The Way It Came
- L’episodio è andato in onda il 9 ott 2020
- 53min
VALUTAZIONE IMDb
7,9/10
4681
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWracked with guilt, Dani is haunted by her own heartbreaking loss. Flora and Miles find ways to cope, and Bly's staff remember the dead over a bonfire.Wracked with guilt, Dani is haunted by her own heartbreaking loss. Flora and Miles find ways to cope, and Bly's staff remember the dead over a bonfire.Wracked with guilt, Dani is haunted by her own heartbreaking loss. Flora and Miles find ways to cope, and Bly's staff remember the dead over a bonfire.
- Regia
- Sceneggiatura
- Star
Tahirah Sharif
- Rebecca Jessel
- (solo nei titoli)
Henry Thomas
- Henry Wingrave
- (solo nei titoli)
Daxton Grey
- Young Edmund
- (as Daxton Gujral)
Recensioni in evidenza
I love this show, thought after first season it'd be hard to replicate but the tension and character work is brilliant, love the cast and acting is great, few issues with uk continuity but really loving it, knocked a mark off for more 2020 obsessed forced gay storyline as it felt both forced and unnecessary, I have no issue with any love if it's organic but when every shows doing it from umbrella academy to this to bounty hunters it's just getting a bit desperate, spread the love properly and treat it with respect.
All along !
What a storyline. Its so good it actually makes me wanna finish it today!
"The Way It Came," the fourth episode of The Haunting of Bly Manor, deepens the emotional and psychological intricacies of the story, while also shedding light on Dani's haunted past. The episode begins to unravel the source of the spectral figure haunting Dani, introducing viewers to her tragic history with her late fiancé, Edmund. Through poignant flashbacks, the audience is offered a window into Dani's guilt and grief, which have manifested in the ominous image of Edmund's glowing glasses. Simultaneously, the narrative explores Dani's growing connection to Jamie, a relationship that starts to provide a sense of hope amidst the gloom of Bly Manor. This blend of emotional vulnerability and supernatural tension creates a compelling dynamic, enriching the overall narrative.
Victoria Pedretti once again delivers an exceptional performance as Dani, portraying the character's inner turmoil with raw authenticity. Her ability to convey layers of emotion without overt dialogue adds depth to the story, making her struggles deeply relatable. Amelia Eve as Jamie complements Pedretti's portrayal, offering a grounded and compassionate presence that contrasts with the eerie ambiance of the manor. The chemistry between the two actors is palpable, hinting at a budding romance that provides a refreshing counterpoint to the series' darker themes. These performances are supported by the continued excellence of the ensemble cast, particularly Rahul Kohli as Owen and T'Nia Miller as Hannah, whose subtle performances lend gravitas to even the quieter moments.
Liam Gavin's direction ensures that the episode maintains a delicate balance between horror and human drama. The pacing of the narrative allows for moments of reflection, letting the emotional beats resonate without sacrificing the tension that defines the series. The cinematography, particularly in the flashback sequences, uses warm lighting and soft focus to evoke a sense of nostalgia, contrasting sharply with the cold, shadowy visuals of Bly Manor. This visual dichotomy underscores the tension between past and present, hope and despair. However, the transitions between timelines can occasionally feel abrupt, disrupting the otherwise seamless flow of the episode.
The episode's script by Laurie Penny delves deeply into themes of guilt, repression, and the lingering effects of trauma. Dani's inability to confront her feelings about Edmund's death is mirrored by the spectral imagery that haunts her, a powerful metaphor for the way unresolved emotions can manifest in the physical world. The dialogue is both sharp and emotionally resonant, revealing the characters' vulnerabilities while advancing the plot. Additionally, the subtle hints at Jamie's backstory add layers to her character, foreshadowing future developments. Despite its strengths, the script occasionally leans too heavily on exposition, particularly during the flashbacks, which slightly diminishes the impact of the visual storytelling.
As the midpoint of the series, "The Way It Came" succeeds in advancing the overarching narrative while providing crucial character development for Dani. The episode's exploration of guilt and redemption adds depth to its haunting themes, grounding the supernatural elements in human experience. By intertwining personal trauma with the ghostly mysteries of Bly Manor, the story transcends traditional horror tropes, offering a meditation on love, loss, and the possibility of moving forward. While not without its imperfections, the episode serves as a poignant reminder of the emotional weight that lies at the heart of The Haunting of Bly Manor, leaving viewers both haunted and hopeful as the story continues to unfold.
Victoria Pedretti once again delivers an exceptional performance as Dani, portraying the character's inner turmoil with raw authenticity. Her ability to convey layers of emotion without overt dialogue adds depth to the story, making her struggles deeply relatable. Amelia Eve as Jamie complements Pedretti's portrayal, offering a grounded and compassionate presence that contrasts with the eerie ambiance of the manor. The chemistry between the two actors is palpable, hinting at a budding romance that provides a refreshing counterpoint to the series' darker themes. These performances are supported by the continued excellence of the ensemble cast, particularly Rahul Kohli as Owen and T'Nia Miller as Hannah, whose subtle performances lend gravitas to even the quieter moments.
Liam Gavin's direction ensures that the episode maintains a delicate balance between horror and human drama. The pacing of the narrative allows for moments of reflection, letting the emotional beats resonate without sacrificing the tension that defines the series. The cinematography, particularly in the flashback sequences, uses warm lighting and soft focus to evoke a sense of nostalgia, contrasting sharply with the cold, shadowy visuals of Bly Manor. This visual dichotomy underscores the tension between past and present, hope and despair. However, the transitions between timelines can occasionally feel abrupt, disrupting the otherwise seamless flow of the episode.
The episode's script by Laurie Penny delves deeply into themes of guilt, repression, and the lingering effects of trauma. Dani's inability to confront her feelings about Edmund's death is mirrored by the spectral imagery that haunts her, a powerful metaphor for the way unresolved emotions can manifest in the physical world. The dialogue is both sharp and emotionally resonant, revealing the characters' vulnerabilities while advancing the plot. Additionally, the subtle hints at Jamie's backstory add layers to her character, foreshadowing future developments. Despite its strengths, the script occasionally leans too heavily on exposition, particularly during the flashbacks, which slightly diminishes the impact of the visual storytelling.
As the midpoint of the series, "The Way It Came" succeeds in advancing the overarching narrative while providing crucial character development for Dani. The episode's exploration of guilt and redemption adds depth to its haunting themes, grounding the supernatural elements in human experience. By intertwining personal trauma with the ghostly mysteries of Bly Manor, the story transcends traditional horror tropes, offering a meditation on love, loss, and the possibility of moving forward. While not without its imperfections, the episode serves as a poignant reminder of the emotional weight that lies at the heart of The Haunting of Bly Manor, leaving viewers both haunted and hopeful as the story continues to unfold.
Wasted 50 minutes giving us information we were already aware of. They literally took all of the mystery behind the man in the mirror away by shoving him in our faces 30 times an episode. If they spent half as much time answering any questions as they do raising new ones or repeating old information maybe I'd be more invested. I really wanna like this show but it's making it so difficult. Every character is so bland I just really don't care about any of the relationships in the slightest.
This show is so much more than a horror story. It's a love story, a story about the pain and beauty of grief, a story about acceptance. I am absolutely in love with this series. Yes it's different to hill house, but Instead of the jump scares of hill house, the slow and auspicious story building and mysterious atmosphere is what makes this a horror series. The kids are turning out to be bigger players in the series than previously expected and the characters storylines are finally starting to take off. Love! Love! Love!
Lo sapevi?
- QuizFour different ghosts can be seen in the backgrounds in this episode. In the house after Owen comes to the door, you can see a colonial dressed person standing in the back of the room. Later among the dolls. One of the doll head moves. Outside a ghost is sitting on a log watching Dani burn the glasses. And the ghost that leaves muddy footprints is seen walking through the house.
- BlooperWhen the group is drinking around the fire, the call of a barred owl is heard, but there are no barred owls in the UK..
- Citazioni
Dani Clayton: [Holding up a fire poker] I thought he was Peter Quint!
Owen: Which is ridiculous. I'm much better-looking.
- ConnessioniReferences Il viaggio fantastico di Sinbad (1973)
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Dettagli
- Tempo di esecuzione53 minuti
- Colore
- Proporzioni
- 2.00 : 1
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