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Aggiungi una trama nella tua linguaAfter a botched bank job, a gang takes hostage a Japanese girl on the run from an arranged marriage, and escapes. Their wheel man saves the girl from them and the two go on the run with cops... Leggi tuttoAfter a botched bank job, a gang takes hostage a Japanese girl on the run from an arranged marriage, and escapes. Their wheel man saves the girl from them and the two go on the run with cops, the gang and her psycho husband on their tail.After a botched bank job, a gang takes hostage a Japanese girl on the run from an arranged marriage, and escapes. Their wheel man saves the girl from them and the two go on the run with cops, the gang and her psycho husband on their tail.
- Regia
- Sceneggiatura
- Star
Christopher Duncan
- Confused Man
- (as Christopher Duncan)
Recensioni in evidenza
I picked this up at the local video store recently as I am always looking for something that might not have been first run but still might turn out to be interesting. I wasn't disappointed with this noirish little flick that featured a rather sweet love story between Russell Crowe (Colin) and Youki Koudoh (Midori)as the lovers on the lam from just about everyone - the cops, the Afghan gangsters and Youki's husband Kenji Isomorua (Yokio).
The film is essentially a road movie as the two ill-fated lovers come together after Midori leaves her husband and Colin becomes a driver for the Afghan gangsters in a robbery that goes awry resulting in Midori been taken as a hostage. What follows is chase across the Australian Outback as the naive Midori falls for the quiet Colin and they try to elude their chasers to reach their paradise on the beach.
There is some lapses of logic as the chasers find the ill-fated lovers as well as some jarring violence but this tidy little Australian film is a worthy addition to the noir genre. Worth seeing.
The film is essentially a road movie as the two ill-fated lovers come together after Midori leaves her husband and Colin becomes a driver for the Afghan gangsters in a robbery that goes awry resulting in Midori been taken as a hostage. What follows is chase across the Australian Outback as the naive Midori falls for the quiet Colin and they try to elude their chasers to reach their paradise on the beach.
There is some lapses of logic as the chasers find the ill-fated lovers as well as some jarring violence but this tidy little Australian film is a worthy addition to the noir genre. Worth seeing.
When I was reading other users' comments it occurred to me that the film is a "cruel romance". What Nick Cave did with his "Murder Ballads", but on the screen. I believe, the film has something in common with "Night Cowboy", "Knocking on Heaven's Door", but it has neither the raw prose of life of the former, nor the sentimental appeal of the latter. It's meant to be viewed with a touch of irony, a touch of "stepping aside". It's intentionally overdone here and there, but it doesn't spoil the story, it's the mark of the genre. Personally I welcomed this Australian variety of "cruel romance", it's a rest from sickeningly earnest Hollywood stuff.
Admittedly I'm a dedicated Crowe fan and have almost all his old movies but when I first got Heaven's Burning I found it a bit odd and would have said - well all great actors have to put in time on mediocre movies before they get to the top stuff. However after watching it again today for about the sixth or seventh time, I have to say that it really is very watchable. Even those awful sideburns. But thanks for not inflicting them on us again Russell. Yes its a road movie crossed with Bonnie & Clyde,Aussie version, but the tender little love story, the fast pace, the violent bits and the collection of grotesque characters met on the way make for an interesting ride.
I first saw this movie in a late night slot on a satellite movie channel. The movie has a more than interesting cast of quirky and disturbing characters that appear throughout is length, in some respects quite similar to a Coen brothers film. The two central characters meet in the most unusual of circumstances and have more than one reason to hide themselves from their respective pursuers. The film portrays a different side to Australia, especially with the mixture of cultures presented. There are enough action scenes within film to keep the pace up and is accompanied with a good soundtrack. I thoroughly enjoyed this movie and would recommend it.
Well, I watched this again after seeing Russell Crowe in The Insider.
THE reason to watch this movie, in my mind, is the last five minutes. If you've read the title, I don't think I'm giving anything away when I say that it's the sort of poetically cataclysmic ending you'd expect from the best of film noir...bringing to mind a vague connection with Kiss Me Deadly...and the only way to end any good road movie. That said, the rest of the movie is pure B...true to the noir roots...and whether or not the mistranslations and boom mike shadows were intentional is somewhat irrelevant. You may laugh, you may not, but at worst it's a quirky, passably interesting vehicle to the "good" part.
As for Crowe, well, fans may enjoy, but no one's really given enough time or lines to shine in this movie. Or establish believable relationships for that matter. They're grim characters on a silent march to their doom, leaving a path of carnage and (I must insist quite relevant) dead bystanders in their wake.
THE reason to watch this movie, in my mind, is the last five minutes. If you've read the title, I don't think I'm giving anything away when I say that it's the sort of poetically cataclysmic ending you'd expect from the best of film noir...bringing to mind a vague connection with Kiss Me Deadly...and the only way to end any good road movie. That said, the rest of the movie is pure B...true to the noir roots...and whether or not the mistranslations and boom mike shadows were intentional is somewhat irrelevant. You may laugh, you may not, but at worst it's a quirky, passably interesting vehicle to the "good" part.
As for Crowe, well, fans may enjoy, but no one's really given enough time or lines to shine in this movie. Or establish believable relationships for that matter. They're grim characters on a silent march to their doom, leaving a path of carnage and (I must insist quite relevant) dead bystanders in their wake.
Lo sapevi?
- QuizAs a director, Craig Lahiff impressed his cast with his laid-back approach and seemingly endless patience. Actress Youki Kudoh remarked: "He's so gentle. I never saw him lose his temper, which was amazing! He was always calm and took the time to explain exactly what he was thinking, whilst still allowing me to express my ideas". Actor Robert Mammone concurred: "He brings a sense of calmness that I haven't previously experienced. I don't think I've ever seen anybody trust his actors so much, he really nurtured us". Cinematographer Brian Breheny described Lahiff's approach as "a wonderful bedside manner...Craig's not [a] confrontationalist, but he gets the shots he wants by letting things go and everyone thinks, 'Oh, I've got my own way', but in fact they haven't, he has!".
- BlooperWhen Yukio accidentally shoots his translator, he is first seen pulling back the slide of his 1911 pistol and the slide locks to the rear. The slide of a 1911 will only lock back if a) the slide lock is pressed up or b) the pistol magazine inserted is empty. Since Yukio knew nothing about firearms it is unlikely he would lock back the slide by himself, so the pistol that accidentally shot his friend was empty of any ammunition.
- ConnessioniFeatured in The Movie Show: Episodio datato 25 maggio 1997 (1997)
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- Tempo di esecuzione1 ora 39 minuti
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By what name was Paradiso di fuoco (1997) officially released in Canada in English?
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