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Enter the Void

  • 2009
  • VM18
  • 2h 41min
VALUTAZIONE IMDb
7,2/10
92.027
LA TUA VALUTAZIONE
POPOLARITÀ
1960
165
Enter the Void (2009)
A drug-dealing teen is killed in Japan, after which he reappears as a ghost to watch over his sister.
Riproduci trailer2: 08
1 video
77 foto
Dark FantasyPsychological DramaDramaFantasy

Dopo che un giovane spacciatore è ucciso in Giappone, egli riappare come un fantasma per proteggere sua sorella.Dopo che un giovane spacciatore è ucciso in Giappone, egli riappare come un fantasma per proteggere sua sorella.Dopo che un giovane spacciatore è ucciso in Giappone, egli riappare come un fantasma per proteggere sua sorella.

  • Regia
    • Gaspar Noé
  • Sceneggiatura
    • Gaspar Noé
    • Lucile Hadzihalilovic
  • Star
    • Nathaniel Brown
    • Paz de la Huerta
    • Cyril Roy
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,2/10
    92.027
    LA TUA VALUTAZIONE
    POPOLARITÀ
    1960
    165
    • Regia
      • Gaspar Noé
    • Sceneggiatura
      • Gaspar Noé
      • Lucile Hadzihalilovic
    • Star
      • Nathaniel Brown
      • Paz de la Huerta
      • Cyril Roy
    • 339Recensioni degli utenti
    • 232Recensioni della critica
    • 69Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 4 vittorie e 8 candidature totali

    Video1

    Enter the Void
    Trailer 2:08
    Enter the Void

    Foto77

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 73
    Visualizza poster

    Interpreti principali47

    Modifica
    Nathaniel Brown
    Nathaniel Brown
    • Oscar
    Paz de la Huerta
    Paz de la Huerta
    • Linda
    Cyril Roy
    Cyril Roy
    • Alex
    Olly Alexander
    Olly Alexander
    • Victor
    Masato Tanno
    • Mario
    Ed Spear
    • Bruno
    Emily Alyn Lind
    Emily Alyn Lind
    • Little Linda
    Jesse Kuhn
    • Little Oscar
    Nobu Imai
    • Tito
    Sakiko Fukuhara
    • Saki
    Janice Béliveau-Sicotte
    • Mother
    • (as Janice Sicotte-Béliveau)
    Sara Stockbridge
    Sara Stockbridge
    • Suzy
    • (as Sarah Stockbridge)
    Stuart Miller
    • Victor's Father
    Emi Takeuchi
    • Carol
    • (as Yemi)
    Rumiko Kimishima
    • Rumi
    Akira Kuzuki
    • Techno Club Girl
    Sayuki Nakamura
    • Techno Club Girl
    Kaori Nakamura
    • Techno Club Girl
    • Regia
      • Gaspar Noé
    • Sceneggiatura
      • Gaspar Noé
      • Lucile Hadzihalilovic
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti339

    7,292K
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    Recensioni in evidenza

    9grmagne

    Stunning...in many ways

    If the following things disturb you, then you should probably avoid this film: strobe lights, drug use, shaky hand-held cameras, graphic sexuality, sperm, spinning cameras, psychedelic imagery, blood, gay sex, abortion, breastfeeding or a graphic auto wreck.

    But if you're still intrigued then sit down and get ready for nearly three hours of mind-blowing imagery that you'll never forget! Although IMDb lists the Toronto Film Festival version as "only" 135 minutes, according to my watch we got the 163 minute version that was shown at Cannes. The presenter also warned us 3 times before the screening that anyone with epilepsy should leave the theatre due to the flashing lights in the film. She was quite serious about that.

    I was a bit apprehensive prior to the start of this movie. I didn't "get" 2001 at all the first time I watched it and I positively hated David Lynch's ERASERHEAD. Would I enjoy ENTER THE VOID? Understand it? Walk out before the end? Yes, yes and no.

    The film opens with Oscar and Linda, siblings from the United States living in Japan, looking out at Tokyo from an apartment balcony. It quickly becomes obvious that Oscar is both a drug dealer & addict while his sister works as a stripper. Their tragic family history is revealed in segments throughout the first hour. The entire film is seen from Oscar's perspective, either as: (1) First-person, shaky camera, blurry shots as Oscar walks around Tokyo, very high on drugs (2) An out-of-body experience where Oscar floats around the city observing Linda's life and the people that interact with her (3) Flashbacks to Oscar and Linda's youth, similar to (1) except that here we always see the back of Oscar's head in the shot rather than "through his eyes" (4) A surprise at the climax of the film.

    Number (1) above may sound nausea-inducing to some, but there's usually interesting dialogue to distract you from the disorienting visuals and these scenes only comprise a small percentage of the total screen time. Technique number (2) could have been Oscar-worthy if it was filmed for a less controversial movie. Floating and spinning above the city of Tokyo and watching various dramas unfold from up above is absolutely incredible. You'll spend so much time watching from this perspective that it's easy to get lost in the images and forget what an incredible technical achievement you're observing.

    Virtually all of the key plot elements occur within the first 90 minutes of the film. After that the film transforms into more of a psychedelic, visual experience while the story fades away. This phase of the film really tested my patience and I started to check my watch frequently but there were enough eye-popping scenes that I'm sure I'll view this a second time someday. The momentum returns during the final 10 or 15 minutes, and although this final phase is simply a logical conclusion of what had been blatantly foreshadowed earlier, it's nonetheless amusing and incredible to watch the taboo-breaking finale.

    This film is very unique, disorienting and absolutely incredible & unforgettable. I can definitely understand why it's been compared to 2001: A SPACE ODYSSEY, but I found ENTER THE VOID to be more accessible and more comprehensible during my first viewing. It's too controversial and too bizarre to appeal to most people, but it will undoubtedly find its niche as one of the greatest cult classics of all-time.
    8Radu_A

    The intellectual's 'Inception' - a 'Now I've seen it all' death trip back to life

    So what could I add to what has been stated in the other reviews? Yes, 'Enter the Void' is definitely a trippy mindbuster, and as such anyone who requires story or frames to enjoy a film should give it a miss. Yes, the visuals are eye-popping and the ubiquitous stroboscope effects may cause severe nausea - I watched it on BR and couldn't help but thinking what an advantage home entertainment can be over cinema exposure. This is a film which may be best enjoyed alone, somewhat stoned or drunk, and very late at night. And the pause button is definitely a life-saver.

    I can sympathize with those who felt tormented by the epic runtime and disparity between the first and second half of the film: the former is sort of a 'last film' of the protagonist Victor retelling his life, and therefore makes sense plot-wise, the latter is a meandering flow representing his attachment to his sister. It is a bit unfair to discard the film for this reason, though, because the dialogue between Victor and his best friend Alex in the beginning hints at what the nature and culmination of this attachment will be. The interspersed aerial shots of an increasingly CG-rendered Tokyo may actually put this transition into question - this could all very well be part of Victor's 'death trip'.

    What I really liked about 'Enter the Void' is the setting, for I have lived in Tokyo myself for three years. The area where the story takes place (judging from where the CG puts the Tokyo Tower) should be Roppongi, which is an expat and night club haven; while the CG makes the place appear a bit gaudy, it is indeed populated by a disproportionate number of drop-outs and sleazy bees, and I've always wondered why there's no film about Roppongi yet - contemporary Tokyo is mostly condensed to the Yakuza backdrop of Kabukichô or the juvenile epicenter of Shibuya. So on that note, I appreciate a film about the expat world, as weird and dysfunctional as it may be.

    'Enter the Void' pushes the gates of what film can visually do visually wide open, and therefore shouldn't be dismissed by any cinephile. But your viewing conditions will be crucial to whether you will love this film or hate it.
    7larry-411

    Trippy & dreamy, but be sure you're prepared

    I attended the International Premiere of "Enter the Void" at the 2009 Toronto International Film Festival. Fans of director Gaspar Noé, whose film "Irreversible" created a significant following, will not be disappointed. At two and a half hours long, this film is definitely not for everyone. But I knew that going in and got exactly what I'd hoped for and more. It's trippy, dreamy, and mesmerizing and left me shaking my head in wonder many times. Startling and risky performances punctuate the dazzling visuals. The biggest surprise for me: "Enter the Void" has much more of a narrative than I was expecting. I was prepared for a cinematic acid trip, which I got, but there is an actual storyline which threads through the experimental camera-work and effects which are at the heart of the film. I highly recommend this movie but with qualifications, though. There is a great deal of drug use and some explicit sex but the film is compelling.
    9oOgiandujaOo_and_Eddy_Merckx

    Ambitious, deeply mystic and provocative movie with earth-shattering FX

    Gaspar Noé's big beast of a Cannes entrant showed for the first time in the UK this week in October. Gaspar Noé was there to introduce the film, which was a great kick for me, even though he didn't do a Q&A. His intro was quite funny, because he's not a grand intellectual, he's more of a sensualist. It's clear that he had a pretty dissipated youth and he talked about his experimentation with hallucinogenics and he always wondered as a kid why nobody was making movies with the images like he was seeing whilst high in them. So this is a movie I think he's wanted to make for a very long time, perhaps a couple of decades, but only now has he been able to get the freedom and funding to do it.

    He said he had seen the film Lady in the Lake after taking a magic mushroom; this is a 1947 Raymond Chandler adaptation which is shot in POV (that is, the camera is like the eyes of the lead). Gaspar had also been reading about life after death experiences, or near death experiences. So he wanted to combine the hallucinations, POV shooting, and out-of-body experience material. The result is 2 hour and 43 minutes of masterpiece. It will leave the ciné-gourmand gorged and bewildered. For me it's a clear step-up, even an evolution, from his last feature film in 2002, Irréversible. The idea of having out-of-body experiences really frees up the concept of POV, Noé's not limited by the body (which can't just glide forty feet into the air, or halfway across the city). He's really freed up to shoot the fluorescent sexual labyrinth of Tokyo, which is shot only at night-time and in POV.

    The story in the movie concerns a brother and sister (Oscar and Linda) who have a childhood trauma and end up moving to Tokyo in their late teens where they become involved in a heaving underworld. I think though that Tokyo is more of a metaphor in this film, I don't think he's trying to tell you anything about Tokyo the city per se, I think it's just the perfect pre-fabricated set for Noé. In the film it's a nerve centre, it's that place in life where we meet lovers, copulate, produce new life, and die. It's the mayfly (order Ephemeroptera, from the Greek for short-lived) part of the human lifecycle, which we experience in a heightened fashion through the eyes of Oscar.

    There's a lot of stuff in here for you to take offence to if you want, If you have ever taken offence to a film on content grounds as opposed to intellectual grounds, you're likely to take offence here. Pornographic linkages between adult sexuality and the Oedipus complex, for me are brilliant, but will upset many filmgoers.

    Those people who have decided that Noé is homophobic or misogynistic after seeing Irréversible are not going to have their minds changed by this movie at all. There seems to be a very strong link in his mind between sex and procreation. You don't have to consume the movie in a homophobic way in my opinion, but there may be a lot of upset gays after seeing this movie. Particularly as the gay character in this movie is portrayed as being on the same level as the rapist in Irréversible. There's no direct comment, but if you read between the lines, you may not like what you read.

    I think the androphiles are going to love Nathaniel Brown who plays the lead teen, Oscar, in this movie, which is his first credited role on IMDb, straight as I am, even I can tell he's a heartthrob. Paz de la Huerta as Linda, his sister, is very eye candyish too. If you like to see beautiful things writhing (we're talking eye popping next level FX hallucinations here, as well as copious sex), then this is the movie for you.

    I walked out of the cinema still tripping, the POV is so spectacularly well delivered that you feel almost like you're still in the movie when you come out, because the mode of perception hasn't changed.

    The lasting images I am left with are from the Love hotel, a very strange pastel and fluorescent building that has holo-reflectors design on the outside and which Noé dedicates a lot of the later part of the movie to, the FX emanations are spectacular.
    7sharkies69

    A good film in desperate need of editing

    Saw this at the Melbourne International Film Festival. Whilst I didn't enjoy Noe's first film I Stand Alone, I loved Irreversible.

    There is lots to like about ETV and much to dislike as well. An hour into the film and I would have given it perhaps an eight or nine but by the end of the film I was frustrated. Why? Noe just can't help himself and you get the feeling he either didn't know how to end the film or simply just wanted to be shocking for the sake of it.

    Visually, I couldn't help but be impressed. Some amazing shots, lighting (strobe) and editing techniques. Noe also mixes up the story well as he did in Irreversible. You are not spoon fed the story and I love the way he told the back story of the two leads.

    Plenty of people walked out at the screening after the hour and forty minute mark and I couldn't blame them. Probably not because they were shocked but just bored and frustrated. Noe pads this out and it is such a shame as overall it ruined the film as a whole.

    The acting is quite wooden and doesn't ring true but that is only a minor quibble when compared to the film's bloated running time.

    Hard to fault Noe for his creativity, energy and style and refusal to follow norms in terms of narrative structure etc. Still, I wish a friend or colleague had tapped him on the shoulder or given him some constructive criticism about the last half of the film.

    I can only imagine how much footage Noe might add into a Directors Cut - Lord help us. Perhaps he could learn some lessons from this and streamline his storytelling and not feel the need to bludgeon the audience just for the sake of it.

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Most of the dialogue was improvised by the cast. Gaspar Noé stated that, as he didn't understand English very much, he needed someone to tell him if what the cast was saying sounded good or not.
    • Blooper
      15 minutes into the film, there is a bathroom POV scene where the character is looking into a mirror and splashing water on his face. in the sink, the hands have a ring on them, but in the 'mirror', they do not.
    • Citazioni

      Alex: Basically, when you die your spirit leaves your body, actually at first you can see all your life, like reflected in a magic mirror. Then you start floating like a ghost, you can see anything happening around you, you can hear everything but you can't communicate. Then you see lights, lights of all different colours, these lights are the doors that pull you into other planes of existence, but most people actually like this world so much, that they don't want to be taken away, so the whole thing turns into a bad trip, and the only way out is to get reincarnated.

    • Curiosità sui crediti
      The film begins with "ENTER", and ends with "THE VOID".
    • Versioni alternative
      In some countries, the theatrical release was shortened by omitting reel 7 of 9. This removed 17 minutes of material.
    • Connessioni
      Featured in Durch die Nacht mit...: Harmony Korine und Gaspar Noé (2010)
    • Colonne sonore
      Salve Regina
      Performed by Jez Poole and Martyn Warren

      © ZFC Music

      Courtesy of Universal Publishing Production Music

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    Dettagli

    Modifica
    • Data di uscita
      • 9 dicembre 2011 (Italia)
    • Paesi di origine
      • Francia
      • Germania
      • Italia
      • Canada
      • Giappone
    • Sito ufficiale
      • IFC Films (United States)
    • Lingue
      • Inglese
      • Giapponese
    • Celebre anche come
      • Entra al vacío
    • Luoghi delle riprese
      • Montréal, Québec, Canada
    • Aziende produttrici
      • Fidélité Films
      • Wild Bunch
      • BUF
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 16.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 336.467 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 43.651 USD
      • 26 set 2010
    • Lordo in tutto il mondo
      • 808.566 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 41 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
      • DTS
    • Proporzioni
      • 2.35 : 1

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