Assassini a Miami

An explosive and completely true account of the most horrific shootout between criminals and federal law enforcement in U.S. history. It is the story of Bill Mattix and Mike Platt, two former Army Rangers and ordinary blue collar guys who have families, raise kids, and pay their taxes. They also rob armored cars and shoot people for a living. And they are damn good at it. They kill people about as routinely as mowing their lawns with absolutely no remorse or second thought as to the consequences of their actions. Their exploits attract the attention of the Miami F.B.I. field office who become more and more interested in finding out who they are. The agents quickly become obsessed with stopping them before they rob and kill again. It sets the scene for the eventual showdown and the carnage that ensues when they try to corner the robbers. This one is hard to find but it is a great insight into the minds of two bank robbers and the FBI agents who hunted them.

Most people tend to look down their noses at made-for-network TV movies. In fact, a rap against some theatrical films is that it plays "like a made-for-TV film". IN THE LINE OF DUTY: THE FBI MURDERS should take a backseat to no movie: network, cable or theatrical. Based on an actual FBI case, FBI MURDERS chronicles the attempts of the Bureau to capture two men who were going on a spree of murder and robbery across Florida in 1986. Eight agents shot it out with the two men. By the time the smoke cleared, two agents were dead and six were wounded before the robbers were taken down. The action in this film can stand side-by-side with such shoot 'em ups as HEAT (which was a remake of a made-for-network movie: LA TAKEDOWN), BONNIE AND CLYDE and TAXI DRIVER. What may come as a surprise is the actor playing one of the robbers. While David Soul has portrayed men on both sides of the law, it is the shock of seeing Michael Gross, best known for playing the ultraliberal Stephen Keaton on FAMILY TIES as the most vicious of the two crooks. I had the opportunity to go back and look at new articles about this case, one of the news photos is used as a shot in the film. The makers of this really did their homework. It was a shame that FBI MURDERS did not receive any Emmy nominations. Maybe someone will do a theatrical remake of it and cop some Oscars. If it can happen with HEAT, it can happen to this movie.

Liberally based on true events surrounding a mid-80's F.B.I.

investigation and notorious apprehension attempt of a pair of

murderous, military-styled bank-robbers, IN THE LINE OF DUTY:

THE F.B.I. MURDERS (1988) is well-scripted, beautifully acted,

and superbly directed. The pacing and tension build up perfectly

as the two story-lines –– one involving the F.B.I. team diligently

working its way through the case, the other showing the harsh

criminal viewpoint –– mesh together with ever-tightening switch- ups until the dramatic and bloody climax. Nothing feels forced or

out of place, and nothing seems missing. Just solid story-telling

and top-notch drama from beginning to end.



It's largely the casting which plays such a huge role in determining

the quality of this picture, in my opinion. With screen veterans

Ronny Cox, as senior agent Ben "The Grinch" Grogan, and David

Soul, as the sadistically deadly robber Michael Lee Platt, you have

both sides of a very truthful and convincing acting team

represented. Add to that Bruce Greenwood, as the rookie agent,

his ex-"Knot's Landing" compatriot Doug Sheehan, as another

hard-driven and concerned field-agent, and a plethora of other

lesser-known but equally skilled actors and you have a solid cast.

But the most notable and electrifying performance turned in is in

the surprisingly cold and delivered performance by Michael Gross,

as fellow killer William Russell Matix. Here Gross completely

sheds the compassionate, intelligent and endearing character

traits so well-portrayed with his much-loved character Steven

Keaton on the TV series "Family Ties", and gives a completely

inner-defined and chilling turn as a contradictory bible-thumping/

womanizing, murderer and bank-robbing degenerate. Shocking

and terribly engaging all in one. The film pulls few punches with

regards to violence throughout –– the final "take-down" scene is

surely one of the most graphic and bloody ever shot for

mainstream audiences, even by today's standards I'd wager ––

but it never comes across as exploitive. The story is always the

main focus of the film and for THAT reason it succeeds; it's simply

a good, engaging story that needed to be told.



I first saw this made-for-TV movie on it's original network television

airing and was extremely impressed. Now, 15 years later, I still

hold it in high regard (with only the cars and the synth-driven

soundtrack music really adding any dating to the picture at all).

Unfortunately, IN THE LINE OF DUTY: THE F.B.I. MURDERS, has

long since been out-of-print on VHS, and rarely turns up on TV. For

those lucky enough to come across it I whole-heartedly

recommend it.



7/10. A made-for-TV movie that succeeds in being more!

The FBI Murders is a made-for-TV film that really surprised me. The acting ranges from good to excellent. No one in this film did a poor job portraying their characters. Ronny Cox and David Soul are the stand-out performances here.

The shoot-out in the end is quite graphic for TV standards. There were a few moments in the shoot-out where I was wondering how this film made it onto network television. And this was in the late 80's, way before shows like "The X-Files" and "ER" started to push the limits of graphic bloodletting. The climactic confrontation certainly isn't gratuitous, but it doesn't shy away from showing a little blood (as would be expected when shotguns, sub machine guns, and a dozen pistols are going off).

The film isn't perfect though. There are a few times where it feels like this was filmed in the early 80's. Shaky aerial shots support this noticeable flaw. It's hard to explain, but see it and you'll know what I mean. And the music is, at times, a little chintzy. Synthesizers in the 80's usually never helped a film to age well and it certainly shows in this case. Still, this did not detract too much from my satisfying viewing experience.

All-in-all though, highly recommended.

I first saw this TV movies years ago, and was as intrigued as everybody else by the casting of David Soul and Michael Gross.

Although I haven't seen it for some years, and didn't know the name, I felt compelled to hunt it down on IMDB to make a comment. As well as being outstanding in the action sequences, particularly the ultimate shootout, it was particularly notable for portraying the wrongdoers as unsentimental killers. These murders live with one years after having seen the movie. The makers achieve this not by lingering over the badness of the villains, but by showing them dispatching their victims lightly, unhesitatingly.

Good, skillful movie.