Il ladro e il ciabattino

It's too bad the studio thought it necessary to add mediocre songs (I dislike the American rule that all animated films must be musicals) and an annoying voice-over to a mute character, this is really one of the most visually interesting American animated films I've seen. As others have pointed out, the look of the film owes a debt to MC Escher. The film often has a more abstract than realistic look, which I find interesting. In places, it makes me think a little of French animation I've seen.

I found the Jonathan Winters voice-over for the thief to be rather annoying and distracting, as the thief was intended to be a silent Wile E. Coyote-type character, and I think he would've been funnier if he had remained silent. The songs are pretty forgettable too. If you can get past this studio tampering, you'll find a very interesting and unusual animated film. The film is also noteworthy for being a widescreen cartoon, which you don't see made very often these days. Of course, this means a good deal of the picture is lost on video. I know there's probably not the biggest demand for it, but I'd be interested in a DVD release of this film so it could be seen as it was intended.

I can't stand this film being so obscure. It was a 30-year-old labor of love that Richard Williams promised to be the greatest animated film ever, before it was taken away by his creditors. All he cared about was the perfection of the art, rather than the restrictions of schedules and budgets. What happened to the movie was awful, but the remaining animation shines through, greatly. I, for one, was very upset with the release of the Miramax version on DVD, with only pan and scan, and a lack of extras. It was an insult to the original version. I really hope the restoration project is revived soon. A fully restored Director's cut is my on and only "Dream DVD". That film really changed my life and outlook on animation. It deserves more recognition and it's a great learning exercise for animators. Stay away from the Miramax version.

The Thief and the Cobbler, created by the animator responsible for Roger Rabbit and the Pink Panther, was a beautiful film. That is, if it ever were completed properly. The film is probably the big inspiration for Disney's Aladdin, which was just as great. The animation is so brilliant, not even the likes of Disney or Don Bluth could top it. It's a film you'd have to feel bad for, since it took up to 26 years to make and seemed to fail and get butchered.

It's about a cute mute (at least he should've been) named Tack, a cobbler, who might compare to Jo-Jo in the Blue Sky version of Horton Hears a Who. The other main character is the swamp-coloured, cheeky, silent thief (at least he should've been silent). He is crazy for gold stuff as Scrat from Ice Age is crazy for acorns and he stinks so much that his flies follow him everywhere he goes. Tack falls in love with the pretty Princess Yum-Yum, daughter of the lazy King Nod (the inspiration for the Sultan), which gets the blue vizier Zig-zag angry. Zig-zag is the inspiration for the Genie and Jafar who can say anything in rhymes and is voiced by Vincent Price. The most important thing the characters need to take care of though the Thief is just too greedy to know about is the set of three golden balls above the tallest minaret. If the balls were taken away, the dark, half-blind army of One-Eyes will attack.

I've seen the three main versions; the Recobbled cut, the Allied Filmmakers version and the Miramax version. First, I am going to talk about the Recobbled cut. This cut is made by a big fan named Garrett Gilchrist of a fan company named Orange Cow Productions. He compiled footage and original sound tracks he collected from all versions of the film and people who worked on the film, no matter if it's unfinished, low quality or animated poorly by Fred Calvert. He also included classical music to make it a little more epic. It could possibly the best fan edit ever made.

10/10 for the Recobbled cut.

The Allied Filmmakers/Majestic Films version, The Princess and the Cobbler, was released only in Australia and South Africa. It was taken away from Richard after Warner Bros. rejected it and completed quite badly by television animator Fred Calvert and the Completion Bond Company. Fred added extra animation that looked as if Don Bluth animated it (some of the extra animation was produced at his studio), dialogue for Tack and crappy songs that made it quite a rip-off of Aladdin. Fred also changed the plot by mixing up scenes a little. The Thief was still silent, only making a few gasping, grunting or chuckling noises, and Zig-zag kept his great Vincent voice.

3/10 for The Princess and the Cobbler.

Miramax picked up Fred's edit, called it "Arabian Knight" and ruined it. They turned what could've been a masterpiece into a masterpiece of crap. They cut some scenes out because they thought they were too disturbing or long, added more repetition, gave Tack the inappropriate voice of Matthew Broderick and gave everyone who couldn't talk some annoying thought talk that distracted from the great animation. The thief, voiced by Jonathan Winters, spoke about everything he could see and thought that he was in the real world of the present day by speaking present day references ("Nobody lives like this except college kids.") and pop culture references ("I'm going to Disneyland!"), and he wouldn't shut the hell up. Nor would anyone else. The edit overflowed with dialogue, with tons of grunting voices and more usage of "What?" from King Nod. And that's right; Phido and the other animals could actually thought-talk as well. What, did Jim Davis suddenly take over the production? This isn't a Garfield TV special. What were they thinking? Did they care about the original's creator? It probably inspired the butchery the Weinstein Company did to the film version of The Magic Roundabout when they added cuts, random flatulence jokes, pop culture references and moose dialogue.

0/10 for Arabian Knight.

So the only version of this film to watch is the Recobbled cut. Don't waste your time with the other versions. A true-to-the-story restoration of the film was put on hold when Roy E. Disney left The Walt Disney Company so that the company could be totally butchered, but Garrett Gilchrist hears that the Disney restoration has been continued, so there's hope yet!

The Thief and the Cobbler was 30 years in the making, was released in a couple of different chopped up forms, then someone took all the footage they could find to try and create a version of the director's original vision, called the Recobbled Cut. There are a few versions of this fan-edited version; I saw the most recent, Mark 4, and that's the version I'm reviewing.

The film is made up of finished animation pulled from video, some 35mm finished footage, some work prints, test animations, half done sequences, and still sketches. In spite of this miscellany, the story of a kingdom under threat from a thief, a one-eyed warlord, and Vincent Price, has a fairly coherent and engaging story.

The quality varies from moment to moment. Some scenes are fully finished, but many look like there are details missing, and color and quality vary from moment to moment. But much of what is there is truly stunning. There are wonderfully clever effects, like a top down, shot of a chase over a tiled floor that reveals an optical illusion. Parts have a Fleischer Brothers surrealist aspect, while the finale, the wildly elaborate destruction of a vast war machine, would have been one of the greatest animated sequences of all time had it been fully finished. Even in its current form it's incredibly impressive.

It's hard to know how the final film would have looked. The director was apparently constantly changing and reanimating sequences (which lead to cost and time overruns that got him thrown off the project), so even the "finished" parts might not have been final. But I salute the guy who put this together and hope that someday he or perhaps Disney (who may have more footage in a vault) will create something even closer to the director's vision.

Well worth watching for animation fans who can deal with the flawed presentation.

Famously ill-fated animated feature by the renowned Richard Williams, which remains uncompleted despite his having worked on it for almost 30 years!; the film was eventually released in two bastardized versions under the titles of THE PRINCESS AND THE COBBLER (1993) and ARABIAN KNIGHT, while bootlegs – actually a workprint – closer to Williams' original vision have also surfaced (which is the edition I acquired).

It's a typical Arabian Nights fantasy and it's no secret that the Disney Studios 'borrowed' some of its ideas for their hugely successful ALADDIN (1992). Of course, we have a hero (the Cobbler), a heroine (the Princess), a comic-relief sidekick (the Thief) and a villain (the Grand Vizier); the latter is recognizably voiced by the late great Vincent Price (running the whole gamut of emotions in the process), while one of the more interesting aspects of the film is that the titular figures are given no dialogue (except for one silly line by the Cobbler at the very end). Both also have other weird characteristics: the Cobbler's mouth is shaped like two nails set side by side with their points meeting, while the Thief is constantly being followed by a swarm of buzzing flies!

The plot basically revolves around three golden balls atop the King's (shouldn't that be Caliph?!) palace which, if removed, would bring disaster upon the land – and, sure enough, the Thief is after them. Needless to say, the Grand Vizier called Zig-Zag (with faithful vulture companion Phido in tow) not only craves power for himself but the Princess' hand, too, and he secretly connives with a warring people intent on conquering Arabia to this end. As expected, the visual design is extremely colorful and amazingly detailed (especially effective is Williams' clever use of perspective) – though it's hardly rendered justice by the fuzzy quality of the copy under review (to check out the film as mangled by other hands is clearly out of the question for me).

At 96 minutes, THE THIEF AND THE COBBLER – with its slight plot and even thinner characters – does tend to drag a bit (especially during the climax and the Thief's protracted hair-raising stunts to survive a conflagration), but the latter's amiable antics throughout and Price's agreeably hammy rendition more than make up for any such deficiencies. For the record, many other notable actors were roped in for the project over the years – with sometimes more than one person being engaged for the same role (the King, for instance, was voiced by both Anthony Quayle and Clive Revill and the narrator was either Felix Aylmer or Ralph Richardson)!