L'incredibile volo

Amy Alden (Anna Paquin) survives a car crash where her mother is killed. She leaves New Zealand to live with her father Thomas (Jeff Daniels) in his ramshackle house in Ontario, Canada. She has no memories of her Canadian home and feels isolated. He's an eccentric inventor artist who flies his homemade glider. Susan Barnes (Dana Delany) is his girlfriend. After a land developer tears down some trees, Amy finds an abandoned nest of goose eggs. She raises the chicks but when the time comes, she has to teach them to fly south.

This is a fine family movie. Anna Paquin is adorable and so are the chicks. The story is gentle feel good. Jeff Daniels is great as the eccentric dad. There is a real free feeling that comes from watching people run around with these geese. There is a minor drama with a wildlife officer and a main one with a land developer. In the end, the drama isn't too high but it's good for the whole family.

I got sucked into a movie on the satellite dish the other day, 'Fly Away Home.' It's a story about a young motherless girl (Amy) who rescues some wild goose eggs and basically becomes their mother. The story evolves as the goslings grow into young adult birds ready to fly south. Since they never had parents the geese haven't learned to fly. The girl's dad thinks he can get them to fly by following him in his ultra-light. But they will only follow Amy. So dad teaches her to fly. Soon the geese are flying. Next, dad and Amy hatch a plot to fly south and have the geese follow them. We know this actually happened when 2 scientists did something similar.

One of the reasons I was sucked into this wonderful family movie was the photography. It is National Geographic quality. In fact I was so impressed with the cinematography that I had to look up who did it: Caleb Deschanel. The setting, a farm in Southern Ontario, allowed him to become intimate with the geese and the natural setting. Another reason I couldn't stop watching the movie was the stunning performance by Anna Paquin, the 16-year old girl who played Amy. I remembered her from the movie, 'Piano.' She played Flora, the daughter of Holly Hunter. I'm sure they picked Paquin to do that part because of her speaking ability. Holly Hunter played the part of Ada, a woman who couldn't talk. She communicated with sign language through her daughter. Paquin was so good in her part that she won the Oscar, quite a feat for an 11-year old.

The story, 'Fly Away Home' is touching because she's not the kind of Hollywood-trained child actor you find in most movies. A surprising thing happened as I watched Amy and her geese. I could sense a startling serenity from her as the bond had developed between them. I wondered how she could manage that. She was only a 16-year old actress then but she conveyed a mothering instinct that goes back to the ageless beginnings of life on this planet. When the goslings were following her around, much of the photography was from ground level. Later when they were all flying, the photography was right there in the flying formation. You were seeing the birds, in flight, right next to you. The beauty of motion was unbelievable. I thought, 'How could anyone shoot these creatures?' There is beauty in seeing them fly. There is beauty in seeing them in their habitat. But the overwhelming beauty is in their living. They deserved that life. It made me think of this sad planet and the billions of creatures that have died because of the human race. Here was a story that went against the slaughter. When Amy and her birds arrived at their destination in Chesapeake Bay I had misty eyes.

So I'm a soft touch.

This is poetic, emotional, breathtaking film-making blessed with a truly inspiring Mark Isham score. The theme song, "10,000 Miles", is achingly beautiful and is first used with intuitive irony over the film's opening credit sequence.

Anna Paquin is the little girl who, with her father, Jeff Daniels, "imprints" with a flock of young geese and leads them, via homemade aircraft, to a new home thousands of miles away.

The flight sequences, which combine real flying with computer-assisted imagery over rivers, pastures and cityscapes, are flawless. They capture the awe and staggering thrill of flight without ever resorting to unnecessary, contrived stuntwork.

Daniels, not a regular face on the silver screen these days, is natural and likable as Paquin's eccentric father while Paquin once again demonstrates what a brilliant talent she is.

The narrative builds to an exciting conclusion as the film's environmental theme is amplified.

Director Ballard, who also made the striking BLACK STALLION and the stark NEVER CRY WOLF, brings acute visual economy to every scene and never allows the film's underlying theme to become preachy.

Caleb Deschanel, the film's cinematographer, gives us flawless images that frequently drop the jaw.

A major achievement in a minor key.

A family film .. yes but certainly one that can be watched and watched again without the need for a licensing child. Jeff Daniels is superb as an eccentric father who takes on board his daughter after his estranged wife's death in a car accident. A strong supporting cast (including geese) are driven to support Amy's desire to assist a bunch of orphaned geese to maintain a wild existence. This involves teaching the geese to fly and leading them South by air. This journey for both the daughter coping with grief after the loss of her mother, the father in discovering his daughter once more and the geese in finding a new home for the Winter adds up to .. well tears and more tears.

Before you write this film off as "fantasy" take the time to watch the BBC's Life of Birds final part. There you meet a remarkable farmer from the US who is using a microlite to aid a few of the last remaining Whooping Cranes to re-establish migratory patterns.

In the UK the site of skeins of wild geese migrating in Winter form their Summer homes in Iceland and the Arctic circle is one of the last great wildlife dramas left on this small island. The views in Fly away Home of Amy's geese as they move in to join the hundreds of wild geese powering South capture this majesty. This story of a group of people who care about and assist this natural pattern may help reinforce some of the awe that we should all feel when confronted with these epic and annual journeys.

The greatest challenge any of us will ever face is how to regain the ability to reach for joy after the loss of a loved one. Especially, when that loss is abrupt and occurs at an age before one has developed the capacities to manage it. That is the over-arching and powerful theme that "Fly Away Home" manages to evoke so beautifully.

It's difficult to pin-point which of the masterfully developed elements of filmmaking that make this movie such a joy to watch again and again. But, surely, it all comes down to the great story-telling ability of Mr. Carol Ballard. Everything is harnessed to tell the story (a basic element of drama surprisingly ignored these days in Hollywood) of a girl who loses her mother at a critical point in her life, and has to find a way to the rest of her life, while reeling from the trauma and uncertain of how to survive her grief.

The discovery of an abandoned nest of Canadian geese eggs is the simple overlaying metaphor that takes us on her journey. The great difference between this movie and other movies of its type is that Mr. Ballard resists the temptation to explicate the transcendent story of Amy's emotional triumph over her loss and grief. Simply put, the story is about the geese, but it's really about Amy's recovery and reconnection with her future, with her life, though there isn't one line of dialogue explaining that to the viewer. It seeps out of the story through the masterful, chekovian performances of Anna Paquin as Amy and Jeff Daniels as her father. This theme is supported with such unerring consistency in the music (Mark Isham at his most sublime), the cinematography, editing, lighting, art direction and casting. All of the casting is just perfect. Especially in the sense that none of the actors ever seem to be pulling anything out of their "bag of tricks" or doing some bit you've seen them do before. The quality of the work is such that much of the dialogue in the movie seems spontaneous and almost ad libbed. The final sequence is a thing of sublime, subtly powerful beauty that is rarely seen in movies these days. A powerful, wordless climax. Something that happens so effortlessly, because the story that comes before has been told so completely and with such skill. I cry every time I watch it.

Thank you, Carol Ballard, for this beautiful gift of compassion and belief.

Note: Did Anna Paquin actually move from little girl to adolescent in the course of making this movie, or is it more of the master magicianry of Carol Ballard and his team?