Bumer

First of all, I hate Brigada, in my opinion it's cheap and very false, it rather glorifies Russian gangs than does something else. Despite many somehow say Brigada and this film are similar, they are not. I love Bumer, and I hate Brigada or Brat.

Bumer is apolitical, very sincere and honest movie about people. It doesn't try to dully moralize or glorify or rise patriotism, and instead honestly shows flaws hinting there is something very wrong with society (which is a VERY rare thing in modern Russian movie-land). The film does teach, it shows inevitability of bad effects of bad actions but with style and subtlety. Actors play is another area where this movie shines, it just couldn't be better. Bumer is masterfully shot, the camera work is fantastic, beautiful panoramas and scenes, it looks stylish and not arty-crafty at the same time.

The work of art.

Set on the outsets of the Russian financial crisis, the movie follows 4 friends trying to navigate and survive the Russian lawlessness of the early 2000s. The characters' personalities, intonations, the Russian rawness and the general atmosphere of despair and hopelessness is well executed. The acting is good and the story has many twists and turns with the narrative generally told in a linear fashion. If you want to understand what had to be done in that country at that time to not be marginalized, then check out this movie.

I grew up in a different time and films were different too,more of traditional CCCR staff with occasional masterpiece by Tarkovskij)This film I've watched already living in Canada and it have resonated deeply in me,as I was still in Russia in the crazy 90-s...and i've seen in real life,what most people see only in movies)That's why Bumer is so amazing:it shows life exactly how it was there and then...Actors doesn't feel like actors,more like some of my then dead now friends...so many emotions...so long ago...so sad...

The first and maybe best film from Buslov caught a zeitgeist, became a mega-hit and birthed one of the most popular ringtones in Russia.

This is a classic fatalistic gangster movie about small-time Russian criminals from the nineties who accidentally kill an undercover cop and go into hiding on a stolen black BMW.

This film caught the dusk of the nineties, of the gangster anarchy.

The film's protagonists live by the rules of the nineties, but the rules, the world around them begin to change (part of the change is police and intelligence becoming the dominant "gangs"). The heroes are dinosaurs of the era that is ending but they are not conscious of it.

The whole film can be viewed as a story of new world and new rules marginalizing and destroying the protagonists.

The first half of the film is stronger then the second in my opinion, but all in all this film was made exceptional by unusually natural performances and authentic dialogue compared to other Russian crime movies.

This film is part of the new generation of Eastern European gangster films. In the vein of "Pusher", and "Brother", the director leads you through the gritty and chaotic world of the Russian mafia. The characters are original and memorable, and the cast does an excellent job.

The story revolves around four close-knit gang members and their stolen Beemer (the title of the film is the Russian-language equivalent of the word "Beemer", or BMW). The four have to leave Moscow for a while and lay low, and so ride the beemer out of town. These black-leather wearing slick New Russian boys contrast heavily with the provincial Russians whom they encounter along the way. The polarization of Russian society is clearly visible, and the film I think makes this one of its central themes.

Overall, I rate this film highly.