I Love You Too

Many Australian cultural males like I would probably enjoy this film I recommend every male take his girlfriend to this

Although movie is classified as a Romantic Comedy there certainly wasn't any Hugh Grant style head over heals Romance between Alice and Jim shown, in contrast we see the suburban after honeymoon phase a static couple living together. Jim his biggest challenge in life is showing loving affection to Alice, Alice now 3 years older longs for more from a partner and decides to move on, we follow Jim and Alice in their separate ways and the emotions they feel along the way.

The movie is more about the mateship between the male leads Jim & Charlie and long term mateship between Jim & Blake. What we are shown the 'first date' between Jim & Alice and their static routine 3 years later, what romance bonded them is never directly shown in the movie, however a spiritual trusting connection is evident.

This film shows how important good mates are in a mans relationship life, A mans motive for lack of commitment or expression of emotion is not always represent his true feelings. Past events, traumatic experiences or lack of experience can limit a males ability to move a relationship forward (culturally males generally don't share this or ask for help) and Blake, even the Guy who appears to holding you back, can actually be your most loyal and generous friend.

Australia doesn't produce many rom/coms and while I Love You Too is just another romantic comedy on a wider spectrum, it is a refreshing little delight on a local level. The story is cute. The performances are great (Peter Dinklage is fantastic) and the gags hit the spot. I really really enjoyed this movie and think its the best of its kind since The Big Steal (which also featured Steve Bisley). Peter Hellier has written a smart little movie with a lot of heart. The little revelations throughout are really nice and the movie is well worth watching. The miniature railway setting is a nice touch too.... (Eltham Mini Railway... LOVE IT).

I was pleasantly surprised by this Aussie comedy when I saw it on a plane flying home to Sydney. There is a continuous tingle of surprises coming up in every scene & all the actors deliver that special warmth that comes from good movie direction and consistent acting. There is a wonderful sense of reality in the plot that shows a man who is finally able to understand how to grow up and face the fact that if he leaves his family home & his dinky-die mates he will be OK.

Sure, he may need to work hard to keep the new found girlfriend's touchy-feely relationship & hit upon true love with his special girl but in the end he finds it is worth the hard yards. The part played by small person Peter Dinklage (from "Death at a Funeral"-UK & USA versions) is particularly delightful & adds a certain touch of sparkle to the whole movie. Try & see it if you can.

I think Australian movies are fantastic. I loved this movie. It was Aussie and funny and my opinion is that anything Brendan Cowell is in is going to be good. People seem so used to these polished over American movies that we're fed that they forget we have a fantastic, under-appreciated film industry right here in Australia. And then they complain and say Aussie movies aren't funny because they're waiting for the canned laughter to show them when it's funny. Personally, I couldn't stop laughing! I loved the humour, I loved the random cameos (Angus Sampson was hilarious, as always), and Brendan Cowell was so ditzy and open that you couldn't help but laugh. Loved it!

I found the sub-plot of the character, Charlie (played by Peter Dinklage), to be more interesting than that of the boring main characters. I'm not sure if it was the story of Charlie's life, or the way that Dinklage portrayed the character. But Dinklage's performance, mannerisms and emotions where underplayed to perfection that I was hooked in by him, while the other characters just lost my interest for the lack of realism and depth. The only time those Aussie actors seemed decent was when they were sharing the scene with Dinklage.

There were highlights in the film thanks to Peter Helliar's comic script, but a majority of the actors let it down. The direction was of interest, capturing moments in clever camera framing (or was it the camera operator/DP?). Maybe a few rewrites of this, and perfect casting, would have given it justice. I wonder if the Yanks, or the French, can turn this into an interesting remake?