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The Eighteenth Angel

  • 1997
  • R
  • 1h 35min
VALUTAZIONE IMDb
4,8/10
1709
LA TUA VALUTAZIONE
Rachael Leigh Cook, Christopher McDonald, and Maximilian Schell in The Eighteenth Angel (1997)
Home Video Trailer from Columbia Tristar
Riproduci trailer1: 30
1 video
17 foto
HorrorMysteryThriller

Aggiungi una trama nella tua linguaMythology and religious dogma are slowly revealed when an attractive young woman is approached by a modeling agency that pulls her into an underworld of priests that are not Christian but ra... Leggi tuttoMythology and religious dogma are slowly revealed when an attractive young woman is approached by a modeling agency that pulls her into an underworld of priests that are not Christian but rather want to resurrect Satan by collecting the souls of 18 beautiful children.Mythology and religious dogma are slowly revealed when an attractive young woman is approached by a modeling agency that pulls her into an underworld of priests that are not Christian but rather want to resurrect Satan by collecting the souls of 18 beautiful children.

  • Regia
    • William Bindley
  • Sceneggiatura
    • David Seltzer
  • Star
    • Christopher McDonald
    • Rachael Leigh Cook
    • Stanley Tucci
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    4,8/10
    1709
    LA TUA VALUTAZIONE
    • Regia
      • William Bindley
    • Sceneggiatura
      • David Seltzer
    • Star
      • Christopher McDonald
      • Rachael Leigh Cook
      • Stanley Tucci
    • 31Recensioni degli utenti
    • 10Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    The Eighteenth Angel
    Trailer 1:30
    The Eighteenth Angel

    Foto16

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    Interpreti principali30

    Modifica
    Christopher McDonald
    Christopher McDonald
    • Hugh Stanton
    Rachael Leigh Cook
    Rachael Leigh Cook
    • Lucy Stanton
    Stanley Tucci
    Stanley Tucci
    • Todd Stanton
    Wendy Crewson
    Wendy Crewson
    • Norah Stanton
    Maximilian Schell
    Maximilian Schell
    • Father Simeon
    Cosimo Fusco
    Cosimo Fusco
    • Florian
    Venantino Venantini
    Venantino Venantini
    • Clockmaker
    Ted Rusoff
    Ted Rusoff
    • Benedetti
    Federico Pacifici
    Federico Pacifici
    • Dark-Eyed Cleric
    John Crowther
    • Mangram
    Vanessa Meadows
    Vanessa Meadows
    • Museum Guide
    • (as Vanessa Crane)
    Linda Cerabolini
    • Milla Pagano
    Orso Maria Guerrini
    Orso Maria Guerrini
    • Paolo Pagano
    Linda Gucciardo
    • Stewardess
    Fabrizio Vitale
    • Customs Agent
    Rossano Rubicondi
    • Model
    Barbara Berardi
    • Model
    Francesca De Sapio
    Francesca De Sapio
    • Gabriella
    • Regia
      • William Bindley
    • Sceneggiatura
      • David Seltzer
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti31

    4,81.7K
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    Recensioni in evidenza

    4KuRt-33

    The Great Book of Horror Clichés (part 513)

    "The House of Yes", "Family Rescue", "She's All That": all decent movies starring Rachael Leigh Cook. That's why Rachael was the only reason I wanted to see "The Eighteenth Angel" (well, that and the fact it was shown just after The X-Files). The short version: not even Rachael (as Lucy) can save this disaster.

    Here's the longer version: Some of the acting is so bad it's more frightening than the horror plot (a Satanic church wants the Antichrist back and all they need is a demon clock saying when they should sacrifice 18 angelic children). The worst performance is given by Maximilian Schell: instead of acting like a satanic priest he acts like he's the evil penguin in a children's story. When he recites the satanic verses, you think he's reading the recipe for pork chops. The more the story evolves the more ludicrous it gets. If you know the horror cliches, all you have to do is make a list and wait for it to come. Oh look, spikes: somebody's bound to get killed by them. (check) Oh look, nice horses: they are probably going to kill someone. (check) Let's wait for the cameo of a cemetary. (check) Etc etc. (check) Watch out for painful mistakes: father Simeon is praying to the Devil in a pentagram (check), but apparently the makers of this movie didn't know what a pentagram is. It certainly isn't what they used a movie. (If you don't know what a pentagram looks like: watch Jacob the Liar: in that movie they needed a Jewish star, but they used a pentagram.) Add the final ingredient: referring to and stealing from other movies. Maybe they can get away with referring to Brian de Palma's Obsession (the church scene), but it's hard not to spot they borrowed some ideas from The Exorcist. Once again: bad copying only makes a bad movie worse.

    So it's best to skip this movie? Yes, unless you like watching Rachael Leigh Cook. In this movie she is a teenage model, so there's lots of posing and looking nice. But she was much better in the movie list I started this review with, so that's not really an argument. Also, skipping The Eighteenth Angel means you don't have to see the ending of a movie which gets worse every scene. You'll clap your hand when the titles get there: not because the movie was good, but because it's finally over.
    MWFD

    Fantastic Genre Fare

    I'm quite surprised by the low ratings users have given this movie. I think of all the direct to video genre films of late The Eighteenth Angel is the pick of the crop. Great acting, an original plot, and great surprisingly good visual effects combine for a great intriguing film.
    polkablues

    Entertaining if you don't expect too much

    Far from a great movie, but at least it's better than "The Ninth Gate" and "End of Days" (the two movies it reminded me most of). Rachel Leigh Cook is stunningly beautiful, and gives a performance that makes some poor writing almost work. Christopher McDonald is surprisingly good even though (perhaps because) he is not playing the comedic jerk character he's played in almost everything else he's been in. Maximillian Schell should have just stayed home; he doesn't bring anything new or even interesting to the film. All in all, it's worth renting (or buying for three dollars, as I was lucky enough to do), even though the ending is one of the most cliched, predictable bits of cinema I've seen in a long time. The menacing glare straight into the camera at the last shot just doesn't seem as clever as it used to be. For that matter, I'm not convinced it ever was clever.
    walneto

    Look what the cat dragged in ...

    ... a horrible mutated rat! LOL

    Okay, it's not tooooo bad. Not, toooo bad. Nobody ever said raising a teenage daughter would be easy.
    4jannagal

    Tick, tock...stupid clock.

    The countdown is on...the devil is coming, the devil is coming. And, it wants some beauty, so let's kidnap some beautiful girls. From the phony somber stridency of the narrator's opening monologue, to the stupid clock that gives the countdown, this movie has the most implausible of themes. On first viewing, the movie was rated a 5, for some interesting camera work, and movie tone. But several months and several 100 movies later, a second viewing(why I wasted my time I don't know) warrants a lower rating. New rating: 4 As an aside, in one scene, the husband asks about his wife's work: It's "Etruscans" she says. "Ah, snails," he says. "No that's crustaceans," she says. "No sorry, that's mollusca," I say.

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    Trama

    Modifica

    Lo sapevi?

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    • Quiz
      Though shot for a theatrical release, the film made its debut on the Starz! network.
    • Blooper
      Norah refers to a clam as a crustacean; clams are mollusks.
    • Curiosità sui crediti
      The producers gratefully acknowledge The City and Town Hall of Formello, Italy The Sorbo Monastery, Italy
    • Connessioni
      References Ai confini della realtà (1959)
    • Colonne sonore
      Theme from 'The Twilight Zone'
      (Ai confini della realtà (1959))

      Written by Marius Constant

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    Dettagli

    Modifica
    • Data di uscita
      • 6 dicembre 1997 (Giappone)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Den artonde ängeln
    • Luoghi delle riprese
      • Formello, Roma, Lazio, Italia
    • Azienda produttrice
      • Rysher Entertainment
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 25.000.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 35 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 2.35 : 1

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