VALUTAZIONE IMDb
6,1/10
8808
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaFleeing robbers stumble into a staked-out bar in New Orleans.Fleeing robbers stumble into a staked-out bar in New Orleans.Fleeing robbers stumble into a staked-out bar in New Orleans.
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Recensioni in evidenza
Kevin Spacey is, of course, one of the best actors we have, and he shows talent in his first time out as director in this crime story. Specifically, he does a good job creating a tense atmosphere in such a claustrophobic environment as a bar. And although there's a lot of camera movement, it's not overdone. Also, he's good with his actors, especially Dillon, Dunaway, and Sinise.
But the movie suggests Spacey should learn about reading scripts next time. The movie harks back to films like PETRIFIED FOREST, but is little more than a clone of them, and writer Christian Forte often falls back on obscenities to substitute for character development and plot. And some of the scenes strain credulity, like the ending.
But the movie suggests Spacey should learn about reading scripts next time. The movie harks back to films like PETRIFIED FOREST, but is little more than a clone of them, and writer Christian Forte often falls back on obscenities to substitute for character development and plot. And some of the scenes strain credulity, like the ending.
As everyone already knows, Kevin Spacey is an extremely good actor who never does a bad job acting. The man is also a great singer (check out the soundtrack to "Midnight in the Garden of Good and Evil"), so it's not a surprise that he turns out to be multitalented; he's obviously a great director as well. This is the first movie he has ever made and it is such an engrossing and interesting movie. The acting is also superb, Matt Dillon doing such a great job was a surprise to me. The story itself is also interesting, and I liked the fact that this movie was in many ways theatrical. It doesn't work in every movie, but with this premise it worked out fine. Let's hope Spacey directs many more movies!
Kevin Spacey's first try at the director's chair is a nice one to say the least, but he could have done much much more with the actors. There are just to many great and known actors in this movie and sadly not enough screen time for every one of them. But this movie has other things to offer; besides the good photography, the nice music and a strong cast it draws its energy from the script that has some great moment(albino aligator), but somehow fails to deliver in the end. "Albino Aligator" will appeal to those who like a dark crime movie but is just to plain to be something more. 6/10
Joe Mantegna definitely has the best scene in "Albino Alligator". It is a humorous infusion into a movie that at times borders on being terminal. Starts out fast with three petty criminals, Dillon, Sinese, and Fichtner, fleeing a botched robbery. Unfortunately once they take refuge in a basement bar, their endless posturing and planning, grinds on the film. There is nothing wrong with the acting, including a great supporting effort from M. Emmet Walsh. Other than the above mentioned scene, Mantegna is somewhat wasted in a one dimensional role. Faye Dunaway is interesting, and William Fichtner is in menacing psycho mode. Marginally recommended. - MERK
In the past I have enjoyed a number of movies involving hostage taking, from "Dog Day Afternoon" to "The Negotiator". So I was pretty sure I would enjoy "Albino Alligator". While the movie is not without merit, overall I felt let down. I will say the movie is well made for a low budget, there is some good acting, and some humor in the movie is funny. But there are a number of problems. For one thing, none of the characters - hostage takers, the chief ATF agent, nor the hostages - are made to be colorful or compelling enough. And I found the central story to be surprisingly dull. There is little tension, the movie moves VERY slowly, and the movie resorts to using clichés found in other hostage movies instead of trying to put a new spin on things. While this isn't an awful movie, it is pretty flat, and you'd be better off instead rewatching those movies I mentioned in the first sentence of this review.
Lo sapevi?
- QuizKevin Spacey consulted with legendary director Sidney Lumet on how best to make the film.
- BlooperBecause of the city's proximity to sea level, it is difficult, if not impossible to have underground (basement) dwellings in New Orleans.
- Citazioni
Dova: Okay, plan. I'm listening...
Guy Foucard: Tell them you will let go of the hostages one-by-one. Then, instead of releasing us, release yourself.
Milo: [slow realization] Yeah. We, uh, pretend *we're* the hostages.
Guy Foucard: And then... tie us up. And, uh... be gone before they come in.
Dova: What do you think?
Law: Hey, I'm a sociopath, you know what I think.
[props up his rifle]
- ConnessioniFeatured in The Movie Show: Episodio datato 31 agosto 1997 (1997)
- Colonne sonoreIll Wind (You're Blowin' Me No Good)
Written by Harold Arlen and Ted Koehler
Performed by Jimmy Scott, Michael Stipe, Michael Brook & Flea
Used by permission of EMI Mills Music Inc.,
SA Music Co., Fred Ahlert Music Corp. (ASCAP)
Jimmy Scott, Michael Stipe & Flea appear courtesy of Warner Bros. Records
Michael Brook appears courtesy of 4AD
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- Albino Alligator
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 6.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 339.379 USD
- Fine settimana di apertura Stati Uniti e Canada
- 101.176 USD
- 20 gen 1997
- Lordo in tutto il mondo
- 339.379 USD
- Tempo di esecuzione1 ora 34 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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