VALUTAZIONE IMDb
6,1/10
75.782
LA TUA VALUTAZIONE
Due marine statunitensi durante la seconda guerra mondiale vengono assegnati per proteggere i marines Navajo, che usano la loro lingua madre come un indistruttibile cifrario radiofonico.Due marine statunitensi durante la seconda guerra mondiale vengono assegnati per proteggere i marines Navajo, che usano la loro lingua madre come un indistruttibile cifrario radiofonico.Due marine statunitensi durante la seconda guerra mondiale vengono assegnati per proteggere i marines Navajo, che usano la loro lingua madre come un indistruttibile cifrario radiofonico.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 6 candidature totali
Clayton J. Barber
- Hasby
- (as Clayton Barber)
Recensioni in evidenza
I thought this was a film about Navajo code talkers. Well, it's not. While there are a couple of Navajos in the film, the story revolves around Nicolas Cage winning WWII all by himself. This guy's incredible and makes John Wayne look like a wimp. Every time the Marines are in trouble, up jumps good old Nicolas Cage with his Thompson and POOF! the battle is WON! I wonder how we won WWII without Nicolas Cage? The film has a LOT of combat footage and most of that is very well done. That alone is worth a watch but don't expect to learn much of anything about the Navajo code talkers. You should read about them, because theirs was an important part of history, but they're a minor part in this film. I gave it a 6, only because of the good combat footage.
Woo's heightened maximalist style doesn't always translate smoothly to a rugged war movie and at no point is it more clear than with Windtalkers. I've definitely gained a better appreciation for it upon a second more expanded viewing as I'd seen this once before, but it was the rather lacking Theatrical Cut, so when gearing up for this mini US Wooathon I knew I wanted to give the Director's Cut the time of day it deserved. While it definitely lacks the raw emotional power that underlines Bullet in the Head, it feels more tonally consistent than Heroes Shed No Tears, but Windtalkers is replete with Cage's finest angsty acting, James Horner's gorgeous score, John Woo's exceptional attention to detail and requisite concerns of friendship and rivalry staring in the face of violence. This is not a story about heroes. It's a story about a man and his own demons, trying to redeem himself from war. Windtalkers is far from perfect, but heavily underrated for what it is, the kind of film where you think you can predict everything that's going to happen upon the first shot and you spend the rest of the film praying that you're wrong.
First, the bad: Nicholas Cage's over-the-top, suicidal maniac, idiotic self-pitying marine played with no subtlety at all. Peter Stormare's lousiest performance to date, he's been going downhill since the excellent work in FARGO. Perhaps that one was just luck for him, and a good script. Excessive battle scenes, so much so as to give the viewer shell-shock too. For these, a ONE.
The good: both Adam Beach and Roger Willie give solid, well-bodied performances as the Navajo code talkers. The effort to recognize the contribution of the Navajo code talkers is a very positive aspect here, and for these reasons the film deserves a NINE. I give it an average of FIVE.
The good: both Adam Beach and Roger Willie give solid, well-bodied performances as the Navajo code talkers. The effort to recognize the contribution of the Navajo code talkers is a very positive aspect here, and for these reasons the film deserves a NINE. I give it an average of FIVE.
I finally watched this movie, it long caught my interest but fell of my radar for years. I do recommend watching this movie--at least until some independent filmmakers (or streaming studio) makes a worthy version of this story. The story is incredible. As an high-tech engineer, I am blown away by the fact that the human brain and unusual language was able to solve a real-time encryption problem decades ahead of any possible other technology. Sure, machines like enigma could be used, but, that is a heavy and vulnerable asset to drag around on the front lines. Really heroic story, and even more moving given the lack of respect shown to native Americans since the European invasion of their homelands.
Incredible human drama. Great performances by the lead Navajo actors. Cage was his usual fantastic self, despite the flimsy lines he was given. The rest of the movie was---meh. Typical Hollywood narcissism. Spend most of the budget blowing things up and sending people careening in all directions in bits and pieces. Zero depth to any other characters, including the Japanese, who were little more than animated cardboard cutouts screaming and shooting. This movie should be a poster child for the imminent demise of the Hollywood glory days, following in the path of cable TV as they chase each other down in a great swirling flush. The best thing about the streaming media revolution is that it busted up the Hollywood empires, and with that I have hope in a retelling of this story by more intelligent, skilled hands.
Incredible human drama. Great performances by the lead Navajo actors. Cage was his usual fantastic self, despite the flimsy lines he was given. The rest of the movie was---meh. Typical Hollywood narcissism. Spend most of the budget blowing things up and sending people careening in all directions in bits and pieces. Zero depth to any other characters, including the Japanese, who were little more than animated cardboard cutouts screaming and shooting. This movie should be a poster child for the imminent demise of the Hollywood glory days, following in the path of cable TV as they chase each other down in a great swirling flush. The best thing about the streaming media revolution is that it busted up the Hollywood empires, and with that I have hope in a retelling of this story by more intelligent, skilled hands.
When watching the trailer of Windtalkers, one gets the impression that this film is about the Navajo indians and how their native language was used to create a code that could not be broken by the Japanese. However, it turns out that this film is really about a white army seargeant (Nicolas Cage) and how he eventually befriends the codetalker (Adam Beach) that he is responsible for protecting.
Director John Woo doesn't disappoint with the action sequences. All of them are breathtaking and highly detailed. However, all of this action tends to take away the emphasis on the story. No matter, the scenes that show the developing friendship between the two seargeants (Cage and Christian Slater) and the codetalkers (Beach and Roger Willie) gives Windtalkers its heart. (7/10)
Director John Woo doesn't disappoint with the action sequences. All of them are breathtaking and highly detailed. However, all of this action tends to take away the emphasis on the story. No matter, the scenes that show the developing friendship between the two seargeants (Cage and Christian Slater) and the codetalkers (Beach and Roger Willie) gives Windtalkers its heart. (7/10)
Lo sapevi?
- QuizWeapons coordinator Robert "Rock" Galotti amassed over 500 vintage World War II-era firing weapons and 700 rubber replica weapons for the film from private collectors and prop houses. Also featured moving across battlefields are vintage Sherman tanks, their smaller Stuart brethren, and Japanese Hago tanks.
- BlooperWhen Ben Yahzee is leaving his family he shares a firm handshake with an elder. In Navajo culture personal contact is very limited. The handshake would have been a brief, light touch if given at all.
- Citazioni
Private Ben Yahzee: Radio Man:
[to Private Ben Yahzee]
Private Ben Yahzee: Remember Marine, ours is not to question why, ours is but to do or die. Semper Fi. Over
- Versioni alternativeA few scenes and lines of dialouge were either altered or missing from the finished film. An early scene of Joe and a nurse in their car on the beach has them two talking about the world being a pretty place and joe says it's not. Another scene of Joe and Yazi talking. Joe asks "seen any combat?" Yazi answers "No, but i am looking forward to getting into some" There are a few other small lines of dialouge that was left out. These were most likely cut because of pacing.
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Códigos de guerra
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 115.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 40.914.068 USD
- Fine settimana di apertura Stati Uniti e Canada
- 14.520.412 USD
- 16 giu 2002
- Lordo in tutto il mondo
- 77.628.265 USD
- Tempo di esecuzione2 ore 14 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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