Alice in Wonderland or What's a Nice Kid Like You Doing in a Place Like This?

This reworking of Lewis Carroll's Alice books, an hour-long (with commercial breaks) TV special by the Hanna-Barbera animation studio, known for their limited animation in TV series such as "The Flintstones," is amusingly clever in parts. The Alice here is told she must finish reading the Alice books for school before she's allowed to watch TV. While interacting with her dog, Fluff, however, she becomes concussed--entering a dream state whereby she follows Fluff through the family TV screen, down the hole of the boob tube, to Wonderland where she meets the game-playing rabbit and other creatures based on Carroll's narratives. A sign informs Alice, "Welcome to Wonderland" and, humorously, "This place is all right in my book -Lewis Carroll."

Fred and Barney from "The Flintstones" appear as actors in the role of the Caterpillar, which almost seems like a joke on the frequency of motion-picture stars appearing in odd roles in Alice movies ever since Paramount's star-studded production in 1933, which disguised, among others, Cary Grant as the Mock Turtle, W.C. Fields as Humpty Dumpty and Gary Cooper as the White Knight. If that weren't cheeky enough, the program ends with Alice breaking the fourth wall to wink through the real TV screen at us, the viewers. Unfortunately, the show also replaces most of Carroll's witty nonsense with songs that, with one exception, are tedious. It imitates the 1951 Disney theatrically-released cartoon, too, by concluding with Alice being homesick. On the other hand, I enjoyed the "Humphrey" (as in Bogart) Dumpty, who's a "hardboiled" "bad egg" locked in jail. Best of all, however, is Sammy Davis Jr. lending his voice to a cool (Cheshire) cat and singing the one catchy tune here, "What's a Nice Kid Like You Doing in a Place Like This?"

Hanna-Barbera's TV special "Alice in Wonderland, or What's a Nice Kid Like You Doing in a Place Like This?" doesn't promote fidelity to the source material; having to do a book report on "Alice in Wonderland," Alice falls through her TV set after her dog Fluff leaps into it and finds herself you know where, meeting several of Lewis Carroll's best-known characters while trying to find her pet.

It's less boring than the Disney version, but concerns about some dated trappings aside (will any children watching this today know who Hedda Hopper was?), Bill Dana's adaptation isn't as funny as it wants to be; Alice's trial for stealing the tarts - I told you it wasn't loyal to the book - is particularly tiresome. It also drags a bit when the focus is purely on Alice, and when she has to sing as well...

But all is forgiven when the cards are playing the game, when Fred and Barney's caterpillar come on, or when the Sammy Davis Jr-voiced Cheshire Cat is on screen. The latter isn't on for long, but he makes this worth tuning in for.

"I've gotta split..."

Despite the widely held opinion that the material is unfilmable, Lewis Carroll's fantasy/nonsense classics Alice's Adventures in Wonderland (1865) and Through the Looking Glass and What Alice Found There (1871) have frequently been dramatized for films and television. While few of these productions have successfully translated Carroll's verbal and intellectual experimentation into cinema, several are of superior quality and hold an under-appreciated place in the history of the fantastic film.

Alice's Adventures in Videoland have been uneven in quality; there has been a tendency toward parody and experimentation, and several fine productions have been broadcast.

Walt Disney's animated feature Alice in Wonderland (1951) has been criticized as unfaithful and disrespectful to the Carroll classic. Even less for the purist is Hanna-Barbera's prime-time television special Alice in Wonderland or What's a Nice Kid Like You Doing in a Place Like This? (1966). This hour-long animated musical is a good-natured burlesque whose colorful visuals, wacky script by comic Bill Dana (aka "Jose Jiminez"), and pleasant, tuneful score by Charles Strouse (of "Annie," "Applause" and "Bye Bye Birdie") result in a happy light entertainment.

Alice, a typical mid-1960's suburban American teenager (in hip-boots and mini-skirt), bumps her head while doing a book report on "Alice in Wonderland". She thereafter chases her dog, Fluff, into her TV set, falling into an astonishingly vulgar Wonderland.

Highlights include a guest appearance by cartoon characters Fred Flintstone and Barney Rubble as a two-headed Caterpillar, doing the vaudeville-style "They'll Never Split Us Apart"; a Mad Tea Party with the Mad Hatter's wife, Hedda Hatter (voiced by Hollywood gossip columnist Hedda Hopper); Bill Dana's diminutive White Knight; Zsa Zsa Gabor's Queen of Hearts ("Off viss zerr heads, dahlink"); and a zany croquet game which degenerates into a frantic amalgam including football, cricket, surfing and Monopoly.

Most memorable is Sammy Davis, Jr.'s performance (as the beatnik Cheshire Cat) of the terrific theme song, "What's a Nice Kid Like You Doing in a Place Like This?", which was a hit novelty single in 1966.

The show is a superior example of the Hanna-Barbera studio's limited animation (not to mention limited imagination) during the heyday of "Yogi Bear", "The Jetsons" and "Jonny Quest", and as such is recommended to all cartoon fans and to those students of Lewis Carroll's "Alice" books who can take a little irreverent spoofing of the classic icon.

"What's a nice girl like you

Doing in a place like this?

What's a nice girl like you

Doing in a place like this?

Oh, I've got a feeling,

You won't like it here.

The potato chips are soggy

And they water the beer.

So what's a nice girl like you

Doing in a place like this?"

"Alice in Wonderland or What's a Nice Kid Like You Doing in a Place Like This?" originally aired a few days after my 7th birthday. I still remember Sammy Davis Junior's Cheshire Cat, Fred Flintstone and Barney Rubble's 2-headed caterpillar, Zsa Zsa Gabor's Queen of Hearts and Daws Butler's Phil Silver-esque sportscaster and W. C. Fields-ian King of Hearts. Pretty top-shelf work from the Hanna Barbera cartoon factory.

For 49 minutes, this 62-year-old man was a child again. Highly recommended for other children of the 60s. Even though it's almost July, I may fire up 1964's Rudolph the Red-Nosed Reindeer or 1966's How the Grinch Stole Christmas!