Tre sciatori bloccati su una seggiovia sono costretti a scegliere tra la vita e la morte, rivelandosi più pericoloso che restare bloccati e morire di freddo.Tre sciatori bloccati su una seggiovia sono costretti a scegliere tra la vita e la morte, rivelandosi più pericoloso che restare bloccati e morire di freddo.Tre sciatori bloccati su una seggiovia sono costretti a scegliere tra la vita e la morte, rivelandosi più pericoloso che restare bloccati e morire di freddo.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 5 candidature totali
- Sullivan
- (non citato nei titoli originali)
- Snowboarder
- (non citato nei titoli originali)
- Guy on Chairlift #1
- (non citato nei titoli originali)
- Guy on Chairlift #2
- (non citato nei titoli originali)
- James
- (non citato nei titoli originali)
- Twisted Sister Fan in Cafeteria
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- Man who shouts 'Last chair is through'
- (voce)
- (non citato nei titoli originali)
Recensioni in evidenza
Ever.
You get so involved with their situation and you're sucked into it, you feel their pain and horror. Ir leaves you feeling unsettled. A lot like 'Buried' did if you have seen that film.
95% of the film is set in the same ___location but this doesn't mean it is boring at all. Absolutely not.
So be prepared for an unsettling experience if you choose to watch this film.
By no means is it bad though, it just motivates powerful feelings.
I caught this at the Parks Mall AMC back in February and thought it was fantastic. It's from the Open Water/Black Water/The Canyon school of survival horror. All of those films are intense portraits of people stuck in some form of wilderness nightmare with little hope of escape, but Frozen may just be my pick for best of the bunch. At one point early on into the trio's predicament, I discovered that I had unknowingly squeezed my hands together so tightly that they had fallen asleep, so it's safe to say that the tension got to me. The characters also really grew on me as the film wore on, and I actually felt really bad for them. This is Emma Bell's first film, and I was quite impressed with her performance. While she has a spotty moment or two, for a first-timer, I'd say she knocked it out of the park. Her standout scene takes place when she's relaying her fears about what might happen to her puppy if she dies on the lift, and if he'd think she abandoned him.
Kudos to Adam Green for shooting this film on ___location. There are no green-screens or studio sets to be found here. Green and company found an actual lift to go out and shoot on. Equal amounts of kudos must go to the actors, as they were the ones up on the lift braving the elements for the authenticity a film of this type needs. Their hard work and tolerance paid off, as I often felt like I was right there on the lift with the characters. The chilly atmosphere vividly leaps off the screen, the bleak nature of the situation in which these three find themselves never in doubt. This film also hit a little closer to home for me, as I spent a week of skiing, etc. in Winter Park, CO not two months prior to watching this at the theater. With that fresh in my mind, I was left with an even stronger feeling of "What if?".
Also effective is the sparingly used score, usually played over visuals of the abandoned ski park. There are some gruesome bits, particularly the hand scene from the trailer and a discovery towards the film's end, but most of the tension comes from the predicament itself and some of the debasing things the characters have to do. Needing to take a leak while stuck on a ski lift may not be a big deal if you're a guy, but Parker's options aren't so easy.
I didn't think much of Adam Green's Hatchet. Frozen, on the other hand, is worth raving about.
These three characters are Dan, his girlfriend Parker and his best friend Joe, all on a skiing vacation. One evening they get on a chair lift back from skiing, but it stops without notice, with them being its only occupants -hanging 50 feet above the ground in the middle of nowhere and no hopes of being found in three days.
Like I said, the suspense and the thrill work very well and go in a crescendo, especially for the first half since their situation begins. There are some truly horrifying moments, proving once again that it doesn't take a lot of blood and guts splatted all over the viewer in order to convey a real feeling of terror. This is survival horror at its finest -experiences that can happen to anyone, because they involve all real life elements.
The pace goes remarkably down toward the end, and there are a few scenes that, though not long, drag it down a little bit and don't seem to serve any real purpose, except to linger the denouement a little more.
The only real problem I have with "Frozen" is its ending, which I find objectionable not because I may think it is bad, but because the rest of the movie is so terrific, I expected something on par with that. It is, however, a very worthwhile movie and one I recommend to all fans of thrillers and horror movies full of tension.
My score: 9 over 10.
Lo sapevi?
- QuizThe film was shot entirely practically, meaning no soundstage, nor greenscreen, nor CGI. The actors and actresses were truly suspended over fifty feet in the air on the side of a real mountain in Utah.
- BlooperSki resorts send "liftees" to inspect the lifts at the end of every shift to prevent this very scenario from happening.
- Citazioni
Parker O'Neil: Okay then, Lynch, what *is* the worst way to die?
Joe Lynch: What...
Parker O'Neil: No, no, no, you have an answer for everything. What is your biggest fear?
Joe Lynch: That's easy. The Sarlacc pit.
Parker O'Neil: I'm sorry, the what?
Joe Lynch: The Sarlacc pit. From "Return of the Jedi". Uh, hello. Being slowly digested over a thousand years - worst death ever.
Dan Walker: [in a mocking whiny voice] Dan, why don't I ever have a girlfriend? Why?
- ConnessioniFeatured in Trailer Failure: Sex and the City 2, Frozen (2010)
- Colonne sonoreHelicopter Fight Song
Written by Chris Zerby (as Christopher Zerby)
Performed by Helicopter Helicopter
Courtesy of Initial Records
I più visti
Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 246.176 USD
- Fine settimana di apertura Stati Uniti e Canada
- 131.395 USD
- 7 feb 2010
- Lordo in tutto il mondo
- 3.843.774 USD
- Tempo di esecuzione1 ora 33 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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