Una spia intelligente ma socialmente inetta deve tentare di prevenire un attacco terroristico progettato da un'agenzia di spionaggio Russa.Una spia intelligente ma socialmente inetta deve tentare di prevenire un attacco terroristico progettato da un'agenzia di spionaggio Russa.Una spia intelligente ma socialmente inetta deve tentare di prevenire un attacco terroristico progettato da un'agenzia di spionaggio Russa.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 6 candidature totali
Recensioni in evidenza
The first 10 minutes or so of "Get Smart" are kind of disappointing, and I thought "here we go, another trailer that makes the film look better than it is". But it improves greatly after that point, mainly after the first encounter of Max with Agent 99. Anne Hathaway is in some ways the life of this movie: she is incredibly sexy, with a magnificent back and legs to die for (or by), and completely believable in all her action scenes. Steve Carell has good comic timing; he may at times remind you of Leslie Nielsen in "The Naked Gun" and "Spy Hard" mode, but beyond that he manages to make Max a genuinely likable and human character, not just a cartoon. The relationship Max and 99 have formed at the end of the movie seems to be based more on friendship than anything else. The rest of the cast is generally well-chosen (although I didn't get the point of Bill Murray's 1-minute cameo); there is a big plot twist that allows one cast member to play against type, and even Dalip Singh (aka The Great Khali in WWE) comes off well, playing a huge indestructible henchman in the tradition of Jaws of "The Spy Who Loved Me" and "Moonraker".
There are some good laughs in "Get Smart", but what pleasantly surprised me is how well-done the action is. From an exhilarating freefall sequence that was probably designed as a homage to the opening of "Moonraker" to Carell's and Hathaway's quick, efficient fight scenes (choreoghraphed by a veteran at this sort of thing, James Lew), and from the explosions at the "bakery" factory to the incredibly kinetic final chase sequence involving various means of transportation, the action in this movie probably surpasses the recent James Bond pictures, helped by the fact that a lot of it seems to have been done by the actors themselves, willing to take some risks. So people who are more into action than into comedy should still get some satisfaction out of this.
Nothing brilliant, but a dependable crowd-pleaser nonetheless. I'd give it *** out of 4 stars.
There are some good laughs in "Get Smart", but what pleasantly surprised me is how well-done the action is. From an exhilarating freefall sequence that was probably designed as a homage to the opening of "Moonraker" to Carell's and Hathaway's quick, efficient fight scenes (choreoghraphed by a veteran at this sort of thing, James Lew), and from the explosions at the "bakery" factory to the incredibly kinetic final chase sequence involving various means of transportation, the action in this movie probably surpasses the recent James Bond pictures, helped by the fact that a lot of it seems to have been done by the actors themselves, willing to take some risks. So people who are more into action than into comedy should still get some satisfaction out of this.
Nothing brilliant, but a dependable crowd-pleaser nonetheless. I'd give it *** out of 4 stars.
Yes, go see this movie. I know sometimes a preview looks pretty good and then the movie stinks (hello, Indiana Jones IV?) but this one does not disappoint.
I remember enjoying the "Get Smart" TV series when I was a kid, and like some other reviewers here, I feared the remake might screw it up (even though watching a couple of 5th-season episodes recently reminded me just how bad the show itself became late in the game.) But this movie version strikes just the right balance of action and comedy, while also balancing fresh ideas with welcome nods to the TV series.
After all, it wouldn't be "Get Smart" without "Would you believe...", "Sorry about that, Chief", or "Missed it by THAT much." It was also great to see such classics as the shoe phone, the Cone of Silence, Hymie the robot, and not one but two of the cars that Don Adams would have driven. But while some remakes mining the past for material have nothing new to say, and get stuck in paying homage to their predecessors, the "Get Smart" movie has a pretty good story of its own.
Now this isn't Robert Ludlum material, and I doubt anyone is real surprised to see who turns out to be a bad guy, but it's a lot of fun along the way, with either a sight gag or surprisingly good action (and often both at the same time) coming down the pike every few minutes. There just aren't really any slow spots. I'm sure a lot of funny stuff got left on the cutting room floor (surely they didn't put Carrell in a fat suit for a mere ten seconds of film) but the pacing felt just right. We can catch all that other stuff when the DVD comes out at Christmas.
Steve Carrel plays Agent 86 almost exactly the way he portrays Dunder-Mifflin's Michael Scott. He comes off as basically well-meaning and earnest, and although a bit bumbling at times, his Maxwell Smart is thankfully not Don Adam's version. Neither was this one of those "Naked Gun" characters who stumbles into success despite his incompetence; Smart has some hilariously bad moments, but is never made out to be simply a lucky fool.
Carrell and Anne Hathaway have surprisingly good chemistry, and Alan Arkin is perfect taking over Edward Platt's role as "the Chief." Former wrestler Dwayne "The Rock" Johnson does a good job as Agent 23, and an even larger wrestler (7-foot 2-inch, 387-pound Dalip Singh from "The Longest Yard") is well-cast as a KAOS underling, although most of the other main bad guys are rather forgettable. Even TV-series KAOS agent Bernie Koppel shows up for a cameo, as does Patrick Warburton (who will be terrific in the inevitable sequel) and Bill Murray (almost unidentifiable hiding in a tree.)
Bottom line: you won't come out of this movie feeling as if you were cheated out of your money. Judging from the laughter in the theater and smiles in the lobby as we left, a lot of folks agreed with me. This is going to make a ton of money, and deserves it. Look for "Get Smart II" in a couple of years, and let's just hope it is as good as this one.
P.S. - It's rated PG-13, but there's very little that's objectionable for even younger viewers (Carrel rips the seat out of his pants.) Take the kids, and have a good time!
I remember enjoying the "Get Smart" TV series when I was a kid, and like some other reviewers here, I feared the remake might screw it up (even though watching a couple of 5th-season episodes recently reminded me just how bad the show itself became late in the game.) But this movie version strikes just the right balance of action and comedy, while also balancing fresh ideas with welcome nods to the TV series.
After all, it wouldn't be "Get Smart" without "Would you believe...", "Sorry about that, Chief", or "Missed it by THAT much." It was also great to see such classics as the shoe phone, the Cone of Silence, Hymie the robot, and not one but two of the cars that Don Adams would have driven. But while some remakes mining the past for material have nothing new to say, and get stuck in paying homage to their predecessors, the "Get Smart" movie has a pretty good story of its own.
Now this isn't Robert Ludlum material, and I doubt anyone is real surprised to see who turns out to be a bad guy, but it's a lot of fun along the way, with either a sight gag or surprisingly good action (and often both at the same time) coming down the pike every few minutes. There just aren't really any slow spots. I'm sure a lot of funny stuff got left on the cutting room floor (surely they didn't put Carrell in a fat suit for a mere ten seconds of film) but the pacing felt just right. We can catch all that other stuff when the DVD comes out at Christmas.
Steve Carrel plays Agent 86 almost exactly the way he portrays Dunder-Mifflin's Michael Scott. He comes off as basically well-meaning and earnest, and although a bit bumbling at times, his Maxwell Smart is thankfully not Don Adam's version. Neither was this one of those "Naked Gun" characters who stumbles into success despite his incompetence; Smart has some hilariously bad moments, but is never made out to be simply a lucky fool.
Carrell and Anne Hathaway have surprisingly good chemistry, and Alan Arkin is perfect taking over Edward Platt's role as "the Chief." Former wrestler Dwayne "The Rock" Johnson does a good job as Agent 23, and an even larger wrestler (7-foot 2-inch, 387-pound Dalip Singh from "The Longest Yard") is well-cast as a KAOS underling, although most of the other main bad guys are rather forgettable. Even TV-series KAOS agent Bernie Koppel shows up for a cameo, as does Patrick Warburton (who will be terrific in the inevitable sequel) and Bill Murray (almost unidentifiable hiding in a tree.)
Bottom line: you won't come out of this movie feeling as if you were cheated out of your money. Judging from the laughter in the theater and smiles in the lobby as we left, a lot of folks agreed with me. This is going to make a ton of money, and deserves it. Look for "Get Smart II" in a couple of years, and let's just hope it is as good as this one.
P.S. - It's rated PG-13, but there's very little that's objectionable for even younger viewers (Carrel rips the seat out of his pants.) Take the kids, and have a good time!
I just saw an advance screening of Get Smart and it was great! It was simply the best adaptation of a classic TV series for the big screen. I don't know how to explain it but it successfully carried the tone that the original series had. It was silly but not too silly and, at the same time, a little serious but not too serious. Familiar characters, props, music, jokes and lines all brought back fond memories of a delightful TV series. And there were plenty of new elements in this film that made it interesting and entertaining to watch. Steve Carrell was terrific as Agent 86 and seemed to capture the essence of Maxwell Smart. Not only did his portrayal of him resembled that of Don Adams' from the sound of Smart's voice to the delivery of Smart's lines, Carrell managed to inject a bit of his own personality to create a new Smart that didn't stray too far away from the old. Anne Hathaway was perfect as Agent 99. She did bear some resemblance to Barbara Feldon and actually delivered her lines in a similar manner as her at times. But more importantly, she had great chemistry with Carrell. A key ingredient to Get Smart's success was Maxwell Smart and Agent 99's chemistry and I'm glad the writers of this film didn't forget that. Feldon and Adams had terrific chemistry and so too did Hathaway and Carrell. Unlike previous film adaptations of old television series that only superficially resembled their TV series counterpart, this film can truly be considered a big screen version of the Get Smart TV series. Where Lost In Space, Mission Impossible, Charlie's Angels, Starsky and Hutch and (have I missed anything?) have failed, this film succeeded in maintaining the tone and style of the original series upon which it's based. Moreover, the filmmakers managed to bring Get Smart up to date without forgetting its roots. New ideas created for this film seemed to be natural extensions of those used for the original series. Jokes, props, music, characters and plot, old and new, all seemed to be born from the Get Smart world. I wish I could get into more details but I don't want to give anything away. I thoroughly enjoyed this film and highly recommend this to anyone, especially fans of the original TV series.
Right off the bat, if you're the kind of person who hates all remakes then of course you'll hate this movie. But if that's you, then why even bother reading reviews?
Good, you're still here, so we'll assume that you're willing to give this flick a fair shake. "Get Smart" (2008) is a reboot of the iconic tv series, and by "reboot" I mean that it doesn't necessarily follow the original storyline except that the characters share the same names. In this version, Maxwell Smart is a lowly analyst who gets his big shot at being an agent. Other than being a general nerd, his schtick is that, being an obsessive intelligence analyst, he knows the enemy inside out. So even though he may not be a dashing superhero, his intelligence is his strength. When he's not being a total clueless dolt, that is. I thought this was a great new angle.
His counterbalance is Agent 99 (Anne Hathaway), an experienced field operative who has to put up with Max's quirky arrogance. She may possibly have some anger issues. Again, a really fun character to watch.
The plot? Not important. Like the original tv show, the plot is rather superficial with the real entertainment being carried by the gags. There were some nice nods to the original show, such as the ridiculous "cone of silence", the absurd gadgets crammed into common household objects, and of course some of the original trademark catchphrases ("Missed it by that much"). A few of the zingers were really funny and got some full belly laugh out of me. But they were sparsely placed, and that's my only criticism. Perhaps in an attempt to keep the plot moving, there were not enough bizarre wisecracks as I would have liked. One of my favorites was when Agent 99 somberly tells Max that if he gets caught, there's a pill in his belt buckle that causes death in 9 seconds. To which Max replies: "But how will I get them to take it?" This is the kind of humor that made the original so fun and makes this version a worthy homage.
The cameos are awesome with fleeting appearances by Kevin Nealon (from SNL), Patrick Warburton (Elaine's weird boyfriend "Putty" on Seinfeld), James Caan as "the president" (who can't pronounce "nuclear" - I wonder who that is), and none other than Bill Murray as Agent 13.
Dwayne Johnson practically steals the show as Agent 23, a caricature of every action hero he's ever played.
A final note worth noting: the technical consultant mentioned in the credits is THE Mel Brooks. It didn't surprise me because at times this has a somewhat Brooksian flair, especially in the hilarious ballroom dance number, oddly reminiscent of "the czardas" dance in Dracula: Dead & Loving It. Bottom line, if you are ready for a good time you'll have a good time.
Good, you're still here, so we'll assume that you're willing to give this flick a fair shake. "Get Smart" (2008) is a reboot of the iconic tv series, and by "reboot" I mean that it doesn't necessarily follow the original storyline except that the characters share the same names. In this version, Maxwell Smart is a lowly analyst who gets his big shot at being an agent. Other than being a general nerd, his schtick is that, being an obsessive intelligence analyst, he knows the enemy inside out. So even though he may not be a dashing superhero, his intelligence is his strength. When he's not being a total clueless dolt, that is. I thought this was a great new angle.
His counterbalance is Agent 99 (Anne Hathaway), an experienced field operative who has to put up with Max's quirky arrogance. She may possibly have some anger issues. Again, a really fun character to watch.
The plot? Not important. Like the original tv show, the plot is rather superficial with the real entertainment being carried by the gags. There were some nice nods to the original show, such as the ridiculous "cone of silence", the absurd gadgets crammed into common household objects, and of course some of the original trademark catchphrases ("Missed it by that much"). A few of the zingers were really funny and got some full belly laugh out of me. But they were sparsely placed, and that's my only criticism. Perhaps in an attempt to keep the plot moving, there were not enough bizarre wisecracks as I would have liked. One of my favorites was when Agent 99 somberly tells Max that if he gets caught, there's a pill in his belt buckle that causes death in 9 seconds. To which Max replies: "But how will I get them to take it?" This is the kind of humor that made the original so fun and makes this version a worthy homage.
The cameos are awesome with fleeting appearances by Kevin Nealon (from SNL), Patrick Warburton (Elaine's weird boyfriend "Putty" on Seinfeld), James Caan as "the president" (who can't pronounce "nuclear" - I wonder who that is), and none other than Bill Murray as Agent 13.
Dwayne Johnson practically steals the show as Agent 23, a caricature of every action hero he's ever played.
A final note worth noting: the technical consultant mentioned in the credits is THE Mel Brooks. It didn't surprise me because at times this has a somewhat Brooksian flair, especially in the hilarious ballroom dance number, oddly reminiscent of "the czardas" dance in Dracula: Dead & Loving It. Bottom line, if you are ready for a good time you'll have a good time.
This film is about an incompetent agent who is assigned to a mission to save the world from terrorists with nuclear weapons.
I was hoping "Get Smart" to be a comedy with intelligent humour, but I was so disappointed. The plot is hopelessly contrived and full of clichés. The film is full of silly jokes that are irritating instead of funny. Those so called funny scenes are repetitive and tiring. The tooth microphone joke is not funny, but they did it three or four times. The get hit by a car scene is annoying as it tries to be funny by stating the obvious. Hence, the scene become not funny.
"Get Smart" is boring, with irritating and silly humour that fails to be funny. I am thoroughly disappointed by it.
I was hoping "Get Smart" to be a comedy with intelligent humour, but I was so disappointed. The plot is hopelessly contrived and full of clichés. The film is full of silly jokes that are irritating instead of funny. Those so called funny scenes are repetitive and tiring. The tooth microphone joke is not funny, but they did it three or four times. The get hit by a car scene is annoying as it tries to be funny by stating the obvious. Hence, the scene become not funny.
"Get Smart" is boring, with irritating and silly humour that fails to be funny. I am thoroughly disappointed by it.
Lo sapevi?
- QuizThe five-minute skydiving scene, where Maxwell Smart falls from the airplane, and is saved by Agent 99, was actually shot in real life. Led by Norman Kent, a world famous skydiving photographer, a team of professional skydivers shot the entire sequence over a total of seventy jumps during a four-week period, always jumping during sunset and sunrise, to keep continuity in the scene.
- BlooperIn the combat training range, the first scene shows a less-lethal ammunition round being fired, and the round hits an agent. The slow-motion scene shows the entire round being propelled through the air, including the casing. In reality, only the "slug" would be propelled, and the bullet casing would be ejected from the weapon.
- Citazioni
Maxwell Smart: I think it's only fair to warn you, this facility is surrounded by a highly trained team of 130 Black Op Snipers.
Siegfried: I don't believe you.
Maxwell Smart: Would you believe two dozen Delta Force Commandos?
Siegfried: No.
Maxwell Smart: How about Chuck Norris with a BB gun?
- Curiosità sui creditiThe Warner Bros logo is a lock on CONTROL vault doors, which opens up and let the doors swing open.
- Colonne sonoreTake a Chance on Me
Written by Benny Andersson and Björn Ulvaeus (as Bjoern Ulvaeus)
Performed by ABBA
Courtesy of Universal Music AB (SE)
Under license from Universal Music Enterprises
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- El superagente 86
- Luoghi delle riprese
- McGill University, Montréal, Québec, Canada(car breakout scene)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 80.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 130.319.208 USD
- Fine settimana di apertura Stati Uniti e Canada
- 38.683.480 USD
- 22 giu 2008
- Lordo in tutto il mondo
- 230.685.453 USD
- Tempo di esecuzione1 ora 50 minuti
- Mix di suoni
- Proporzioni
- 1.85 : 1
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