscar-winning performance) enters his life and his heart he believes his future can only be with Sarah.

I don't want to give away the entire story, but I will say that the entire supporting cast, Macon's family (Ed Begley, Jr., Amy Wright, David Ogden Stiers) his editor (Bill Pullman), and a scene-stealing Welsh Corgi contribute richly and completely to the overall power of this story.

Some of the best dialogue I've ever heard on relationships, why they work, and why what we want so dearly to work just doesn't work anymore, is in this film. "Don't be lulled by a false sense of security". This powerful line, is what this film is all about, and it is placed perfectly, as all the memorable lines are. Give it a chance and an open mind because this film is the real deal. In my estimation, "The Accidental Tourist" is American cinema at it's best.

From The Accidental Tourist to Accidental Hero a few years later, both underrated films, Geena Davis plays an almost cameo part to the lead of William Hurt, a travel writer whose marriage falls apart due to the death of their son in a robbery. The script is carefully written - it is difficult to write about loss and divorce in a sympathetic but entertaining way. Geena Davis steals the show though even if her efforts are at the start in vain. With Kathleen Turner as well, the cast is very strong and as an ensemble piece is well worth watching if on, but it is a small drama that could well have been a TV movie and whilst I appreciated watching it is not one I would go out of my way to recommend to others.

Hurt expresses more with the slightest movement on his face than most actors do with pages of dialogue. An achingly beautiful portrait of a man trapped within himself, struggling at once to stay in and get out

William Hurt gives one of the most intensely interior performances on record. He is indescribable moving. His emotional paralysis becomes the palpitating centre of this gorgeous Lawrence Kasdan film. I saw the film, when it first come out, on a big huge screen that allowed me the strangely unique privilege of entering a man's soul. In the surface, nothing. Less than nothing, William Hurt floats through his daily existence, surrounded by his quirky family, his wounded, distant ex wife but first and foremost, his impenetrable loneliness. The character never utters a word who could confirm that, and yet is there, ever present, if you look deep, deep into his eyes. The scene in which he almost lets himself go in Geena Davis's arms is as cathartic as anything I've ever seen in any modern American movie. A couple of days ago I saw it again on a normal TV screen and all of the above wasn't there. Still a gorgeous film, a funny, melancholic romantic comedy but what about the interior masterpiece of William Hurt's performance? Gone. Did I imagine the whole emotional ride? Possible but unlikely. I took my VHS copy to a friend's house with a phenomenal home entertainment centre and a massive screen. William Hurt's performance was back. His is a performance conceived and designed for the big screen. One hundred per cent cinematic. The TV screen is far too small to allow us into a man's soul. If you haven't seen it I urge you to see it but in a big screen, the biggest you can find. Now let me leave you with this little tip. Look into William Hurt's eyes when he is in the taxi in Paris and sees the boy, who reminds him of his own son, walking down the street. It is the best performances by an actor in one of my favourite film moments of all time.