VALUTAZIONE IMDb
6,1/10
3475
LA TUA VALUTAZIONE
Un tentativo di assassinio fallito a Harbin, in Cina, nel 1909 cambia il corso della storia. Ora, due agenti della JBI devono trovare i collegamenti tra questo e un antico artefatto coreano.Un tentativo di assassinio fallito a Harbin, in Cina, nel 1909 cambia il corso della storia. Ora, due agenti della JBI devono trovare i collegamenti tra questo e un antico artefatto coreano.Un tentativo di assassinio fallito a Harbin, in Cina, nel 1909 cambia il corso della storia. Ora, due agenti della JBI devono trovare i collegamenti tra questo e un antico artefatto coreano.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 12 candidature totali
Kim Gyu-ri
- Teacher
- (as Kim Min-seon)
Recensioni in evidenza
This movie is the newest success of the rising Korean film industry. It's got drama, plot, action, emotions, and nice acting all rolled into one, on the background of a fantastical assumption on a twist of real history.
Note on the title. The setting is the year 2009, and the film is based on the assumption that Korea is still a colony of Japan, as it had been for the past 100 years, because a single assassination attempt back in 1909, which succeeded in real life, failed and changed the whole course of history for the past 100 years in this alternative story. A Korean-born special agent tries to set the history right, and his colleague, a Japanese-born and a friend of his, tries to stop him.
Although made in Korea, dialogues are about 70% Japanese, and you have to have some knowledge in the history of the two countries to fully understand this movie, but the setting and basis is very imaginative and fascinating, that anybody can appreciate it. The two stars of the movie, Dong-Kun Jang and Toru Nakamura, who are Korean and Japanese in real life, are very fine, and make up a nice team. The action scenes, which are plenty in this movie, are nicely choreographed and serve to contribute to the story. I thoroughly enjoyed this movie. The Korean film industry is growing, so the next time you catch a Korean movie, it could be this one!
Note on the title. The setting is the year 2009, and the film is based on the assumption that Korea is still a colony of Japan, as it had been for the past 100 years, because a single assassination attempt back in 1909, which succeeded in real life, failed and changed the whole course of history for the past 100 years in this alternative story. A Korean-born special agent tries to set the history right, and his colleague, a Japanese-born and a friend of his, tries to stop him.
Although made in Korea, dialogues are about 70% Japanese, and you have to have some knowledge in the history of the two countries to fully understand this movie, but the setting and basis is very imaginative and fascinating, that anybody can appreciate it. The two stars of the movie, Dong-Kun Jang and Toru Nakamura, who are Korean and Japanese in real life, are very fine, and make up a nice team. The action scenes, which are plenty in this movie, are nicely choreographed and serve to contribute to the story. I thoroughly enjoyed this movie. The Korean film industry is growing, so the next time you catch a Korean movie, it could be this one!
This is interesting.
The movie got enough materials for a good movie. a gripping story, interesting twist of plot, strong casts, nice action sequences, and powerful ending.
Some weaknesses and plot holes can be tolerate, including some low cost special effects and camera manipulations.
But apart from that, the whole combinations succeed on giving full entertainment and just a simple moment for you to think of all the possibillites in this world.
If you have interest in asian movie, try this one. i strongly recommended this one for story telling and action-drama presentation.
Nice evening movie...
The movie got enough materials for a good movie. a gripping story, interesting twist of plot, strong casts, nice action sequences, and powerful ending.
Some weaknesses and plot holes can be tolerate, including some low cost special effects and camera manipulations.
But apart from that, the whole combinations succeed on giving full entertainment and just a simple moment for you to think of all the possibillites in this world.
If you have interest in asian movie, try this one. i strongly recommended this one for story telling and action-drama presentation.
Nice evening movie...
In an alternate time-line, in the near future(with some nifty tech), a young cop finds himself questioning why he and his men are fighting a group of... well, are they terrorists or are they freedom fighters? The story-line is nice and does get resolved, if there are subplots and events that either don't affect anything or, at least to me with my Western eyes, looked strange and unexplained. Maybe it would help if I knew more about Korea, because this is definitely a jingoistic piece on there, from there. Japan has taken over the aforementioned country, and is suppressing their independence. This leads to some melodrama, and though the two hour, 14 minute running time sans credits would be shorter if these instances were mercifully removed, this does really get to you, you find yourself caring and feeling the impact of bullets, and the grip of tension. The acting is pretty good. I watched this with subtitles, not dubbed, and while I had to read along to understand what they were saying, the power of the way they deliver the lines came through quite clearly. The action is all shoot-outs, it's quite well-choreographed, it's stylized(with slow-motion, and "frame-chopping") and it's cool. This has some well-done visuals. The FX are reasonable. There is a lot of bloody violence in this. The DVD comes with 8 and a half minutes of behind-the-scenes footage and four trailers. I recommend this to fans of Asian cinema, and John Woo type flicks. 7/10
This movie has a semi interesting plot. Not very new or original, neither very bad or too obvious. As usual when it comes to South Korean popular movie industry the craftsmanship is next to flawless. The lighting and the scenery are beautiful, the soundtrack is very sentimental and bordering to über-cheese but that shouldn't be a surprise to anyone with the slightest experience in Asian movies. The acting is also good though the English dub doesn't seem to even try to do any lip sync and brings down the overall impression. The special effects are functional but not really that spectacular. Also, the action scenes have way to much slow motion for my taste. Though, I guess this is made in order to boost the sense of patriotism. And, this is where I have my main criticism.
It contains about all components of the propaganda the nationalistic parts of South Korean society likes to flatter itself with. Embarrassingly obvious, even more than usual. North and South Korea are united because they really are brothers. No Korean would harm another Korean. Japan is an enemy, has always been and will always be. Japanese people are not to be trusted, not even those you consider close friends. The Korean on the other hand are brave and self sacrificing with a pure heart. The key to the entire plot comes from the superior ancient culture and system of worship from the Korean peninsula. There are so many subtle details that are being pushed in that mean really a lot if you have an understanding of Korean culture, like the Korean main character has become so Japanese he doesn't even eat Kimchi (!).
I agree that the patriotism is so much an undisputed part of Korean culture even today that it should not come as a surprise, and I have enough experience of South Korea to be very aware of this when watching this movie. The problem here is that this script is so saturated with nationalistic propaganda that I feel it being written for this very purpose. It can sometimes lead to (umm...) interesting results, though seldom to properly good ones.
It's the equivalent of the American action movie where all baddies have a "foreign" accent, smoke cigarettes and the bad guy boss has a hint of latent homosexuality. Just translate those components into Korean values. Enjoy it as no-brainer entertainment for killing some time, or more interestingly for understanding the components of Korean nationalism and the grudge toward Japan in a commercial movie production. If you want to see a really good Korean movie, for there are lots of them, pick another one.
It contains about all components of the propaganda the nationalistic parts of South Korean society likes to flatter itself with. Embarrassingly obvious, even more than usual. North and South Korea are united because they really are brothers. No Korean would harm another Korean. Japan is an enemy, has always been and will always be. Japanese people are not to be trusted, not even those you consider close friends. The Korean on the other hand are brave and self sacrificing with a pure heart. The key to the entire plot comes from the superior ancient culture and system of worship from the Korean peninsula. There are so many subtle details that are being pushed in that mean really a lot if you have an understanding of Korean culture, like the Korean main character has become so Japanese he doesn't even eat Kimchi (!).
I agree that the patriotism is so much an undisputed part of Korean culture even today that it should not come as a surprise, and I have enough experience of South Korea to be very aware of this when watching this movie. The problem here is that this script is so saturated with nationalistic propaganda that I feel it being written for this very purpose. It can sometimes lead to (umm...) interesting results, though seldom to properly good ones.
It's the equivalent of the American action movie where all baddies have a "foreign" accent, smoke cigarettes and the bad guy boss has a hint of latent homosexuality. Just translate those components into Korean values. Enjoy it as no-brainer entertainment for killing some time, or more interestingly for understanding the components of Korean nationalism and the grudge toward Japan in a commercial movie production. If you want to see a really good Korean movie, for there are lots of them, pick another one.
I didn't really know what this movie was about when I started it. I wasn't disappointed. The movie takes place in an alternate timeline where Japan owns Seoul and the rest of Korea. Korean terrorists wreak havoc in a fancy building for some as-yet unclear reason, and it's the job of two cops (one Japanese, the other Korean) to find out what's going on. What follows is one hell of a ride. Make sure you're resting while watching this movie, because you wouldn't want to get hurt.
The first action sequence at the beginning of the movie sets the tone for the rest of the flick. The shoot-out has this incredible intensity and never lets up. The rest of the movie follows suit. You don't really know what's going on at first, but you know it's going to be explained, and that it's going to be worth it. The shoot-outs that follow only top one another, which, after seeing the first 15 minutes, is quite hard to believe. They're so incredible. They might not have the scale as 'Heat' or the budget of 'The Rock' but they sure as hell are as intense (if not more), and as good, if not better, than whatever comes out of Hollywood.
As with 'Shiri', the action in this movie rests on one great story. Throughout the movie, the characters become more and more like real people. No one is a hero, no one is Superman here. The characters are thrust into improbably situations, but they always stay rather believable. When they're not shooting guns, the drama part of the story takes over, and you're actually as impressed with what happens. You feel for the characters, and you're actually kind of glad you don't have to make the decisions they have to make. I could kind of see where some of the relationships were going, and I didn't really want them to go there, but I suppose they had to. The story, on the other hand, is a complete mystery. I never knew where it was going.
This movie actually says something, as well. Just like in 'Shiri', it's not action for the sake of action - it's action for the sake of actually saying something. It's slightly on the nationalistic side, but that doesn't really bother me, the message that the movie portrays is definitely worth the moments spent nationalism. It's really not as bad as some other movies I've seen. The movie is insanely political, I was actually very surprised. No Hollywood studio would have the guts to do something like this. I suppose the implications of the movie are universal, but they chose to have Japan control Korea. It's quite refreshing to see a movie, an action movie no less, with a thoughtful story.
The cinematography is gorgeous. I've seen all of 3 Korean movies and they all had this incredible visual style. This one is obviously included. Most of the movie is shot with a lot of blues and grays. It creates this nice, calm atmosphere among the instances of carnage. Add to that some great, invigorating music (which also reminded of the music in 'Shiri', but that's probably due to the fact that the same composer scored both movies), and the entire mood is perfectly set.
An amazing movie with brains and brawn, everybody should enjoy this movie.
The first action sequence at the beginning of the movie sets the tone for the rest of the flick. The shoot-out has this incredible intensity and never lets up. The rest of the movie follows suit. You don't really know what's going on at first, but you know it's going to be explained, and that it's going to be worth it. The shoot-outs that follow only top one another, which, after seeing the first 15 minutes, is quite hard to believe. They're so incredible. They might not have the scale as 'Heat' or the budget of 'The Rock' but they sure as hell are as intense (if not more), and as good, if not better, than whatever comes out of Hollywood.
As with 'Shiri', the action in this movie rests on one great story. Throughout the movie, the characters become more and more like real people. No one is a hero, no one is Superman here. The characters are thrust into improbably situations, but they always stay rather believable. When they're not shooting guns, the drama part of the story takes over, and you're actually as impressed with what happens. You feel for the characters, and you're actually kind of glad you don't have to make the decisions they have to make. I could kind of see where some of the relationships were going, and I didn't really want them to go there, but I suppose they had to. The story, on the other hand, is a complete mystery. I never knew where it was going.
This movie actually says something, as well. Just like in 'Shiri', it's not action for the sake of action - it's action for the sake of actually saying something. It's slightly on the nationalistic side, but that doesn't really bother me, the message that the movie portrays is definitely worth the moments spent nationalism. It's really not as bad as some other movies I've seen. The movie is insanely political, I was actually very surprised. No Hollywood studio would have the guts to do something like this. I suppose the implications of the movie are universal, but they chose to have Japan control Korea. It's quite refreshing to see a movie, an action movie no less, with a thoughtful story.
The cinematography is gorgeous. I've seen all of 3 Korean movies and they all had this incredible visual style. This one is obviously included. Most of the movie is shot with a lot of blues and grays. It creates this nice, calm atmosphere among the instances of carnage. Add to that some great, invigorating music (which also reminded of the music in 'Shiri', but that's probably due to the fact that the same composer scored both movies), and the entire mood is perfectly set.
An amazing movie with brains and brawn, everybody should enjoy this movie.
Lo sapevi?
- QuizBok Geo-il, author of the source novel Bimyeong-eul Chajaseo ("Looking for an Epitaph") (1987), refused to be associated with the finished product, and successfully sued the film-makers to have his name removed from the credits.
- BlooperWhen Sakamoto dives behind the couch you can see that next to his gun holster, on the back of the couch, there is a mound exactly where the squib for the gunshot is going to go off.
- ConnessioniReferences Uisa Ahn Jung-geun (1972)
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Dettagli
Botteghino
- Budget
- 7.000.000 USD (previsto)
- Lordo in tutto il mondo
- 12.049.825 USD
- Tempo di esecuzione2 ore 16 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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By what name was 2009 - Memorie perdute (2002) officially released in India in English?
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