Una banda di DJ ribelli che ha affascinato la Gran Bretagna suonando alla radio la musica di tutta una generazione davanti a un governo che voleva solo la musica classica e nient'altro sulle... Leggi tuttoUna banda di DJ ribelli che ha affascinato la Gran Bretagna suonando alla radio la musica di tutta una generazione davanti a un governo che voleva solo la musica classica e nient'altro sulle onde radio.Una banda di DJ ribelli che ha affascinato la Gran Bretagna suonando alla radio la musica di tutta una generazione davanti a un governo che voleva solo la musica classica e nient'altro sulle onde radio.
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Recensioni in evidenza
Really can't find anything terribly wrong with this aside from the mild sexism but it's so subtle, I hardly noticed.
I've been going through a really rough time personally and watching this cheered me. What more could you hope for?
I think the real protagonist in "The boat that rocked" is music, that sound pop-rock that in the 60's began to move the world, and to be opposed by the establishment as a dangerous weapon in the hands of the multitudes, as a threat to a well consolidated but no longer valid system. Among unreal situations, a totally-lacking plot, among odd and eccentric characters, what only matters is that power of music to revive one's spirits, to give voice to the most uncontrolled, animal, ancestral instincts of man. And thus becomes, in my opinion, the most vivid scene that of those hundreds of records floating on the water, the symbol of a generation, of an era that was then ready to explode, and that no strict establishment could have wiped away, even once illegal radio stations were shut down.
No revolutionary message is conveyed: it's a good-humoured and at intervals melancholic tribute to a generation who, maybe ingenuously, but deeply, and truly believed in out of time-values, friendship, respect, love, and believed that music was a strong, and powerfully effective means to convey them. Even if you don't belong to that generation, each of us has experienced, one or more times in one's life, the communion of a piece of music with the most sensitive chords of our soul: it's about something emotional, but also physical and that's what the director just wants to celebrate.
If you are fond of music, or simply you have once in your life been moved by a song, you will like this movie, or at least enjoy it for what it is, without the necessity of too much criticism.
The Boat That Rocked sees Carl ( Tom Surridge ) go aboard Radio Rock- a pirate radio station owned by Quentin ( Bill Nighy ) whose DJ's (Phillip Semour Hoffman, Rhys Ifans, Nick Frost, Chris O' Dowd, Rhys Darby, etc. ) broadcast 24-hour rock and roll music to the UK. They are adored by the populace but hated by the government, including the Minister of Communications ( Kenneth Branagh ) and his chief subordinate ( Jack Davenport ) who aim to shut them down.
If that was the extent of the plot then it would probably be a 100 mins film. However the Boat That Rocked has so many little sub-plots- many seeming like excuses to put in another montage or cameo cast appearance that the time has ballooned out to 154mins and it does tell at times. Furthermore, while Richard Curtis is entitled to look back on these days with an air of nostalgia, he sometimes seems to get a little too weepy eyed with the story.
But these faults are more than made up for in the performances; all of which are good- and some are outstanding. Phillip Seymour Hoffman's Count is a lovable character who approaches everything with great gusto, while Chris O' Dowd's Simple Simon has a wonderful part in the middle section of the movie which brings a little bit of emotion to what is a pretty emotionally vacant movie. Nick Frost is cheeky as Dr Dave and finally Rhys Darby- fresh from Flight of the Conchords- simply shines in his role as the unpopular and daggy Angus who nonetheless gets arguably the best line in the whole movie.
Overall the Boat That Rocked is silly and entertaining fun. It does get overweight by a looong script, but the soundtrack and the cast are good enough to carry it through.
If you're looking for an evening of pure escapist fun, feeling generally nostalgic and cool about the legacy of the 60s fashion and music, and would like to forget history for a while and go with the party mood, go see this film - you won't be let down and you'll get what you're looking for: an amazing soundtrack (although, as many didn't hesitate to point out, not entirely historically accurate), with the likes of The Rolling Stones, The Kinks, Dusty Springfield, The Hollies, Jimmy Hendrix, Buddy Holly, and many many more, with the charismatic Bill Nighy and a bunch of other not-quite-so-ordinary eccentric characters, more or less familiar to you, depending on how you enjoy British (and American) comedy (e.g. IT Crowd). Even if you don't know the actors, even if you're not into the music of the 60s, you've got pure feel-good fun thrown in to top it off for a great evening of the 60s Rock'n'Roll partying. And it's partying in the true 60s sense of the word.
On the other hand, if you're looking for profound plot development, historical accuracy and consistency, or a true story of a real pirate radio station Caroline that inspired the story, or, in fact, would like to see a true depiction of the life in the UK in 1966, do NOT go see this film, because you might leave disappointed.
It's as simple as that.
So, a definite recommendation for cinema viewing because of the necessary volume that the speakers allow you there to enjoy the music to the fullest (and, let me say one more time what music it is!), but stay out if you're not in a party mood.
I give it 8/10 for the feel-good, cool entertainment it brings and.... well, for the Rock'n'Roll.
Have fun!
I saw this movie years ago and came upon it again just today and it is still as good as the first time I saw it. Come on, British rock, mini skirts, white boo ga loo boots and everything else that came from Britain. Life was fun, exciting and free. I can only wish that new generations can listen to the wonderful sounds of British and new wave US rock from that era. It was a great time to be alive!
Lo sapevi?
- QuizThe scene in which Young Carl sulks about Marianne was originally supposed to be about eight seconds long and contain nothing but Tom Sturridge sitting on a bench and looking sad. Will Adamsdale and Ike Hamilton happened to be there, so executive producer, writer, and director Richard Curtis told them to have a go at what they would have done if their friend was in the same situation. He put on "So Long, Marianne" and they came up with everything that remains in the scene.
- BlooperThe characters frequently use vernacular that was not made popular until much later than 1966. Characters refer to protection as 'condoms,' which were much more commonly called 'Johnnies' in the 60s. Also, Young Carl is told that when dealing with Thick Kevin, it was important to "think outside the box," a term not coined in general use until the early 90s.
- Citazioni
The Count: To all our listeners, this is what I have to say - God bless you all. And as for you bastards in charge, don't dream it's over. Years will come, years will go, and politicians will do fuck all to make the world a better place. But all over the world, young men and young women will always dream dreams and put those dreams into song. Nothing important dies tonight, just a few ugly guys on a crappy ship. The only sadness tonight is that, in future years, there'll be so many fantastic songs that it will not be our privilege to play. But, believe you me, they will still be written, they will still be sung and they will be the wonder of the world.
Gavin Cavanagh: Hit it!
- Curiosità sui creditiThis film is dedicated to all who worked and broadcast on the pirate stations - all those wonderful years, all day and all of the night.
- Versioni alternativeUS distributor, Universal have chosen to re-title the film as "Pirate Radio" and release it under Focus Features in US territories. This new version will be edited for length by director Richard Curtis after some European reviewers cited its 135 minute running time as a factor in its diminished success.
- ConnessioniFeatured in The 81st Annual Academy Awards (2009)
- Colonne sonoreAll Day and All of the Night
Written by Ray Davies
Performed by The Kinks
Courtesy of Sanctuary Records Group Ltd.
Under license from Universal Music Operations Ltd.
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- The Boat That Rocked
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- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 50.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 8.017.917 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2.904.380 USD
- 15 nov 2009
- Lordo in tutto il mondo
- 36.352.467 USD
- Tempo di esecuzione2 ore 15 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
- 2.39 : 1
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