Una donna divorziata e sua figlia diabetica si rifugiano nella stanza sicura della loro casa appena acquistata quando tre uomini irrompono nella casa alla ricerca di una fortuna scomparsa.Una donna divorziata e sua figlia diabetica si rifugiano nella stanza sicura della loro casa appena acquistata quando tre uomini irrompono nella casa alla ricerca di una fortuna scomparsa.Una donna divorziata e sua figlia diabetica si rifugiano nella stanza sicura della loro casa appena acquistata quando tre uomini irrompono nella casa alla ricerca di una fortuna scomparsa.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 9 candidature totali
Ty Copeman
- Truck Driver
- (non citato nei titoli originali)
Nicole Kidman
- Stephen's Girlfriend on the Phone
- (voce)
- (non citato nei titoli originali)
Recensioni in evidenza
This was a very suspenseful and exciting thriller from David Fincher who is responsible for my all time favourite film which is Seven. This new film has another very good performance by Jodie Foster but the acting standout of the film has to go to Dwight Yoakam with awesome performance as Raoul. The only problem i had with this film was its ending which was a bit of a let down but did not really spoil the film at all.
8 out of 10
8 out of 10
This movie is a nice piece of work! Those expecting or needing an edgy film ala Seven or Fight Club, don't bother. This movie does not pretend or intend to be what it is not. The camera work is great, the photography is great, and the acting is note-perfect given the script.
Nothing over-ambitious and the Fincher flick with the most appropriate running time and the least false notes so far. This is a classic thriller, much better than the negative reviews from other people led me to believe.
The photography is perfect for the movie. That includes the virtual camera work. Yes it looks like a David Fincher movie, but no it is not intentionally depressing and ugly as his others. The lighting works with the settings (3am in a huge house.)
Yes it's violent, that's why it's R rated. No, it's not something you'll necessarily want to watch a second time. This 90 very entertaining minutes of "now what's gonna happen"?
So suspend your disbelief a tad, sit back, and be entertained.
Nothing over-ambitious and the Fincher flick with the most appropriate running time and the least false notes so far. This is a classic thriller, much better than the negative reviews from other people led me to believe.
The photography is perfect for the movie. That includes the virtual camera work. Yes it looks like a David Fincher movie, but no it is not intentionally depressing and ugly as his others. The lighting works with the settings (3am in a huge house.)
Yes it's violent, that's why it's R rated. No, it's not something you'll necessarily want to watch a second time. This 90 very entertaining minutes of "now what's gonna happen"?
So suspend your disbelief a tad, sit back, and be entertained.
Panic Room stands as a classic horror film that expertly blends elements of thrill and crime. Curiously, despite its clear horror attributes, it doesn't find its home in the horror genre on IMDb. As a fan of well-crafted horror movies that encompass compelling character arcs and character development, this film left a mark considering its impeccable writing which ticked all the boxes.
What sets Panic Room apart is its unique narrative approach. The writer's choice to conclude the movie in a similar fashion to how it commenced is a rarity within the horror genre. Both the protagonist and antagonist are intricately developed characters, brought to life with equally outstanding performances that mirror their well-structured designs and deep character arcs.
Although the trapped-in-a-house subgenre can sometimes be predictable due to its reliance on intense horror and survival, Panic Room is as an exception. The tense atmosphere adds to the film's overall impact. I was engrossed by its gripping combination of thrills, well-crafted writing, and stellar performances thanks to Jodie Foster & Forest Whitaker's stand-out performance.
I felt the iconic dialogue of the classic, Shawshank Redemption (So was Red) was recreated - You're gonna be okay.
What sets Panic Room apart is its unique narrative approach. The writer's choice to conclude the movie in a similar fashion to how it commenced is a rarity within the horror genre. Both the protagonist and antagonist are intricately developed characters, brought to life with equally outstanding performances that mirror their well-structured designs and deep character arcs.
Although the trapped-in-a-house subgenre can sometimes be predictable due to its reliance on intense horror and survival, Panic Room is as an exception. The tense atmosphere adds to the film's overall impact. I was engrossed by its gripping combination of thrills, well-crafted writing, and stellar performances thanks to Jodie Foster & Forest Whitaker's stand-out performance.
I felt the iconic dialogue of the classic, Shawshank Redemption (So was Red) was recreated - You're gonna be okay.
In her first suspense-thriller since her Academy-Award winning turn in "The Silence of the Lambs", Jodie Foster registers quite well as middle-aged New Yorker Meg Altman, who moves into an EXTREMELY spacious brownstone with her daughter Sarah (Kristen Stewart), a diabetic tomboy. The building is equipped with a special shelter designed in the event of a break-in, known as a 'panic room'. Meg and Sarah waste no time in putting the claustrophobic area to use (on their first night, no less) when a trio of burglars (Forest Whitaker, Jared Leto and Dwight Yoakam) make their way into her building to retrieve a large sum of money. The catch is that the burglars' stash is in the very room in which Meg and her daughter are hiding! While 'Panic Room' is not exactly white-knuckle suspense, it definitely has its moments, especially the heart-pounding moment when Meg leaves the panic room to grab her cell phone, and the the tension-building scene when Whitaker and Yoakam enter the panic room when Foster leaves. The only main plot hole is clear in the very beginning: Why would a recently separated woman with one child want to purchase a four-story brownstone? What does she need all of that space for? Besides that, 'Panic Room' is an intelligently written and directed thriller from director David Fincher (Fight Club). The only characters that don't make sense are Meg's friend in the opening scenes and her husband (Ann Magnuson and Patrick Bauchau). They both seem hopelessly unnecessary; otherwise, 'Panic Room' is a first-rate thriller with similarities to several shockers of the early 1990s, 'Unlawful Entry' (1992) being one in particular. Whitaker has to be one of the nicest thieves in recent film history!
This movie kept me at the edge of my seat from 10 minutes inside of it and all through until its very end. A very good story highlighted by very good performances.
My hat off to Jodie Foster and Kristen Stewart, they're great playing mother and daughter.
Country-singer-turned-actor Dwight Yoakam outdoes himself portraying one of the burglars.
My hat off to Jodie Foster and Kristen Stewart, they're great playing mother and daughter.
Country-singer-turned-actor Dwight Yoakam outdoes himself portraying one of the burglars.
Lo sapevi?
- QuizAccording to David Fincher, Kristen Stewart grew more than three inches during filming of this project. She was smaller than Jodie Foster when the production started and towered over her when the final shots were done.
- BlooperWhen Meg starts searching for a "chocolate bar" once Sarah's sugar level drops, Sarah says she had already searched in the box and had found nothing. Yet we clearly see standard U.S. Military M.R.E. (meal ready to eat) packages which include a high sugar ration (in the form of, or in addition to, a dessert with the meal itself and sugar to be used with the included instant coffee), when Sarah was first searching.
- Curiosità sui creditiOpening credits are amazingly realistic in that they cast shadows and are reflected on the surrounding glass buildings.
- Versioni alternativeThe film's VHS & HDTV release presented the film open-matte, at an aspect ratio of 1.78:1, meaning there is more picture at the top and bottom of the frame than on DVD, which presents the original theatrical aspect ratio (2.39:1).
- ConnessioniEdited into HBO First Look: The Making of 'Panic Room' (2002)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- La habitación del pánico
- Luoghi delle riprese
- 38 West 94th Street, Manhattan, New York, New York, Stati Uniti(townhouse exteriors)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 48.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 96.397.334 USD
- Fine settimana di apertura Stati Uniti e Canada
- 30.056.751 USD
- 31 mar 2002
- Lordo in tutto il mondo
- 197.079.546 USD
- Tempo di esecuzione1 ora 52 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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