Aggiungi una trama nella tua linguaRoyce, a straight-laced accountant and Damien, a playboy real-estate agent are cousins and housemates at the crossroads of their lives. Royce is looking for true love and commitment, while D... Leggi tuttoRoyce, a straight-laced accountant and Damien, a playboy real-estate agent are cousins and housemates at the crossroads of their lives. Royce is looking for true love and commitment, while Damien is avoiding it. Things become even more complicated with the arrival of their new an... Leggi tuttoRoyce, a straight-laced accountant and Damien, a playboy real-estate agent are cousins and housemates at the crossroads of their lives. Royce is looking for true love and commitment, while Damien is avoiding it. Things become even more complicated with the arrival of their new and mysterious roommate, Toni, who is in the middle of everything. ISSUES is the anti-romant... Leggi tutto
- Regia
- Sceneggiatura
- Star
- Toni
- (as Shawna Rodgers)
Recensioni in evidenza
First, let me say that I root for Van Elder to do well. He is obviously dedicated to making films. I was at a screening for this film, and he, with the help of his crew, took what they had available and persevered through the sometimes arduous process of making a film. The shame of it all is that they went through all of this hard work, as films require, and ended up with an amateurish, barely watchable, mess.
To say that the writing was bad would be like saying that Jeffrey Dahmer was troubled or that Al Qaeda is mischievous. There were all of three funny lines in this "comedy" and each one was stolen from other films. Elders should have realized that his audience might have seen films such as 'Fear of a Black Hat' and would already be familiar with the comedy of Chris Rock. It's deplorable to out and out steal comedic lines without giving them credit. Beyond that, the story was as predictable as the sun rising, though not nearly as entertaining. There was no real story thread, and the only character arc was for a snotty secondary character who no one cared about. Then, like many amateur writers, Elders tried to tie everything up in a neat bow by forcing an ending. Of course by that point, I just wanted the credits to roll.
The only positive thing I have to say about the film is that the performances of the two male leads were decent. Laz Alonso must truly be a funny comedic actor, because even with the witless lines he was given, his personality grabbed a couple of laughs that were not at all a result of the writing.
Van Elder is not a writer. If he is a filmmaker, I hope he recognizes his shortcomings and searches for a good script to make. He seemed quite proud of this film at the screening, but someone needs to tell him the truth. He will never be a successful filmmaker starting with scripts like this one.
We need more "story-driven" comedy in the film industry. I am certain that Van Elder has enough historical material in him, being a native of Compton to develop more Black genre films that mainstream audiences would appreciate. This young man's work needs to be supported. He can take it to another level.
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Dettagli
Botteghino
- Budget
- 50.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 783 USD
- Fine settimana di apertura Stati Uniti e Canada
- 783 USD
- 8 ott 2006
- Lordo in tutto il mondo
- 783 USD
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