VALUTAZIONE IMDb
8,4/10
3071
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA parody of educational programs. Just don't believe anything in the show is true.A parody of educational programs. Just don't believe anything in the show is true.A parody of educational programs. Just don't believe anything in the show is true.
- Nominato ai 1 BAFTA Award
- 2 vittorie e 3 candidature totali
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Recensioni in evidenza
With the United States churning out more garbage per minute than ever before by way of TV and cinema, this debut from Robert Popper and Peter Serafinowicz is a refreshing change.
Some might call it the greatest show of the last few years. Others might say the greatest show of the decade. I would say this is the funniest show ever to air on BBC2. Ever.
Eight ten-minute episodes in the style of the Open University programs we all know and love serve as nostalgic reminders of 'the way things were', sticking to the dean-pan formula to provide constant entertainment and never-ceasing hilarity.
Popper and Serafinowicz, who will no doubt continue to flourish, provide excellent comic timing, with this perfect parody.
With a second series in the works, things can only get better!
10/10, *****/*****, fabuloso!
------------------------------------------------------ Review by Sam Baron.
Some might call it the greatest show of the last few years. Others might say the greatest show of the decade. I would say this is the funniest show ever to air on BBC2. Ever.
Eight ten-minute episodes in the style of the Open University programs we all know and love serve as nostalgic reminders of 'the way things were', sticking to the dean-pan formula to provide constant entertainment and never-ceasing hilarity.
Popper and Serafinowicz, who will no doubt continue to flourish, provide excellent comic timing, with this perfect parody.
With a second series in the works, things can only get better!
10/10, *****/*****, fabuloso!
------------------------------------------------------ Review by Sam Baron.
I've written reviews for each season of "Look Around You", as they are very different.
I did watch bits of Peter Serafinowicz and Robert Popper's cult series when it first aired but having seen it mentioned as being on the iPlayer, I decided to give it a proper go. Whilst I think it had its moments, this first season wasn't quite as funny as I was hoping it would be.
A series of ten-minute episodes, affectionately mocking the educational television shows produced for schools in the 1980's. Each episode is themed on a particular subject and contains "facts" about that subject and a series of experiments around it. The episode encourages students to make notes on certain sections and to hand in their workbooks at the end.
This second season is a spoof of "Tomorrow's World" a science and technology show that aired in the UK in the 1970s and 80s. Hosted by Peter Packard (Peter Serafinowicz), Jack Morgan (Robert Popper), Pealy Maghti (Josie D'Arby) and Pam Bachelor (Olivia Colman), the show introduces modern marvels of the technical age, whilst working towards the live finale, and the Invention of the year competition.
So, there's lots about the episode that I did like. It's very authentic to the period it's aping - so much so I wonder exactly how much is stock footage from the time and how much is new. Serefinowicz and Popper appear in the episode as the scientists undertaking the experiments and various disasters befall them, depending on what the experiment is about. Those and the occasionally nonsense fact put forward can be funny - but what I was hoping for was more playing with the form as the series ran on. It doesn't unfortunately, and the standard elements of each episode remain the same throughout.
The shift to half hour shows, and to spoofing a slightly more recognisable format was, for me, a good one. It's all slightly more traditional in its comedy, with character work and running gags, though still with a surreal twist that is right up my alley. I felt that this season was much funnier overall than the first. Aside from the four principal presenters, each episode has guest stars and those are a litany of comedy royalty. Kevin Eldon, Mark Heap, Benedict Wong, Matt Lucas, Sarah Alexander, Paul Putner, Edgar Wright, Simon Pegg and Nick Frost all appear. The parody extends a bit beyond the show, with spoof idents and trailers.
I'd have certainly watch another season of the show in this format, although this was all she wrote for the show and I hope that it finds a wider audience with it's new home on the IPlayer.
I did watch bits of Peter Serafinowicz and Robert Popper's cult series when it first aired but having seen it mentioned as being on the iPlayer, I decided to give it a proper go. Whilst I think it had its moments, this first season wasn't quite as funny as I was hoping it would be.
A series of ten-minute episodes, affectionately mocking the educational television shows produced for schools in the 1980's. Each episode is themed on a particular subject and contains "facts" about that subject and a series of experiments around it. The episode encourages students to make notes on certain sections and to hand in their workbooks at the end.
This second season is a spoof of "Tomorrow's World" a science and technology show that aired in the UK in the 1970s and 80s. Hosted by Peter Packard (Peter Serafinowicz), Jack Morgan (Robert Popper), Pealy Maghti (Josie D'Arby) and Pam Bachelor (Olivia Colman), the show introduces modern marvels of the technical age, whilst working towards the live finale, and the Invention of the year competition.
So, there's lots about the episode that I did like. It's very authentic to the period it's aping - so much so I wonder exactly how much is stock footage from the time and how much is new. Serefinowicz and Popper appear in the episode as the scientists undertaking the experiments and various disasters befall them, depending on what the experiment is about. Those and the occasionally nonsense fact put forward can be funny - but what I was hoping for was more playing with the form as the series ran on. It doesn't unfortunately, and the standard elements of each episode remain the same throughout.
The shift to half hour shows, and to spoofing a slightly more recognisable format was, for me, a good one. It's all slightly more traditional in its comedy, with character work and running gags, though still with a surreal twist that is right up my alley. I felt that this season was much funnier overall than the first. Aside from the four principal presenters, each episode has guest stars and those are a litany of comedy royalty. Kevin Eldon, Mark Heap, Benedict Wong, Matt Lucas, Sarah Alexander, Paul Putner, Edgar Wright, Simon Pegg and Nick Frost all appear. The parody extends a bit beyond the show, with spoof idents and trailers.
I'd have certainly watch another season of the show in this format, although this was all she wrote for the show and I hope that it finds a wider audience with it's new home on the IPlayer.
I happened upon this inspired bit of British comedy after watching Goodness Gracious Me (hit and miss). I was curious why there would be a ten minute show on TV. At first, I actually thought it was a children's instructional science program. Indeed, it is easy to to be fooled. The tone, pacing, narration, are all uncannily like those insipid PBS programs I'd watch when home sick from school or when the teacher wanted a hour off during class.
So now I know all about iron... I now count my iron flakes every day and make lists of clusters in my iron log book. Thank you.
Of course, the programmers at BBC America are a capricious lot. Their scheduling has all the consistency of runny tapioca pudding. One week it's on, another week, not to be found. If I would watch this silly, insane show, even it it meant I had to watch the last five minutes of crap like My Family or Coupling. OR, at least release a DVD coded for the US audiences! I'd buy it!
So now I know all about iron... I now count my iron flakes every day and make lists of clusters in my iron log book. Thank you.
Of course, the programmers at BBC America are a capricious lot. Their scheduling has all the consistency of runny tapioca pudding. One week it's on, another week, not to be found. If I would watch this silly, insane show, even it it meant I had to watch the last five minutes of crap like My Family or Coupling. OR, at least release a DVD coded for the US audiences! I'd buy it!
For those of you that haven't ever seen any British schools' TV, especially that of the golden 1970's-1980's period, Look Around You is a send-up of some educational programmes that were, and still are, shown to school children in the UK in order to augment their classroom experience. In the 1970s-80s, having the treat of a TV show to break up the day was a looked-forward to experience for most, as it meant you didn't have to actually do any work whilst the programme was on, not to mention it was about the maximum interactivity availbale at that time (no PCs in the classroom until about 1983!) others seem to think it's an OU send-up actually it's probabaly closer to a 1970's/early 80's school's programme called "Experiment", dangerously close in fact. I think the guy who narrates the series may even be the same one that narrated the proper educational programme.
Look Around You is superb, keenly observed from its source material and surreal in execution. Well worth a watch, especially in the 25-40 age group who witnessed it all for real, but others may well enjoy the silliness of it all as well.
Look Around You is superb, keenly observed from its source material and surreal in execution. Well worth a watch, especially in the 25-40 age group who witnessed it all for real, but others may well enjoy the silliness of it all as well.
Look Around You is quite possibly my favourite comedy show ever. (Particularly series 2, which this review relates more to.)
A lot of people might not see why it's so funny, and I can understand that reaction. After all, it's pretty slow-paced and has hardly any "jokes".
All I can tell you is that when I watch an episode, I sit there laughing hysterically almost uninterrupted for 30 minutes. (And I'm not someone who laughs out loud much while watching TV.)
So what's so good about Look Around You? For me, there are five main reasons:
1. ACCURACY. First, it's funny because it's an uncannily accurate pastiche of early 80s educational programmes. The attention to detail is staggering, and it's those little details that are funny. Things like over-use of camera zooming; the announcer noisily opening his mouth before speaking; the somewhat more formal manner of TV presenters of the time. It's all so subtly done, and all these subtle little details are where the humour lies. If you don't fondly remember 70s/80s television, this will be lost on you completely.
2. SURREALISM. Hidden below the surface of this apparently serious TV programme are all kinds of completely off-the-wall, surreal elements (such as people flying, or people french-kissing in the most inappropriate of contexts). But these surreal elements are usually either very brief or not immediately obvious, giving them more comedy impact when they do surface. For me, Look Around You is bit like one of those "What's wrong with this picture?" drawings: at first all seems to be normal, but when you notice something is "wrong", it's extremely rewarding and funny.
3. IMPRACTICAL INVENTIONS. A large part of the fun of the programme is that almost all the inventions are impractical, idiotic, dangerous, or often downright sinister and creepy; yet they are all presented in the most cheerfully optimistic manner. As with the surreal elements, a lot of the fun comes from "spotting" that something is very wrong with the invention, despite the presenter assuring you that all is well.
4. NOSTALGIA. Humour aside, I just can't help but adore this programme for the nostalgic quality. It's a heart-warming trip back in time to my childhood, only with the tongue-in-cheek sensibility of a contemporary comedy show.
5. TALENT. On top of it all, I have such admiration and respect for creators Peter Serafinowicz and Robert Popper. These men are creative geniuses. Writing and producing the show, they also created all the music themselves, and every piece of music is utterly outstanding in every way, from the title theme, to the unforgettable entrants for "Music 2000" competition (which I can't stop singing/rapping). There seems to be no end to the talents of these two men. They also both make extremely charismatic and likable TV presenters. Watching the show, it is quite clear how much care, attention and scrutiny these men have put into every detail.
Overall, this is just a perfect comedy series for me. The Prince Charles finale (with the two "Hanks" at the end) is an amazing conclusion. I only wish there were more episodes.
A lot of people might not see why it's so funny, and I can understand that reaction. After all, it's pretty slow-paced and has hardly any "jokes".
All I can tell you is that when I watch an episode, I sit there laughing hysterically almost uninterrupted for 30 minutes. (And I'm not someone who laughs out loud much while watching TV.)
So what's so good about Look Around You? For me, there are five main reasons:
1. ACCURACY. First, it's funny because it's an uncannily accurate pastiche of early 80s educational programmes. The attention to detail is staggering, and it's those little details that are funny. Things like over-use of camera zooming; the announcer noisily opening his mouth before speaking; the somewhat more formal manner of TV presenters of the time. It's all so subtly done, and all these subtle little details are where the humour lies. If you don't fondly remember 70s/80s television, this will be lost on you completely.
2. SURREALISM. Hidden below the surface of this apparently serious TV programme are all kinds of completely off-the-wall, surreal elements (such as people flying, or people french-kissing in the most inappropriate of contexts). But these surreal elements are usually either very brief or not immediately obvious, giving them more comedy impact when they do surface. For me, Look Around You is bit like one of those "What's wrong with this picture?" drawings: at first all seems to be normal, but when you notice something is "wrong", it's extremely rewarding and funny.
3. IMPRACTICAL INVENTIONS. A large part of the fun of the programme is that almost all the inventions are impractical, idiotic, dangerous, or often downright sinister and creepy; yet they are all presented in the most cheerfully optimistic manner. As with the surreal elements, a lot of the fun comes from "spotting" that something is very wrong with the invention, despite the presenter assuring you that all is well.
4. NOSTALGIA. Humour aside, I just can't help but adore this programme for the nostalgic quality. It's a heart-warming trip back in time to my childhood, only with the tongue-in-cheek sensibility of a contemporary comedy show.
5. TALENT. On top of it all, I have such admiration and respect for creators Peter Serafinowicz and Robert Popper. These men are creative geniuses. Writing and producing the show, they also created all the music themselves, and every piece of music is utterly outstanding in every way, from the title theme, to the unforgettable entrants for "Music 2000" competition (which I can't stop singing/rapping). There seems to be no end to the talents of these two men. They also both make extremely charismatic and likable TV presenters. Watching the show, it is quite clear how much care, attention and scrutiny these men have put into every detail.
Overall, this is just a perfect comedy series for me. The Prince Charles finale (with the two "Hanks" at the end) is an amazing conclusion. I only wish there were more episodes.
Lo sapevi?
- QuizIn the "Pages From Ceefax" extra, the "News in Morse" says: "Government finally caved in from pressure from local residents associations and clamped down on market traders who set up their stalls before six a.m. The traders, known as "vebs" (very early birds) will have to comply with local authority regulations, or face a mandatory jail sentence of twelve years, ten of which must be spent in confinement, the remaining two strapped to a brass wheel."
- ConnessioniFeatured in The BAFTA TV Awards 2003 (2003)
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