6 gradi di separazione

This is the film that made even the most harshest critics admit that Will Smith had real potential as far as being a serious actor is concerned. This is the story of a young gay hustler named Paul (Smith) who knocks on the door of Ouisa and Flan Kittredge (Stockard Channing and Donald Sutherland) and tells them a story of being mugged and also being the son of Sidney Poitier. He says he knows their children from college and remembered they lived there so thats why he came. After a lot of talking and impressing them he cooks them a nice dinner and they invite him to spend the night. They also loan him money but in the morning they find him with another man and they kick everyone out. The Kittredge's talk to their friends and find out that they all encountered Paul as well but were afraid to say something because they were embarrassed. The films title refers to the fact that we all know everyone by six people or degrees. The main focus of the film deals with how this young man made these characters take a good hard look at themselves and the relationship they have with each other and their children. The writing is very sharp and for most of us what is being said onscreen can easily go over our heads. Its a very intelligent script that forces the characters to see things that they seem to take for granted. Directed by Fred Schepisi who has shown a real knack for filming plays before and he also has shown to be very good at making films that are more character oriented. I remember one of his first films from the 70's called "The Devils Playground" and was impressed at that time by his direction. What really stood out for me though were the performances. Will Smith seems to tackle this complex script with an all to easy manner. As I watched his performance it was clear that he really understood the script and his character. You don't see that everyday from such a young actor, especially one that has limited training. But for me the best performance comes from Stockard Channing who was in the play as well. She's always been a very strong actress and a very underrated one at that. While watching her character in this film Channing does a wonderful job of allowing the viewer to watch her characters attitude change from the first scene to the very last. It really is Channings film and she received a well deserved Oscar nomination for it. Its one of the best in her career and its the driving force for the film. Casual film watchers may be put off by the sharp dialogue at first but I hope they stay with it, its a very good film about self realization and all the actors here are terrific.

A film that had its moments, like that wonderful monologue about Catcher in the Rye, or the distress someone feels about how real experiences dissolve into future anecdotes. It also provides a nice bit of satire about the wealthy, their entitled offspring, and their delusions about their own racial tolerance.

Unfortunately, it's also one of the more affected scripts, with dialogue that ventures beyond just stagey (obviously coming from a play) and into exaggeration. There is real pathos at the bottom of this story, but it's undercut by so much of what we see not feeling real.

"Mom told me you were a rotten lover and drank so much your body smelled of cheap white wine!" a son bellows at his father over the phone. "I was so happy, I wanted to add sex to it," the con-man says in a sing-song voice to explain why he brought a lover up to the rich couple's apartment. There are many other examples of groan-worthy lines.

I have to say, the film also doesn't do a very good job with its title concept, that we're separated from everyone on the planet by six other people. It's just stated as something a character has read, without an example or further discussion. It's in there I suppose as a way of highlighting the empathy the wealthy should be feeling for the young man who has tried to wheedle into their world, as "close" as the human hive is supposed to be, but that felt more forced than satisfying to me.

I liked the performances from Will Smith and Stockard Channing, and I liked the creativity (dare I say imagination) it showed in the second half. Once we know there's a con across multiple people going on, a more conventional film would have gone through the drama of what was being stolen (like maybe a switcharoo of those expensive paintings for fakes) and how the guy would get caught (following a cat and mouse game with a savvy detective). In this one, we don't know at all what direction it will take. Overall, kind of an odd film, but worth seeing.

In New York, the art dealers John Flanders ('Flan') Kittredge (Donald Sutherland) and Louisa ('Ouisa') Kittredge (Stockard Channing) are ready to have a business dinner with their South African friend and client Geoffrey Miller (Ian McKellen), when a wounded young black man comes to their fancy apartment telling that he had been just robbed in Central Park and asking for help. He introduces himself as Paul (Will Smith), a friend of their son and daughter in Harvard and son of Sidney Poitier, and the couple invites him to stay with them. During they night, they find that Paul is not who he claims to be. When they investigate the life of Paul, they find the hidden truth.

The first time I saw "Six Degrees of Separation" in 1993 or 1994, I was very impressed with this movie. I liked the concept of the six degrees of separation between human beings, but mostly the acting of Will Smith, Stockard Channing and Donald Sutherland. The very difficult and long lines were brilliantly presented by this trio of excellent actors and actress, almost as if they were on the stage. Further, the name of Stockard Channing in a film for me is a synonymous of high quality. Today I have just seen this movie again, and I maybe I am more critical with the years, but I found the screenplay quite confused. For example, the relationships of parents and sons and daughters are extremely aggressive from the side of the Harvard students, and I have not understood the point in the story. The affection of Louisa ('Ouisa') Kittredge for Paul Poitier- Kittredge could be a projection of what she would like to receive from her apparently ungrateful son and daughter, but her daughter actually talks to her. Anyway, this movie is intriguing and original and deserves to be watched. My vote is seven.

Title (Brazil): "Seis Graus de Separação" ("Six Degrees of Separation")

Six Degrees' Inspiration Hampton Dies Sat Jul 19, 3:14 PM ET

By LARRY McSHANE, Associated Press Writer

NEW YORK - This was no stage production, and there was no happy ending.

David Hampton, the ersatz son of Sidney Poitier whose pursuit of the glamorous life inspired the award-winning play "Six Degrees of Separation," died last month in a decidedly desolate fashion: alone in a Manhattan hospital bed, friends confirmed Saturday.

"David, like many of us, had a real need to be somebody important and special," said attorney and close friend Susan Tipograph. "He did stuff to be somebody in his mind ? somebody important, somebody fabulous.

"To me, he was fabulous."

The black teenager earned notoriety by charming his way into New York's white upper crust, presenting himself in 1983 as the Oscar-winning Poitier's son and a Harvard University student. The scam inspired John Guare's acclaimed play and a movie starring Will Smith.

The reality was quite different: Hampton came from a middle-class home in Buffalo, a city he once dismissed as lacking anyone "glamorous or fabulous or outrageously talented." His father was an attorney, not an actor.

Hampton, 39, died at Beth Israel Hospital, Tipograph said. He had been living in a small room at an AIDS residence, and was trying to start work on a book about his life.

Hampton was glib, charming, funny ? the skills of the consummate con man. He talked his way into the homes of several prominent New Yorkers, including the dean of the Columbia University Graduate School of Journalism and the president of public television station WNET.

Once there, he reveled in the posh surroundings and fancy meals. He accepted money and clothes and regaled his hosts with stories about his famous "father."

"David took a great joy in living the life he lived," said attorney Ronald Kuby, who knew Hampton for more than a decade. "It was performance art on the world's smallest possible stage, usually involving an audience of only one or two."

After he was taken into custody in October 1983, police said Hampton had six previous arrests in New York and Buffalo. Hampton, just 19, pleaded guilty to attempted burglary and was sentenced to 21 months in prison.

Guare, inspired by the bizarre tale, opened his play in 1990 to immediate critical praise. It won the New York Drama Critics' Circle Award, an Obie, and was a finalist for the Pulitzer Prize.

But on the day the play was nominated for four Tony Awards, a court order was issued telling Hampton to stay away from Guare, who said he'd been threatened.

Hampton felt entitled to a cut of the cash generated by his "work," and he sued ? unsuccessfully ? for a $100 million piece of the play's profits in 1992. There was victory in the defeat: It introduced him to another of Manhattan's bright lights, radical lawyer William Kunstler.

Hampton was later arrested for leaving this message on Guare's answering machine: "I would strongly advise you that you give me some money or you can start counting your days." A jury acquitted him of harassment.

"I think he felt used by Mr. Guare," said Tipograph. "I'll let history judge that."

The 1993 movie version of the play earned Stockard Channing an Oscar nomination for best actress. Channing recreated her stage performance as a wealthy Manhattanite taken in by the scam artist.

In recent years, Hampton kept in touch with friends and stayed in trouble: He faced charges of fare-beating and credit-card theft. One alleged victim told The New York Times that Hampton, using the name David Hampton-Montilio, duped him out of more than $1,400 in October 2001.

"When pretending to be somebody else, he dazzled people," Kuby said. "For an evening or a couple of days, he mesmerized people by bringing them into his totally fictitious world of stardom."

I saw Stockard Channing do this play on Broadway, and it remains one of the best theater experiences ever. It's really the story of her character Ouisa gradually seeing that her life is just pretty surfaces, and in meeting this young con-man with whom she makes an intense emotional connection, that she wants more than her marriage, her friends, her life. The dialogue goes like the wind and you barely get a chance to catch your breath; some of the dialogue is spoken as a soliloquy. It's John Guare's mastery of the language at its best, better than "The House of Blue Leaves." I'm much more of a movie person than a theater person, but this play really sang.

Unfortunately the translation to film is only partially successful. Whereas the play is a spoken confessional of Oiusa Kitteridge, the movie emphasizes Paul (Will Smith). Smith does a good-to-great job with this character. The transition from a verbal to a visual medium robs the language of much of its power, and rather than re-write it as a movie, it's sort of a 'half-transition,' which doesn't really please anyone. The other problem I had with it was Donald Sutherland; who wasn't half-bad. But John Cunningham, who played the role on Broadway, was sharper, harder, a GAMBLER...Sutherland just comes across as a nice guy that gets a bit upset that he's been conned. And the emotional blow that comes at the end of the play when you realize that Oiusa's perfect marriage is falling apart just doesn't come across.

Still fascinating for its premise and worth a look; even this watered-down version never fails to entertain.