Obitaemyy ostrov

This is the first part of the two-film saga spanning over three and a half hours for both films (the second being Dark Planet: Rebellion). You have to watch both films back to back as they are one continuous story; the first one stopping in the middle of the narration.

Let's start with what's good. First, it had an impressive budget with massive sets and computer graphics which were pretty good. The story is really interesting based on Strugatsky's sci-fi novel. That's where the good ends in my view. I quite liked the sound in the film - rich full-blown sound effects. And I didn'tthink much of the music either way - it was good enough.

Now to the bad. The script of the film I thought was terrible and jerky, with some silly dialogues and so was most of the lead actors' play - as if this was a farce - totally unrealistic and unbelievable and at times plainly bad. The camera-work was average at best and so was the editing. Then there's this kung-fu which is very fairy-tailish, with crazy jumps and blows completely copying Matrix style.

I couldn't help thinking the director wasn't very original in creating the image but made it a weird mix of visual ideas taken from other films: cars looking like they are from Total Recall and Mad Max, lead actor looking like the tanned curly blond boy from The Blue Lagoon from the 80's, let alone his bad play. One of the characters - Fank, an aide to the prosecutor (by the way. played by the director in a very unfitting for him role) - is a near- copy of Gary Oldman's character Zorg in the Fifth Element driving something of a bat- mobile. Even though the movie is filled with modern GGI, it is a weird mix of things borrowed from western movies with very Russian style of actors' play, with lots of crazy overacting, yelling (there's lots of that here) and a typical Russian cinematography of the late 80s - early 90's.

Yet, the film is quite watchable and holds together the interest till the end, albeit mainly for the big money poured into it. It's certainly worth watching for the really great sci-fi story, especially if you're a sci-fi fan and like adventure and post-apocalyptic movies. All in all, It's like a great play badly acted and badly directed on a richly decorated theatre stage. Recommended.

This attempt at bringing a Strugatski brothers novel to the modern Russian screen is without a doubt a success.

A little about the plot: young explorer Maksim Kammerer crash lands on Sarakhsh, a world enveloped by nebula gasses where people have never seen the stars. The Unknown Fathers, a group of local oligarchs, brainwash the population to fear and despise surrounding nations. Kammerer, aloof in his assumed superiority, sets out to free the people of Sarahksh of oppression and paranoia.

I wont ramble on - suffice to say that Bondarchuk has done well considering the scale of the novel. Vasiliy Stepanov (as Maksim Kammerer) is sexy, cool and a blond head taller than his alien companions (a fine nod to the novel and a detail I did not expect). He was also most excellent in the action scenes.

Bondarchuk shines in his portrayal of Umnik (The Clever One). I really enjoyed the scenes of him writhing in agony in the bath. A great performance. I am compelled after reading some of the other comments to say that the novel, like this movie, is quite comical...

Direction-wise there are some minor continuity errors and a few places where pace slows, but the film sticks quite closely to the novel and this may not have been avoidable.

Compared with the contemporary adaptation of the Strugatskis Ugly Swans by Konstantin Lopushansky the film is of course rather crude and soulless. But it's good fun done right.

I recommend it to everyone and will be waiting for film two.

The original book is a classic in Russia, and contains enough material (and in high enough quality) to create a Start Wars-like series of films. What was done instead was extremely fast-paced bullet-point-like re-telling of the classic story. No suspense, no tension that was present at all stages in the book.

The screenplay sticks to the original dialogue almost verbatim. A serious mistake in my view: the director seems to be afraid of the book fans, and doesn't dare to touch anything in the original. But the original dialogue was backed by a lot of description of internal thinking of the heroes - which cannot be shown on the screen. The result - the storyline is flat and uninteresting, instead of the intriguing and fascinating story in the book.

The actors' play is a total fiasco - except, maybe Strannik ("Strider") - but his role is relatively simple. Everybody else looks like they're reading from a phone book - which probably has to do with the fact that the dialogues were left as-is, see above.

I do appreciate the effort to create an "exoplanet" look of everyday things (cars, glasses, forks, plates, food, clothes etc). The things created would be unusable, but had the desired unusual look.

Overall, disappointing, and leaves a taste of a missed opportunity.

... for the movie cooked from all possible clichés. Let's call it "a movie of the future": no interesting dialogues, no interesting character dynamics, sexually decent, a product. Not only lacking a point, but totally chaotic at the end. Much like a ruined orgasm. Actually, there were lots of completely confusing moments all along. Main character was so artificially angelic beautiful - in a nonsense commercial-romantic way, that it was almost disgusting to watch.

The only positive things was a vision of the perverse futuristic world, dark, totalitarian, rainy, muddy, technocratic, but also kind of futuristic baroque. A bit reminding me of 5th element, or Chronicles of Riddick. (Or just today.) So much more interesting plots, events, interaction could have been set in this environment.

It's 2011 ... and you want a science-fiction? Watch Aliens, Avatar, Abyss, Terminator or at least Matrix.

First things first: Make sure to see this in the 227min original (two-part) version. The international (one-part) release is a hack job with many crucial scenes missing, and a new cartoon title sequence that doesn't quite fit the mood.

The movie's greatest asset is certainly the Strugatzky brothers' nuanced story about a planet corrupt to the bone and the hero's moral imperative to intervene. The story is largely treated with respect, and while I can relate to some of the criticism aimed at the movie - there are some continuity issues, the casting might not suit everyone's taste, as won't the Matrix-style kung fu - this is a well-realised sci-fi flick that's worth watching for the strength of its story alone.

Yes, Tarkovsky would have made this a different movie, and I'm surely going to watch Aleksey German's 'Hard To Be A God', but I for one didn't mind this movie's bubblegum aesthetics while pondering existential moral dilemmas.