VALUTAZIONE IMDb
5,3/10
9782
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA crucified body dated back to the first century A.D is uncovered at an ancient cave in Jerusalem. Trouble ensues as word spreads.A crucified body dated back to the first century A.D is uncovered at an ancient cave in Jerusalem. Trouble ensues as word spreads.A crucified body dated back to the first century A.D is uncovered at an ancient cave in Jerusalem. Trouble ensues as word spreads.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Makram Khoury
- Nasir Hamid
- (as Makram J. Khoury)
Mohammad Bakri
- Abu Yusef
- (as Muhamed Bakri)
Yoav Dekelbaum
- Avi
- (as Yoav Deckelbaum)
Ariel Horowitz
- Reb Nechtal
- (as Ariel Horovitz)
Roi Horowitz
- Zalman
- (as Roi Horovitz)
Recensioni in evidenza
A crucified body dated back to the 1st century A.D is uncovered at an ancient cave in Jerusalem . Then , a priest named Matt Gutiérrez (Antonio Banderas) is assigned by a Vatican's cardinal (John Wood) to discover if a skeleton of a crucified man found beneath a a shop in ___location of Jerusalen can be the remains of the body of Christ . The priest along with an archaeologist named Sharon Golban (Olivia Williams , though Kristin Scott Thomas was formerly offered this role) will have to resolve the strange enigma . Another priest (Derek Jacobi) is about the tracks of the events that result to be each time more difficult and complicated . Trouble ensues as word spreads . As they'll take on a lot of dangers and in middle of two confronted parts , ¨Jews and Palestines¨ because both of them want the enigmatic body for their own purposes .
It's a spiritual thriller but with little action , it results to be slow-moving and sometimes a bit boring and tiring . The ending confrontation with noisy shootouts between the starring and the enemies is ridiculous and embarrassing . The storyline by Jonas McCord (film director) is clunky and confuse , in spite of being based on a successful novel . Antonio Banderas (Zorro) and Olivia Williams (The 6º sense) interpretation is average and other actors have a wooden acting with exception to Derek Jacobi (I Claudio) who plays astoundingly a priest of lost faith . Vilmos Zsigmond cinematography is excellent , he has a long career as cameraman with splendid films (Deer hunter, Heaven's gate , Sugarland express). Being shot on ___location in Jerusalem , Salesian Convent, Bet Jamal , Israel and Ospedale Santo Spirito, Borgo Santo Spirito , Rome Lazio, Italy . Serge Cobert's musical score is nice including some esoteric and spiritual notes and he creates a mysterious atmosphere . The picture was regularly directed by Jonas McCord . The yarn will appeal to spiritual thriller enthusiasts and Antonio Banderas fans . Rating : Average though entertaining.
It's a spiritual thriller but with little action , it results to be slow-moving and sometimes a bit boring and tiring . The ending confrontation with noisy shootouts between the starring and the enemies is ridiculous and embarrassing . The storyline by Jonas McCord (film director) is clunky and confuse , in spite of being based on a successful novel . Antonio Banderas (Zorro) and Olivia Williams (The 6º sense) interpretation is average and other actors have a wooden acting with exception to Derek Jacobi (I Claudio) who plays astoundingly a priest of lost faith . Vilmos Zsigmond cinematography is excellent , he has a long career as cameraman with splendid films (Deer hunter, Heaven's gate , Sugarland express). Being shot on ___location in Jerusalem , Salesian Convent, Bet Jamal , Israel and Ospedale Santo Spirito, Borgo Santo Spirito , Rome Lazio, Italy . Serge Cobert's musical score is nice including some esoteric and spiritual notes and he creates a mysterious atmosphere . The picture was regularly directed by Jonas McCord . The yarn will appeal to spiritual thriller enthusiasts and Antonio Banderas fans . Rating : Average though entertaining.
Well, an Israeli widow, Olivia Williams, uncovers a hidden tomb in Jerusalem, and there is some suggestion that it might be that of Christ. This causes a considerable stir in the Vatican because, after all, Christ's body shouldn't be there unless he was an ordinary man. So they send Father Antonio Banderas down there to investigate, telling him ahead of time, so that he doesn't misunderstand his mission, that "the body is not that of Christ."
Banderas and Williams form at first a kind of mismatched cop/buddy team, he instense and inhibited, she breezily outgoing and scientific. But they soon run into trouble that pulls them together in their goals. I admit I didn't understand all of the reasons why so many groups wanted to interfere with the investigation or to exploit the find for political purposes. The first trouble they run into is an orthodox Jewish sect whose members bombard them with rocks and steal an important artifact. Then there is the leader of a Palestinian group, the PLO, I mean the FLP, or rather the PDQ. He wants his henchmen to get their hands on the bones. I forget why but I'm sure the purpose is nefarious. You can tell because he's got a face on him like the assassin in Hitchcock's "The Man Who Knew Too Much." And you can identify his thugs when you see them because they're all swarthier than everybody else. The head Israeli honcho in this business, Shrapnel, informs the Vatican that as soon as Jerusalem is recognized as the sole capital of a united country, the bones will be released. (I understood that.) This all leads to a final semi-violent confrontation between the PDQ leader and the priest, in which the latter is wounded and the former is blown to smithereens. Oh, that reminds me, there is some comic relief from a sloppy young Irish priest who is a computer hacker. The question of whose body it is, is resolved at the end, but nobody in the movie finds out about it, only the viewer. Father Banderas resigns his commission and decides to follow God in his own way. He writes a very nice letter to Williams, but the movie stops short of having them fall into each other's arms. Let's not disturb anybody by raising REAL problems. (Are we going to observe Shabbat? How are we going to raise the kids?)
The photography is okay, and it's an interesting exploration of modern Israel and the political and ethnic maelstrom that it is, while at the same time much less didactic than "Exodus," which might have been called "Zionism for Dummies." The acting is better than one might expect. Antonio Banderas has a sympatico appearance. He exudes sincerity in this part. And he's not a bad actor, the kind of ordinary man who engages us without being particularly glamorous, the way some European actors like Jean-Louis Trintignant or Jean Moreau do. Olivia Williams isn't quite as convincing but she is very sexy and appealing, and looks the part of a 30-ish practical-minded Israeli woman, worn but warm. She almost, but not quite, gives Banderas some chicken soup one night. The musical score sounds like it's from a stock library somewhere, from a file labeled "Suspense music." Shrapnel looks the part of the Israeli honcho too. He sounds uncannily like Paul Stewart.
This isn't a puzzle that I find particularly interesting, although I don't know why. Religious belief leads so regularly to violence and intrigue. But I don't really think that if a body were positively identified as Christ's it would change things very much. Cognitive dissonance theory suggests that, if anything, it would strengthen our beliefs in some way. (Cf., "When Prophecy Fails.") The problem would at least be papered over somehow. I'm happy that I watched it, I suppose, if only because of Olivia Williams and Antonio Banderas, both of whom are worth watching, for somewhat different reasons, but in fact I did spend two hours following this complicated story and may just be reducing post-decision dissonance.
Banderas and Williams form at first a kind of mismatched cop/buddy team, he instense and inhibited, she breezily outgoing and scientific. But they soon run into trouble that pulls them together in their goals. I admit I didn't understand all of the reasons why so many groups wanted to interfere with the investigation or to exploit the find for political purposes. The first trouble they run into is an orthodox Jewish sect whose members bombard them with rocks and steal an important artifact. Then there is the leader of a Palestinian group, the PLO, I mean the FLP, or rather the PDQ. He wants his henchmen to get their hands on the bones. I forget why but I'm sure the purpose is nefarious. You can tell because he's got a face on him like the assassin in Hitchcock's "The Man Who Knew Too Much." And you can identify his thugs when you see them because they're all swarthier than everybody else. The head Israeli honcho in this business, Shrapnel, informs the Vatican that as soon as Jerusalem is recognized as the sole capital of a united country, the bones will be released. (I understood that.) This all leads to a final semi-violent confrontation between the PDQ leader and the priest, in which the latter is wounded and the former is blown to smithereens. Oh, that reminds me, there is some comic relief from a sloppy young Irish priest who is a computer hacker. The question of whose body it is, is resolved at the end, but nobody in the movie finds out about it, only the viewer. Father Banderas resigns his commission and decides to follow God in his own way. He writes a very nice letter to Williams, but the movie stops short of having them fall into each other's arms. Let's not disturb anybody by raising REAL problems. (Are we going to observe Shabbat? How are we going to raise the kids?)
The photography is okay, and it's an interesting exploration of modern Israel and the political and ethnic maelstrom that it is, while at the same time much less didactic than "Exodus," which might have been called "Zionism for Dummies." The acting is better than one might expect. Antonio Banderas has a sympatico appearance. He exudes sincerity in this part. And he's not a bad actor, the kind of ordinary man who engages us without being particularly glamorous, the way some European actors like Jean-Louis Trintignant or Jean Moreau do. Olivia Williams isn't quite as convincing but she is very sexy and appealing, and looks the part of a 30-ish practical-minded Israeli woman, worn but warm. She almost, but not quite, gives Banderas some chicken soup one night. The musical score sounds like it's from a stock library somewhere, from a file labeled "Suspense music." Shrapnel looks the part of the Israeli honcho too. He sounds uncannily like Paul Stewart.
This isn't a puzzle that I find particularly interesting, although I don't know why. Religious belief leads so regularly to violence and intrigue. But I don't really think that if a body were positively identified as Christ's it would change things very much. Cognitive dissonance theory suggests that, if anything, it would strengthen our beliefs in some way. (Cf., "When Prophecy Fails.") The problem would at least be papered over somehow. I'm happy that I watched it, I suppose, if only because of Olivia Williams and Antonio Banderas, both of whom are worth watching, for somewhat different reasons, but in fact I did spend two hours following this complicated story and may just be reducing post-decision dissonance.
This year we have been inundated with childish air-headed teen flicks! This movie doesn't "gross you out", or special effect you to death!! It tells a simple story with simple characters searching for answers to some very complex questions. Well acted, but poorly directed and edited. It has many flaws, but it is nice to see an adult film that doesn't insult your intelligence. It does not answer many questions, but does make you ask several of yourself.
Usually I am quite critical of films, especially Hollywood action films in the line of "The Body". I DID like this one and think it is under-rated but look at the reviews here and you will see extremes of hating and liking this film. This is odd, and I wonder if it has to do with the religious background of those making comments? I have put off renting this film for over a year, due to the low IMDB rating, and was very surprised to find a good solid performance of Antonio Banderas as a priest, decent dialogue, nice eye candy and acting of Olivia Williams, and an intelligent (well, for such an action flick anyhow) thought-provoking story.
This movie has a plus side and a minus side:
-On the plus side,the fear a priest encounters when he discovers that bones found in a Jerusalem' s grave by an archaeologist might be Jesus 's ones.So if Jesus is a man,it's a whole religion which falls down;one should note that ,for that matter ,the Muslims' and the Jews ' religions stand in little danger of bringing this about.Antonio Banderas is very convincing,I do not know if the actor is a believer,but we do believe the character he portrays is.
-On the minus side,when the movie becomes a thriller (complete with kidnapping,shootings and priest becoming a superhero),it peters out.One can admit the Jews want to keep the Vatican from getting the bones,but that part is not better than a Van Damme flick.
Watch this movie anyway cause it asks disturbing questions.
-On the plus side,the fear a priest encounters when he discovers that bones found in a Jerusalem' s grave by an archaeologist might be Jesus 's ones.So if Jesus is a man,it's a whole religion which falls down;one should note that ,for that matter ,the Muslims' and the Jews ' religions stand in little danger of bringing this about.Antonio Banderas is very convincing,I do not know if the actor is a believer,but we do believe the character he portrays is.
-On the minus side,when the movie becomes a thriller (complete with kidnapping,shootings and priest becoming a superhero),it peters out.One can admit the Jews want to keep the Vatican from getting the bones,but that part is not better than a Van Damme flick.
Watch this movie anyway cause it asks disturbing questions.
Lo sapevi?
- QuizThis movie had been in development for fifteen years, with Universal Pictures intending to distribute and Liam Neeson set to star. In the end, the project was dropped after Universal became nervous about the religious themes.
- BlooperWhen Matt goes to visit Father Lavelle, Father Lavelle refers to Mark 18:21. Mark only has 16 chapters. Then later he refers to Mark 13:21.
- Citazioni
Moshe Cohen: Religion is not based on rational system of proofs. It survives because of human need.
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Dettagli
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 36.849 USD
- Fine settimana di apertura Stati Uniti e Canada
- 19.988 USD
- 22 apr 2001
- Lordo in tutto il mondo
- 280.777 USD
- Tempo di esecuzione1 ora 49 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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