Nel 1951, uno scrittore di Hollywood inserito in una lista nera viene coinvolto in un incidente d'auto, perde la memoria e si stabilisce in una piccola città dove viene scambiato per un figl... Leggi tuttoNel 1951, uno scrittore di Hollywood inserito in una lista nera viene coinvolto in un incidente d'auto, perde la memoria e si stabilisce in una piccola città dove viene scambiato per un figlio perduto da tempo.Nel 1951, uno scrittore di Hollywood inserito in una lista nera viene coinvolto in un incidente d'auto, perde la memoria e si stabilisce in una piccola città dove viene scambiato per un figlio perduto da tempo.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 1 candidatura in totale
Recensioni in evidenza
The first thing is its attempt to create a sort of modern day fairy tale with an atmosphere bound in high emotion, drama and something of an epic frame, the film being so long over 2hours30min, and quite eventful. The story and chief concept were very interesting, and there is a lot of philosophy and idea in them, but the film never quite takes advantage of the platform it makes for itself and the emotional intensity feels rather constructed than genuine. Towards the end especially, it's just pushed down our throats too much and doesn't feel natural, or credible, and the most essential quality of emotion in cinema is credibility.
Another thing about it is its over-the-top political/philosophical message, the whole bit about the legal system; that element seems overdone too, a bit of a sidetrack to the plot, and not necessarily inevitable.
There's a taste of unfinished business, mismanaged tension, misused potential for emotion, and good plot elements that do not resolve into the anticipated climax. But it's a fine story, a fairly pleasant film to watch with good values, a certain essential candor, it is quite well played out considering the difficult premise, and then there's Jim Carey always there as the lead to help make any film more believable and endearing.
6.5 or 7/10.
Anyone who wants to take it literally will totally miss the point;it did not prevent "it's a wonderful life" and "Mr Smith goes to Washington to go straight to the heart;so does "the majestic " :it has a good screenplay which is never boring during 140 min and which features very good ideas:The hero remembering the lines of Dieterle 's "life of Emile Zola" whereas he suffers from amnesia ,the piano boogie which shocks the old music teacher,the way Landau reveals the young man the "truth" in the little graveyard,and how -always the magic of cinema" he recovers his memory...The first part is Martin Landau's triumph:he will move you to tears ;Tornatore's influence again,he really seems to come from "cinema paradisio" .But Jim Carrey in a sober part can succeed in his James Stewartesque act as well. Some will tell you it's passé,corny ,old hat :they are completely right.This movie can only appeal to these who have often a look at the past of the seventh art:I'm one of them and I do like "the majestic".
Lo sapevi?
- QuizAt one point, while the characters in the film are examining a store-front display of World War II heroes, a photograph of several men in uniform is shown. This photo is of actual soldiers who fought in World War II, all of whom made their home at the ___location of the film shoot, Ferndale, California.
- BlooperAdele says that Luke Trimble's name is on the statue in the basement of City Hall; however, the list of names displayed does not show his name.
- Citazioni
[Inside the abandoned movie theater]
Harry Trimble: That's why we call it The Majestic. Any man, woman, child could buy their ticket, walk right in. Here they'd be, here we'd be. "Yes sir, yes ma'am. Enjoy the show." And in they'd come entering a palace, like in a dream, like in heaven. Maybe you had worries and problems out there, but once you came through those doors, they didn't matter anymore. And you know why? Chaplin, that's why. And Keaton and Lloyd. Garbo, Gable, and Lombard, and Jimmy Stewart and Jimmy Cagney. Fred and Ginger. They were gods. And they lived up there. That was Olympus. Would you remember if I told you how lucky we felt just to be here? To have the privilege of watching them. I mean, this television thing. Why would you want to stay at home and watch a little box? Because it's convenient? Because you don't have to get dressed up, because you could just sit there? I mean, how can you call that entertainment, alone in your living room? Where's the other people? Where's the audience? Where's the magic? I'll tell you, in a place like this, the magic is all around you. The trick is to see it.
- Curiosità sui creditiThe Hollywood executives heard in the first scene are briefly heard over the Castle Rock logo. Postcards of Lawson fall down around the opening credits.
- ConnessioniFeatured in HBO First Look: The Majestic (2001)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- El Majestic
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 72.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 27.807.266 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.904.339 USD
- 23 dic 2001
- Lordo in tutto il mondo
- 37.317.673 USD
- Tempo di esecuzione2 ore 32 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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