Un padre single trasferisce i suoi due figli nelle zone rurali della Carolina del Sud, solo per vedere sua figlia esibire comportamenti sempre più strani.Un padre single trasferisce i suoi due figli nelle zone rurali della Carolina del Sud, solo per vedere sua figlia esibire comportamenti sempre più strani.Un padre single trasferisce i suoi due figli nelle zone rurali della Carolina del Sud, solo per vedere sua figlia esibire comportamenti sempre più strani.
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"The New Daughter" is not a bad movie at all, but it's not especially great either and that's what I found so frustrating about it. It comes so very close to being brilliant but somehow fails when it should have succeeded. Perhaps part of the reason it fails is that it needed a stronger leading man at its centre. The entire movie rests upon Kevin Costner's shoulders and he seems to virtually sleepwalk through it. The only time you see a glimmer of emotion is when he pounds his fists gently against a wall in one scene to show his anger. The actors playing the children are fine, even if they don't exhibit a lot of emotive moments and simply go from A to B as required.
The director does a superb job providing a growing sense of dread at the situation, and there are a number of scenes where he employs the 'less is more' approach, leaving it up to the imagination of the audience as to what a dark shape amongst the trees might have been, or what might be making a strange noise behind a closed door. The movie has a slow, moody pace similar to movies such as "Signs" and "The Others" which also helps to enhance the atmosphere. The special effects in the later part of the movie are also very well done.
In conclusion, I would have to say that "The New Daughter" is 'okay'. It's certainly worth a rental if you like slower paced psychological horrors rather than the type of movie where everyone runs around attempting to avoid crazed killers. There's hardly any blood, and it does contain one or two good scares, although the plot is a bit predictable in places. I only wish that it was more than 'okay', because all of the elements were in place to make a far better movie and that's what ultimately frustrates me.
As someone else mentioned this movie does give off the hint of signs, but with a twist, something that hits a little closer to home, and doesn't seem as far fetched as aliens.
As someone else mentioned that this movie is absolutely terrible, and i can't help but disagree, the movie kept me wondering the entire length and even once it was over. My eyes stayed glued, i never felt like i was bored or wondering when it would get to the "good stuff" It did seems to start off slow, and then ran really fast in the last 20 minutes, but i don't feel that was such a bad thing, as with thrillers its all in the build up anyways.
I don't ever consider thrillers to be a DVD purchase, as once you've seen it it has no replay value, but its definitely worth a hit on the netflix que.
The New Daughter is a 2009 horror film adapted from John Connolly's 2004 short story of the same name first published in the collection Nocturnes. The rights to Connolly's story were purchased by Gold Circle Films who previously scored two modestly budgeted horror hits with White Noise and The Haunting in Connecticut. Initially intended to be a release by New Line, the film ultimately ended up being released by Anchor Bay where it was given a token limited theatrical run before being released to video a few months later. Critical reception tended to run negative with some praise going to the cast and underlying themes while lamenting the plethora of cliches used in the film. In many ways The New Daughter is an improvement on Gold Circles prior horror films like White Noise and Haunting in Connecticut, but it's also weighed down by many of the mid 2000s conveyor belt horror tropes that keep it firmly in the realm of mediocre rental shelf fodder.
Despite the many issues surrounding The New Daughter, the cast is honestly really solid with Costner well positioned to play an in over his head father whose relationship suffers a schism with his daughter Louisa who is on the cusp of pubescence. This is where there is a rich emotional core at play in the material because many parents often do find themselves in a state of upheaval when they're children stop being "children" and their personalities almost change seemingly overnight with a lot of anger and resentment often coloring that relationship. Ivana Baquero does very well as Lou and despite her often butting heads with John even in the opening the movie does give her some moments particularly with her younger brother Sam where she confides in him that it's not John's fault their mother left them. Honestly the stuff with the James family is very rich and very interesting and I often wanted to focus more on it than the actual horror material.
Luiso Berdejo who previously worked as a screenwriter, notably on the hit Spanish horror film REC, makes his directorial debut with the new daughter and he shows himself as having a strong eye for mood and atmosphere with some good nighttime photography of the house as well as nice framing of shots in the daylight scenes that still create an uncomfortable mood. The actual incorporation of the horror elements however is where we see cracks begin to develop because the movie rather than being more psychological concocts this very elaborate mythology involving burial mounds along with foreshadowing of ants and a lot of this stuff feels like it does a disservice to the core upon which the movie had a pretty promising foundation. As the movie goes on it veers more towards becoming a monster movie with some pretty goofy looking monsters and when the ending comes around it leaves on a sour note that just sees the whole thing fall apart.
The New Daughter has some really good ideas and performances on display, but there's also a lot of missteps especially when it comes to the handling of broken family dynamics with more conventional horror tropes. I honestly liked it better than prior PG-13 Gold Circle horror films like White Noise or Haunting in Connecticut, but it still carries many of the same flaws as those movies only with some good underlying ideas trying to get out.
Kevin Costner is writer John James, after a recent divorce moves to a rural home in South Carolina with his young son and his pubescent daughter. There is a strange large mound behind the house near the edge of the woods.
Soon his daughter starts acting and dressing strangely, ultimately it is tied something going on in the mound that she visits at night, coming home muddy.
The movie is moderately interesting, Costner is in good form playing the type of character he has often played. The ending is pretty strange, I can't honestly say exactly what happened to his daughter.
It can be an interesting diversion if you don't have anything else to watch.
Lo sapevi?
- QuizBased on a short story from the horror anthology "Nocturnes" by John Connolly.
- BlooperJames and his contractor prepare a batch of ANFO (ammonium nitrate + fuel oil) to blow up the mound. This is a 'tertiary' explosive, which means you cannot set it off with fire. It would just burn. To set off the detonation, you need to explode a secondary explosive, like a stick of dynamite, which in turn needs to be set off with a primary explosive, like a blasting cap.
- Citazioni
[first lines]
John James: [driving up to their new house] There it is.
Sam James: Real big.
John James: Mm. Want to go in first?
Sam James: Really?
John James: I don't see why not.
[turning to his daughter in the car]
John James: Are you coming? So?
Louisa James: [sulking] So what?
John James: So what do you... what do you think?
Louisa James: You already know what I think.
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Dettagli
Botteghino
- Budget
- 15.000.000 USD (previsto)
- Lordo in tutto il mondo
- 579.626 USD
- Tempo di esecuzione1 ora 48 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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