Black Death - ...un viaggio all'inferno

Set in 1348, during the time of the first outbreak of the bubonic plague in England, Osmund (Eddie Redmayne), a young monk, is tasked to accompany a determined knight named Ulric (Sean Bean) and a group of mercenary soldiers in learning the truth about reports of people being brought back to life in a small village, where the plague has not reached. While Osmund sees this as a mercy mission, Ulric believes necromancy is involved and is determined to bring this necromancer to justice. Their journey leads them into various obstacles and darker moments as secrets are unveiled.

Despite its grim mood and subject matter, this film is an entertaining and generally a thought-provoking, medieval horror/thriller. Even with the film's low budget, it is impressive to look at. The misty landscapes, the costumes, the filthy details, and the sets are impressive. Some of the makeup and soundtrack may seem a tad modern, but they are not distracting. While the film is considered a historical horror film, it is also a bit of an action flick, as it has some energetic, gritty swordplay, with some blood and limbs flying off.

The film takes place around the time of the Inquisition when there was much distrust from the Catholic church and the government toward pagans. Ulric is a zealous warrior driven by hatred. He believes he is serving God through the use of his sword against suspected necromancers. Osmund, the monk, on the other hand, believes that in order to love God, one must serve through mercy and love.

There are no characters here that are fully saintly. I felt Eddie Redmayne's performance as Osmund really made this film work. His performance feels genuine and he acts as I would imagine a monk would act and talk, and he is emotionally relatable. As the film progresses, one can appreciate his good range of emotions and acting ability. As for Sean Bean, one can't help but feel he is reprising his role as Boromir from Lord of the Rings. He has the same type of hair. He is wearing medieval armor. Again, he plays that proud, brash character who we know will do something…brash. I would love to see him someday play a real calm, jovial, intellectual character. To the film's credit, Sean Bean gets to stretch a bit as Ulric is not completely two-dimensional and we do get to know more on how he became the type of character that he is. The rest of the cast, who have their own special look and quirk, do a laudable job and work together well.

The action scenes have a good amount of tension and intensity, but the shaky camera effect can be dizzying. There is about one major fight scene, which happens midway into the film. Once the main characters make it to the village, things get a little more surreal and one realizes that this is not necessarily an action film, at least in a conventional sense. I've noticed the characters in the village feel, talk, and look strangely modern. I'm guessing these villagers still farm for a living, but they seem quite clean and manicured.

The script is sharply written, with good detail in the dialogue. The film attempts to explore how extreme situations can turn people into hateful zealots, or a violent fundamentalist. There is a twist at the end, which is interesting, but somewhat hard to swallow. The film doesn't attempt to give any big answers, but it is an interesting exploration of man's dark nature, the cycle of vengeance, and how good people can turn cruel when evil is done on them.

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Black Death is a hidden gem, as others have put it, and far from the Hollywood slop it so sharply contrasts. It could not be much more true to its' name, which is quite possibly the bleakest title a film can be given, while it feels genuine to its period backdrop. Everything here feels true to its' nature. And there is no excess of special effects or melodrama, or anything watered down, and instead the story is full of substance.

In 1348, the young monk Osmund finds himself conflicted at the films start, as his secret love Avrill is fleeing their plague-ridden city and provides him the choice to meet her in the marshland. Upon asking for a sign for guidance, his monastery is visited by Ulrich and his party of Christian fundamentalists. On a mission to a village beyond the marsh in search of a necromancer and any other witches to stamp out, he asks for a guide and young Osmund obliges. Thus begins an ugly and gritty crusade across an English countryside that is riddled with fear, intolerance, and the Black Death.

The struggle is personal as well as conceptual. For Osmund it is personal, as his love for Avrill causes him to question his own faith due to the charms and tricks of the pagans (huge plot twists underly this theme)and the brutality of the band he guides. And then the bigger picture, the struggle between the Christians and the pagans, is tastefully portrayed with an objective narrative. In the film, there are cruelties and acts of brutality inflicted from both belief systems. This was perhaps my favorite element to the movie. While personally I rooted for the pagans against the tyranny of the church, I found that my brother and I could argue over who was the demonized side, and the writing offered no kind of resolution. That the oppression of the church and the clandestine nature of the pagans only fueled one another is probably truer to history than textbooks will ever show, this movie portrays the idea brilliantly (despite the dark feel).

If you think the movie sounds interesting, and are interested in it for plot, substance,and a gratifying experience, check this one out.

Black Death is directed by Christopher Smith and written by Dario Poloni. It stars Sean Bean, Eddie Redmayne, John Lynch, Tim McInnerny, Kimberley Nixon, Andy Nyman, Johnny Harris and Carice van Houten. Music is scored by Christian Henson and cinematography by Sebastian Edschmid.

1348, Year of our Lord, the bubonic plague is ravaging Europe. When word spreads of an isolated community that is plague free, a gang of Gods' soldiers are tasked with seeking it out under the impression it might be a haven to occult dealings. Guiding the group is rookie monk Osmund (Redmayne), who after falling in love with a young girl is conflicted about his faith. He takes the soldiers' request for a guide as a sign to find his true calling, what he and the soldiers find at the end of their journey, however, has far reaching consequences for them all.

Considering it was a limited release in theatres it's a little surprising to find so many have sought it out on home format release. What isn't surprising, given its themes, is how it has polarised opinions. Personally I love it, this in spite of director and writer cribbing from notable Brit movies of our past. Yet even when in the supposed sanctuary of our home during this latest visit to the film it was met with derision from the lady love of my life! After director Smith (Severance/Triangle/Creep) has well and truly pulled the rug from underneath us to tantalisingly leave things ambiguous, he slots in a coda that muddies things still further, simultaneously infuriating another portion of the movie watching populace. I write this because of two reasons, the first is to obviously intrigue potential first time watchers into taking the plunge and giving it a go, the second is to negate the underselling of the movie by its own director!

Somewhere along the way Smith chose to not sell it as a battle between religion and atheism-Christians against Pagans, but went for the more pleasingly medieval men on a mission aspect, which for the first half of the movie it is. Perhaps those sneaky loans from the revered films that have influenced it weighed heavy on the director post the release and critical appraisals? But undeniably it's the second half that carries the thematic thrust. True enough to say that following a chainmail clad Sean Bean and his grungy band of "mercs" traverse the land, fighting off bandits and the plague along the way, is good formulaic fun, but it's when they happen upon the marshy set village, greeted by a ghostly Carice van Houten and a unnervingly smiley Tim McInnerny, that the film really hits its stride. Thus opening up debates as the battle for Osmund's soul truly begins and we are asked just who are the good and bad guys here?

Filmed out in the forests of Saxony Germany, the film looks terrific in the context of the period it is set. The colours are deliberately stripped back and muted, this plague ravaged land, and persons, demand that to be the case. There's some initial annoyance with the "shaky-cam" formula during the more up-tempo sequences, this is something that is becoming a staple requirement by directors of historical pictures, but Smith thankfully doesn't over do it and achieves good atmospheric realism throughout. It's interesting to note that the Pagan villagers are clean and sprightly, while the Christian soldiers are grimy and grotty, life of the medieval soldier was bloody and bloody dirty work . When the excellent Andy Nyman as Dalywag takes a leak up a tree, he merely wipes his newly whetted hand on his tunic, it's little things like this that keep the film in the realm of realism, an awareness of the time indeed. Cast attack the material with good thespian seriousness, with Lynch and Harris scoring well as polar opposite characters in the supporting ranks of Ulric's (Bean) band of not so merry men.

It's not overly gory, Smith choosing (correctly) to let us at times fill in the blanks in our head, while the fight scenes are very well staged (Bean was very pleased with how they turned out). But ultimately it's the themes in the story and period setting that is of the most interest here. What ever side of the fence you sit on as regards religion, or how you feel about humanity being depicted so coarsely, Black Death will get a reaction out of you. 8/10

Set during the period of English history when the Bubonic plague spreads death across the land, a troubled young monk named Osmund is recruited by a band of soldiers to investigate a village that remains untouched. What they find there will change them forever.

Having enjoyed Christopher Smith's previous movies ("Creep", "Severance" and "Triangle"), I had high hopes for "Black Death" and was not disappointed. Although the gore of his previous movies is still evident during the battle scenes in which arms are severed by swords and heads crushed by maces, it's largely underplayed here with the script placing greater emphasis on the story's themes of faith, religion, superstition and love. It is this emphasis, along with the various twists in the plot, which make the choices faced by the characters in the third act of the movie so very interesting.

I was repeatedly reminded of the original "Wicker Man" whilst watching "Black Death", not only because of the central theme of a devout Christian confronting something terrible which attempts to challenge and undermine his own beliefs, but also because of the cold, bleak cinematography reminiscent of a seventies horror movie. The entire production is nicely directed and Smith utilises his horror knowledge to keep a constant and oppressive threat running throughout the film, regardless of the scene, to maximum effect. The visual effects, whether for the symptoms of the plague itself or for the various wounds suffered by the characters, are also excellent.

The cast are universally fantastic, although Sean Bean's towering performance – portraying the leader of the soldiers and a man "more dangerous than pestilence" – steals the movie. Eddie Redmayne does well in the central role of Osmund and manages to make his character's personal journey both interesting and believable, whilst Carice van Houten is also memorable in an important role during the second half of the movie.

I was very impressed by "Black Death" and would recommend it to those who enjoy atmospheric horror movies such as the aforementioned "The Wicker Man" or "Don't Look Now", as well as those who seek out movies set in or around this period of Britain such as "In The Name Of The Rose" and "The Reckoning". Although parts are grim and even upsetting, it's never dull and is definitely a movie worthy of your time and support.

From the humble beginning to the violent end, this movie was solid gold. Particularly the ending, there are only a few movies out there that leave you questioning your own believe and this movie surely does that.

Obviously built on a tight budget but this movie sure can pack a lot of punch. And the acting performances are truly awesome! Sean Bean was amazing and the lead guy Eddie Redmayne was spot on.

This movie highlights the cruelty of the Black Plague in Europe and all the sinister twists that it took on the mind of the people. I don't usually enjoy period movies but the story is what really kept me hooked on.

The concept of the inquisition and witch hunt are present too. All in all, this movie was truly amazing.