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Hugely entertaining film + Bad critics + Tasteful love scenes.

I was very entertained. There wasn't a single boring minute in "Where the Truth Lies". I almost believed some newspaper critics' reviews and was prepared to be at least a little bit disappointed either with the actors (critics said were miscast), the sex scenes (critics said were explicit) or the ending. I was sitting there and waiting for a disappointment but it never came. It is a superb murder mystery with at least 3 top notch twists and in the end I was completely satisfied.

In my opinion, (and I know a thing or two about this) the love scene between "Alice" and Alison is one of the most beautiful ones ever performed (on the screen). I mean the (tastefully made) oral sex scene. ("Alice" stops for a moment, looks up at Alison with a trace of a smile ... the moonlight illuminates Alice's slightly wet mouth and chin... she looks down and continues. I haven't seen in any other film a more gorgeous pose than that of Alison during this exercise. Americans can make love as beautifully as Europeans and this film is the only proof so far. It even surpasses the straight love scene with Luisa Ranieri in Antonioni's "Eros"). The film is not about sex, though it is wonderfully choreographed. The most impressive thing here is certainly the story.

(P.S. Critics really did a disservice to us. Some of these same guys, I remember, used unbelievable superlatives while reviewing poor horror movies. One begins to question their motives).

Good film, glad to have seen it. Wish there were more adult films as I'm tired of sifting through what appeals to 14 year old males. I wasn't shocked by the sex scenes and can think of a few R-rated films that contained scenes which made me more uncomfortable. There is a lot of sex in the film, it's not framed in shoulders-up shots, but it's not wall-to-wall. There is a good story that goes along with it. I wouldn't call it erotic, this is a story about sex as a way to manipulate people and sex because you can. It is graphically honest. I didn't feel it overwhelmed the plot or took you out of the story. If you're looking for a souped up version of Body Heat though, you'll probably be disappointed.

So I start with a 10 for interesting story and great performances from Firth and Bacon. Bacon clearly has the showier role, and the script mostly revolves around Lanny and how people relate to him. He commits himself to it totally and gives you a revealing performance of this "out there" character, warts and all. You see Lanny for what he is, both the public and private persona. It is a pitch perfect performance. Colin Firth handles the more complex character of Vince with his usual ability to reveal everything and nothing at the same time. His character is more veiled and enigmatic, not so clearly scripted (which works in the movie) and leaves you with questions as much as answers by the film's end. He delivers it with truthfulness and without gimmickry or sleight of hand. One of the thing's I've always liked about him as an actor is once you've seen a movie and know the ending, you can re-watch it and see an even more layered performance than you first realized because his character was fully there from scene one. The mystery, though not what I'd call suspenseful, did serve as a useful and involving vehicle in an interesting character drama. Then I start to subtract.

The film started off a little slow and it took me a while to establish an interest in what really happened to the dead girl, beyond what I'd picked up from the trailer. And Alison Lohman was just bad, I couldn't buy into her character at all. She was supposed to be the engine that drives to the solution of the murder and why these guys broke up, pushing them to reveal secrets they've held onto for 15 years. Not only did she need to be tougher and much smarter and more driven, her acting was way off the mark. Her lines in a scene might read "I'm a tough cookie" but there was nothing in her performance that supported it, before, after or during the scene. She was supposed to be someone who you'd pay a million dollars to for a hard-hitting expose because you believed she could get at the truth. Instead she comes across as the girl from Kansas who just fell off the turnip truck looking for a big break. She's out of her depth, exacerbated by being blown off the screen by her co-stars. I never believed she could stand up to Vince the way she has to in order to make the plot evolve, or hold Lanny's interest as a sexual liaison or an adversary. She added nothing and I think reduced the impact of the mystery's resolution.(Though I agree with an earlier review that Rachel Blanchard was a surprise as the girl killed in the hotel room. She was good.)

My last nit..the music was often wrong. I'm not usually so aware of the music in a film, but in this one it was distracting at times, way over the top.

So this is a film that "coulda been a contender" along the lines of LA Confidential. Close but no cigar. If this were meant to be a break out film of sorts for Egoyan, I don't think he completely managed it. I do think it is worth the price of admission though, and is better than most of the films I've seen this year. I don't mean to undersell the film and its strengths make up for the weaknesses. So if character dramas are your thing, see it for an interesting dynamic and two stand-out performances in an involving plot. See it with friends who love thought provoking movies, probably not right as first date fare.

Oh, what a difference bad casting decision can make. " Where the truth lies" had such a great potential. Two very strong leading actors, Kevin Bacon and Colin Firth, intriguing story, creative director, but... The catastrophic acting of Alison Lohman sabotaged the whole thing. The utter lack of artistic presence, wobbly, girlish voice, completely at odds with the part. There are thousands of talented young actresses, and why in the world would you cast her. There was no saving this movie after that bad decision. Two leading protagonists were doing their very best, lovely camera work brought us back to the times long gone. But to no avail.What a shame.

Egoyan's weakest film, at least since he came to prominence with Exotica. It's actually a somewhat interesting mystery, but it has a lot of flaws. There is a death, possibly a murder, in the hotel suite of two famous comedians (played by Colin Firth and Kevin Bacon), based on Martin and Lewis. That's the film's biggest flaw, that this completely fictional mystery uses Dean Martin and Jerry Lewis as a model. It's very distracting. The bulk of the story has a young journalist (Alison Lohman) writing the story of the two comedians, trying to solve the mystery. The film-making is pretty good, but Egoyan, except for The Sweet Hereafter, has always been a weak director when it comes to actors. Lohman, who was great in Ridley Scott's Matchstick Men, is awful here (she does get naked and have sex with a woman, though, which makes the film almost worth seeing). Kevin Bacon, who gave his best performance ever last year in the still underseen The Woodsman, isn't especially good, either. Only Firth does a good job. The film is also overscored with some very cliché mystery music. Mychael Danna's scores for Exotica and The Sweet Hereafter were brilliant; this one's a flop.

I saw the movie today at the 2nd showing of the Toronto International Film Festival.... The movie will be released in Canada in the way that I had seen it today, uncensored and uncut.

The scene in question isn't explicit at all, well the part that the MPAA is crying about that implies that one of the characters as being homosexual, there's no full frontal male nudity, a lot of female nudity from Alison Lohman, Rachael Blanchard, and Kristin Adams there is some interaction between Lohman and Adams but it is done tastefully..

So again, if it doesn't get played in your market and you can get to Canada go see the movie....