Aggiungi una trama nella tua linguaMichael flies up to French Canada to visit his girlfriend and her wacky family. She doesn't love him anymore, the grandma mistakes him for her late husband, the sister appears naked and make... Leggi tuttoMichael flies up to French Canada to visit his girlfriend and her wacky family. She doesn't love him anymore, the grandma mistakes him for her late husband, the sister appears naked and makes advances, the dad likes to be naked as well.Michael flies up to French Canada to visit his girlfriend and her wacky family. She doesn't love him anymore, the grandma mistakes him for her late husband, the sister appears naked and makes advances, the dad likes to be naked as well.
- Premi
- 1 vittoria in totale
- Porter 1
- (as Cedric Noel)
- Lady Patient
- (as Renee Girard)
- Doctor
- (as Claude Prefontaine)
Recensioni in evidenza
Cleverly written and gorgeously mounted -- wait til you see that house -- "Some Girls" is the kind of offbeat and eccentric comedy that the French often do so well but Americans rarely attempt. Little-seen upon its initial release, the film has developed a well-deserved cult following.
As a comedy, Some Girls plays on Dempsey's vulnerabilities, or in other words, the fact that he is a teenage male that has yet to figure out women. Michael, continually rejected by his quondam love, Gaby, is repeatedly taken advantage of by Connelly's on-screen sisters, Irenka and Simone, and he inadvertently falls in love with Granny. Dempsey's naivety gets him into a countless number of awkward situations with the women of the D'Arc family, such as winding up in bed with them and getting caught in the nude, which adds to the humor of the movie.
The love that Michael and Granny feel for each other is a transition between the comical and the symbolic sides of this film. In the wonderfully set-up scene where Michael undresses Granny, the viewers start to feel uncomfortable when they realize that Granny isn't going to be innocently nude. She enjoys the attention, and because this type of sexual encounter is not socially accepted, it causes unease. Due to the discomfort that this scene causes in the viewer, it becomes humorous that this teenage boy is undressing this old woman who is quickly falling for him. However, it is not humor alone that is at work here. This scene sets up the rest of the movie and allows for true love to blossom.
Although Michael went to Quebec to see his "love", Gaby, he fell in love with the last person that he expected, or even desired to fall in love with: Granny. The two of them became unbelievably close during the film and developed a love deeper than the one that he had only imagined forming between him and Gaby. There love was true love, despite the fact that Dempsey tried to push it aside at the very beginning. However, Michael let up his guard, letting himself fall madly and deeply in love with Granny, the woman he could never have due to both society and mortality.
For the movie aficionado who loves symbolism, Some Girls is a wonderful choice of movies. It is a film that can be watched over and over again and something new will occur to the viewer each and every time that it is watched. The viewer may discover what Botticelli's Three Graces, who appear several times during the film, have to do with the three D'Arc sisters or maybe why Beowulf jumped out of the window with the clock in his mouth. He or she may realize why the unicorn tapestry covers Gaby's bedroom door or why the girls' father feels that he must write in the nude. The viewer may realize that the film both begins and ends with water and why that fact is so important. In order to appreciate these things, however, the movie must be watched and it must be watched more than once.
Some Girls is truly a structural masterpiece. It appears as if in every scene, there is some hidden symbol, or underlying idea, that makes the film multifaceted instead of just straightforward and simple to understand. The details make the film an extraordinary one instead of just an ordinary one. The flashback scene exemplifies the structural merit better than any other scene. It is perfectly choreographed, with the time being split between the car scene and the window-closing scene well enough to keep the viewer on the edge of his or her seat. The flashback went from the peacefulness of the window closing to the frenzied ride to the hospital without falter. Another wonderful scene that demonstrates the film's magnificent structure is the scene in which Michael and Granny are alone in the old abandoned house. Nothing whatsoever prepares the viewer for what is about to come, and it is better left that way. It merely shows love in its purest form.
In the same way that Michael receives something that he didn't expect from going to Quebec, the viewer receives something that he or she probably doesn't expect from the movie. Michael learns what love is all about and the viewer learns what great films are made of. By the end of the movie, Michael has changed for the better. He has matured, learned a little about women, fallen in love, and maybe even gained some religion from his experiences. He left the three women of the D'Arc family, and moved on to the woman of the Lumiere family. By doing this, he moved from the darkness to the light, as their surnames symbolically imply. Hopefully, the viewer can do the same if they take the time to watch this exquisite film.
This is a cold movie and I don't mean the snowy Quebec City. Jennifer Connelly is an enchanting mercurial presence. I don't like her character in this movie. Patrick Dempsey is a pathetic puppy chasing after her. While I don't like his character either, I certainly understand him. Damn, the girl is hot, but most of this movie leaves me cold. It's definitely not actually funny. It's the unknowable nature of women and it leaves me unsatisfied.
It's just a movie, it's not going to reach out and change you or make you see God or anything. You will have to do that yourself. But it does draw you in anticipating a standard farce and instead getting a reflection on desire, wishes and the true definition of a life well lived.
There's plenty of teeny skin-and-blood (both original and new Irony-flavored) flicks out there, rent those if you want to be cool like everyone else. If you want to spend some time musing about a movie after you see it, rent this.
Lo sapevi?
- QuizDuring the opening and closing credits, the music is from W.A. Mozart's Serenade # 13 for strings in G Major, K. 525, better known as "Eine Kleine Nachtmusik". In addition, the music during the scene where Michael is helping Granny out of her wet clothes and then again during several subsequent scenes involving Granny is a re-write of a portion of the 1st movement from Beethoven's Piano Concerto # 5, also known as the "Emperor" Concerto. It is uncertain why this went unmentioned in the movie's credits, as if James Newton Howard was the original composer of this music.
- Citazioni
Nick: You know, I've never been faithful to anyone in my life. I just told Irenka about someone and, uh, she did not take it too well. If there's trouble, I just feel trapped and miserable, and I just wanna' go.
Michael: If you have to choose between grief and nothing, you'd choose grief.
Nick: [scoffing] Huh. What's that gotta' do with anything?
Michael: Just something William Faulkner said.
Nick: Yeah, well, fuck that. This is me we're talkin' about. I'd choose nothin'. Grief's fucked. It's just depressing when these things end, you know?
- Curiosità sui creditiAt the end of the credits, the final black and white MGM logo stencil (just before the final live-action MGM logo with the lion) says 'Sisters From Metro Goldwyn Mayer' ('Sisters' in italics). This may indicate that the movie might have originally been titled 'Sisters'.
- ConnessioniReferenced in Inside the Actors Studio: Jennifer Connelly (2004)
- Colonne sonoreTonight Tonight
Performed by 4 Tomorrow
Written by Hakan Bjorn & John Utter
Produced by Rick Stevenson
I più visti
- How long is Some Girls?Powered by Alexa
Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Отакі дівчатка
- Luoghi delle riprese
- Cité du Cinéma, Montréal, Québec, Canada(house interiors, as Panavision Canada)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 5.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 401.421 USD
- Fine settimana di apertura Stati Uniti e Canada
- 11.704 USD
- 11 set 1988
- Lordo in tutto il mondo
- 401.421 USD
Contribuisci a questa pagina
