Innamorarsi a Natale

I knew right away this was going to be dog, bark, bark! When a movie starts off with fast, stupid, never ending back and forth, it's a loser. I think it's scrip writers who are inexperienced and think it's cool to fill up every second with meaningless drivel (but it has to be loaded with words. Hopefully, experience will stop this nonsense, and talent will take over. I'm an optimist.

Bottom Line: I made it about 10 minutes before I hit the "Kill This Junk" button. Don't waste your time. Try underwater basket weaving as a step up.

Falling In Love At Christmas (2021) -

This Cinderella inspired film was okay, but certainly not the best that I've seen this season.

Alicia Dea Josipovic in the role of Miranda was really quite obnoxious for assuming the worst of him and her behaviour towards him was unpleasant to say the least. It was difficult to see how Travis Nelson, playing Paul could fall for her and I really did struggle to believe their relationship. I didn't think that she was ready to settle down with a man who already had a child and I definitely thought that she needed to spend more time with the kid to make the connection between them all seem more feasible. She may have won over Paul (Somehow), but she barely had any interaction with his son Ryan, who might not have liked her that much and the whole affair would be over just like that.

The online romance was sweet though. That was when I got to see how kind and nice the pair actually were, but there wasn't enough of that either and it was hard to pair it with their behaviour towards each other in real life. She was certainly very abrupt and I didn't think that she deserved him at all. Having said that, while he was very cute, his character didn't seem like he wanted or needed someone romantic in his life. He had his kid and his job and seemed happy like that, but at least he was open to her values.

Veronica, the influencer was also very annoying. I thought that the film could have worked better without her and should have spent more time focusing on the other two/three including Ryan the son.

And Lesbians again! I love that these films are becoming more diverse and that more and more people are being represented, but what I'm getting tired of is the saturation of lesbians just for the sake of it. I would say that 75% of these made for TV films that I've watched this year have had a friend character who's a lesbian. Add them, because it's a natural thing to have, not just because the statistics show films need more representation in order to gain more viewers. The friendships don't feel as genuine because of it and the same sex dating element seems like it is just shoved in for ratings, because there is hardly any coverage of it.

I'm also not sure that I would have been that bothered about losing that glove.

I might try watching it again to see if I feel any differently in a very distant future, but not until I've seen so many others first.

5/10.

This title seems a bit harsh, but is actually an accurate reflection of what I saw. I watch Christmas movies all year long, so have seen many, many of them, and this one was really a sad addition to the genre.

The two leads had no chemistry; in fact, they seemed to be bored with the entire enterprise. The editing had to string it out to the standard 90 minutes, and this left a plodding, slow narrative.

Actually, the best part of the film was the generic "best friend," played by Getenesh Berhe, whom I would like to see as a lead. Ms. Berhe was interesting in every scene in which she appeared.

Overall, if you have a choice of films, skip this one. It ain't worth the 90 minutes, folks.

Another You've Got Mail premise combined with app developers. Throw in the little guy (mom and pop shop) vs the corporate giant.

The relationship development shared a lot of screen time with the app development so I'm not going to try to judge chemistry.

It would have been a nice predictable ending. The "I wanted it to be you" line was changed a bit. And it mostly was predictable, but there is one final protest against "the man".

As another reviewer said, this would have been better, maybe even fine, if there had been some subtlety. The protesting was in-your-face and Miranda had a huge chip on her shoulder.

It's not a horrible movie. (It's nice if reviewers watch the whole thing before writing a review, which is usually my policy, because a lot of these movies change attitude a lot well before the halfway point,) It's just the edges are a little sharp.

Christmas films can go either way, which has been my experience watching overtime the festive output of primarily Lifetime, UPTV and Hallmark amongst those other companies. They can either be well-meaning, charming, warm-hearted and don't feel too heavy. Or they can be too over-sentimental, cheesy, contrived and bland. There have been many films of theirs that have fallen in both camps and in the camp where there is a bit of both. And 'Falling in Love at Christmas' did have the sort of premise where the execution could have gone either way.

Have seen my fair share of above average and more Christmas films recently, but 'Falling in Love at Christmas' (aka 'Secretly Santa') is not one of them. If anything it is the complete opposite, Lifetime aired some surprisingly decent Christmas films (and films in general actually) that year but there were some that were mediocre and below. And 'Falling in Love at Christmas' is one of the worst, with very little good about it. Even the sole redeeming quality has been done much better in other films of theirs that year.

That redeeming quality being the production values, which were quite nice and at least had some degree of professionalism.

Both leads however fare weakly, with Alicia Dea Josipovic trying too hard and Travis Nelson being too laid back and not trying enough. Because of those differences in acting style, there is too much of a mismatch and they don't have an awful lot of chemistry or spark. Also found the relationship too overdone on the hostility for it to pass as a romance, and Miranda is far too self-absorbed and confrontational to be easy to warm to. The supporting cast are on autopilot and none of the characters are developed enough or have any interesting or endearing traits.

Furthermore, the script goes way too far on the cheese and schmaltz (no subtlety in anything) and is constantly awkward sounding, as well as very artificial and not sounding like normal everyday conversation. The comedic elements are too much like overplayed farce and the sentimentality is hard to stomach when it is more dramatic. The story is paper thin and pedestrian in pace, at times too uneventful, and what there is of the story is very predictable, very tired and lacking in charm, heart and energy. The ending can be seen from a mile away and is too neat with a rushed build up. The app stuff was a nice idea but rather unimaginatively done and could have featured less.

Concluding, very poor. 2/10.