VALUTAZIONE IMDb
6,5/10
7556
LA TUA VALUTAZIONE
Non è chiaro come, ma Talib Ben Hassi muore mentre si trova in custodia della polizia. Gli agenti di polizia, Jens e Mike, sono di routine per pattuglia nel ghetto di Svalegården quando la n... Leggi tuttoNon è chiaro come, ma Talib Ben Hassi muore mentre si trova in custodia della polizia. Gli agenti di polizia, Jens e Mike, sono di routine per pattuglia nel ghetto di Svalegården quando la notizia della morte di Talib arriva alla radio.Non è chiaro come, ma Talib Ben Hassi muore mentre si trova in custodia della polizia. Gli agenti di polizia, Jens e Mike, sono di routine per pattuglia nel ghetto di Svalegården quando la notizia della morte di Talib arriva alla radio.
- Regia
- Sceneggiatura
- Star
- Premi
- 11 vittorie e 24 candidature totali
Jacob Lohmann
- Mike Andersen
- (as Jacob Hauberg Lohmann)
Imad Abul-Foul
- Store owner
- (as Imad Abul Foul)
Wagma Dicent
- Store owner's wife
- (as Wagma Khattak)
Jonas El Keh
- Store owner's youngest son
- (as Jonas Lubbad)
Recensioni in evidenza
If you are to watch one police movie all year, then this is it. I won't spoil too much, but you are sucked in from the first five minutes and left breathless for the rest of movie. Absolute must see. Especially, if you're Danish of course.
I found the story compelling and interesting and promising, and the intense premise kept me watching and wanting to know what would happen, but I just found myself disappointed.
Great acting and solid writing, but I was frustrated by the directing to some extent, particularly the poorly filmed or edited fight scenes.
I appreciated the good cop, bad cop theme, but found that just fell apart over the course of the movie. For some reason the focus shifted from the good cop and the person he was protecting, to a long stretch where all we saw was the bad cop and what he was dealing with, even though we lost all sympathy for him by that point and didn't really care to get to know him. That didn't make any sense.
The final moments were certainly a twist, and also didn't make sense. Honestly a lot of build up and suspense for a weak ending.
In all, this movie had promise, but ultimately fails to deliver.
Great acting and solid writing, but I was frustrated by the directing to some extent, particularly the poorly filmed or edited fight scenes.
I appreciated the good cop, bad cop theme, but found that just fell apart over the course of the movie. For some reason the focus shifted from the good cop and the person he was protecting, to a long stretch where all we saw was the bad cop and what he was dealing with, even though we lost all sympathy for him by that point and didn't really care to get to know him. That didn't make any sense.
The final moments were certainly a twist, and also didn't make sense. Honestly a lot of build up and suspense for a weak ending.
In all, this movie had promise, but ultimately fails to deliver.
Danish, mostly balanced, POV on police excessive force vs. Self protection. You're in a job that pays really well w/quick retirement, however each day you go to work not knowing if you'll be alive that evening. You see the worst of humanity in a continuous stream of encounters; you're trained to ignore yet you're still human; perhaps, at some point, we all will collapse under those stressors. Sometimes you encounter someone who's fifty pounds heavier; five inches taller; and verbally assertive while being physically non-compliant; they know what buttons to push & relish that taunting. They have little to lose; little education; no or poor job prospects; just hanging out; maybe some petty crimes to get by. You've seen this countless times on countless days & like all humans we want our jobs to be easy & safe so we react back in kind. Eventually, statistically, an accident (perhaps deadly) is bound to occur. Thus a storyline told around the world.
Joint writers and directors Hviid and Olholm gave us a beautifully shot film with excellent cinematography, but fell short in the screenplay, especially the ending that made it seem they ran out of money.
The conceptual story, although not original, was great, especially their parable about walking a mile in someone else's shoes. But the screenplay felt dragged out with too many unnecessary scenes, giving the 108 min runtime a feel of too much filler for the little substance it gave us. This film should've been cut down to about 80-90 mins max.
What really bothered me was the lack of some type of ending. I get that many thrillers will leave the ending up to the viewers imagination, but for the investment made following the characters around for 108 mins, and with more than one conflict needing some type of resolution, chopping the ending to, well, not really any ending, made it feel like they ran out of time and or/money. For that, I automatically took off one star.
The casting and performances were great, and the score was on point. So overall it was a decent one time watch, and I'd recommend it if you're a fan of this genre, but I wouldn't see it again. It's certainly no 10/10, but also not worthy of all the 1's from the wannabe critics - it was shot and directed too well, and that alone deserves at least a 4. So it's a 7/10 from me, but would've been at least an 8 if the writing was tighter with... a proper ending.
The conceptual story, although not original, was great, especially their parable about walking a mile in someone else's shoes. But the screenplay felt dragged out with too many unnecessary scenes, giving the 108 min runtime a feel of too much filler for the little substance it gave us. This film should've been cut down to about 80-90 mins max.
What really bothered me was the lack of some type of ending. I get that many thrillers will leave the ending up to the viewers imagination, but for the investment made following the characters around for 108 mins, and with more than one conflict needing some type of resolution, chopping the ending to, well, not really any ending, made it feel like they ran out of time and or/money. For that, I automatically took off one star.
The casting and performances were great, and the score was on point. So overall it was a decent one time watch, and I'd recommend it if you're a fan of this genre, but I wouldn't see it again. It's certainly no 10/10, but also not worthy of all the 1's from the wannabe critics - it was shot and directed too well, and that alone deserves at least a 4. So it's a 7/10 from me, but would've been at least an 8 if the writing was tighter with... a proper ending.
Its more a Hollywood style movie than a euro thriller, but the themes of racism, corruption, and police violence are thrown in there for contemporary social conscience reasons at least. Not sure which side the production is on, as the ending leans towards a survival of the fittest theme. The police are certainly not portrayed as being heroic in anyway through out the film though. Although others did not seem to like the ending, I have to give it credit for avoiding cliches. Its definately not a pro police film, but does attempt to show, both, the sides of the police, and the impoverished exploited ethnic minorities in Denmarks ghettos. Its not over sentimental and there are some surprising character arcs. There are better movies out there, but I quite enjoyed it. Despite the heavy thematic elements at play, I feel this movie was made for entertainment.
Lo sapevi?
- QuizThe script's working title was "Panser" (Danish word for "armor" which is also slang for "cop" ), until director Anders Ølholm changed it to "Shorta" - the Arabic word for Police.
- ConnessioniFeatured in Dansk films bedste: Børneliv og På kant med loven (2022)
- Colonne sonoreHeadrush
Written by Sergey Kolosov
Courtesy of Upright Music Aps
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 6272 USD
- Tempo di esecuzione1 ora 48 minuti
- Colore
- Proporzioni
- 2.39 : 1
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