Cold in July - Freddo a luglio

Cold in July is a Texas neo-noir set in 1989. A man called Richard Dane kills an intruder in his home one night. The victim's dad subsequently turns up and starts hassling Dane and his family. The police get involved but things begin to take a turn for the unpredictable when it soon becomes apparent that the dead man isn't who he appears to be. This leads to a spiral of very dark secrets.

What makes this one work so well is a combination of a great trio of performances and the 80's retro styling. Of the former we have Michael C. Hall, Sam Shepard and Don Johnson as a motley crew of sleuths bent on discovering the truth and ultimately meting out violent retribution. The three actors work well together in portraying their uneasy alliance. While the aforementioned 80's setting is great too. The soundtrack is a combination of some choice 80's hard rock and some neo-electro 80's styling synth music to score the film and build atmosphere. It works highly in the movie's favour and gives it a cool sheen while seeming entirely appropriate given the era depicted.

The story-line is a mixture of fairly familiar things you probably have encountered in these types of movies before and I'm not going to reveal too much of what lies ahead as it's best to go into these types of films with as little foreknowledge as possible. But it is the way that these standard elements have been presented on screen that makes them work so well, as well as the aforementioned acting and 80's setting. There are a few loose ends in the story and some aspects that you will require to suspend your disbelief at a little. But this is hardly a new thing when it comes to pulpy thrillers. The important thing is that Cold in July is a superior example of this kind of thing. It's very involving throughout and makes its generic material seem fresh, which is easier said than done.

This dirty little piece of Texas pulp rides the fine line of art of trash with brilliant composure as its dark script teases you with how far it'll go. The seed is planted when an everyman kills an intruder in his home, and the story spins wildly out of control from there. The story moves forward at a brisk pace and never looks back. Sure that means there are as many holes as there are unanswered questions, but such is the case with pulp. You gotta live in the now, man. In the end, I'm still not sure how to process what I've seen, and I've gained no further insight or knowledge about myself, the world, or humanity. And I wouldn't have it any other way

(89%) One of those great little movies that will sadly get seen by far too few, and although it is not a 100% slab of solid gold, it's still a really damn good piece of storytelling. First of all the 1980's style soundtrack is sublime, a true contender for the best of the year without a shadow of doubt. The performances couldn't be much better, Michael C. Hall is perfect as the mullet headed everyman caught in a very tricky spot, and Don Johnson breathes a breath of fresh air into the second half. The direction is focused and unfussy. While the story is fantastically well paced as it twists and turns almost constantly, I just cannot recommend this enough. A must-watch American future classic that's worth the time, effort, and money watching properly at the cinema, so do so, you won't regret it.

How many men can one bullet kill? That is the catch line on the film poster, and it is one of the best definitions of a film I have ever read. Based on a novel by Joe R. Lansdale, this is the story of Richard Dane (Michael C. Hall, eternal "Dexter"), a protective family man that kills a burglar inside his home. Still in shock after the event, he is not fully aware of what that single shot has triggered.

I must confess I wanted to see the movie because I am a big fan of "Dexter" (James Manos Jr. 2006-13), and after this show and his role in "Six Feet Under" (Alan Ball, 2001-2005), I already thought Michael C. Hall was a great actor. Having watched this film, I admire him even more. It is not easy to shake a character that has been with you for so long, but Hall just nails this average man, father and husband. How such a man reacts when killing for the first time and everything afterwards, it is outstanding. The other actors in this trio are Sam Shepard as the father of the deceased burglar, and Don Johnson as a government agent, two tough guys that shows up as a result of Dane's killing. Both Johnson and Shepard really fit the role and they support Hall perfectly.

This film is tough, maybe not in a graphic way, but throughout the film you start to feel the burden of the events, the consequences of it. It is also a story of good and evil, of doing the right thing, and all the unexpected things behind that decision. The film is divided into two parts, and in the second segment, there is a shift in the tone, though there is something true about the whole film, it is a gritty, harsh story. How an ordinary man copes with life after a rough, life-changing event.

The story line is simple and clear but not completely convincing in all aspects. But the screenplay is the one that makes to hold on to the movie till the end without letting you think about the logics. The music and some of the performances like Sam Shepard's have been partners to the screenplay.

But towards the end of the movie, You think about Richard's involvement to the plan is so lightly touched making the characterization contradictory to itself. A citizen with clear records, a responsible family man who tries to safe guard the family under any circumstances turns out to be warrior keeping aside the family for a while. That itches a bit ! Doesn't it.

Other than that, it is a movie that you can watch for once without much regrets.