Recensioni di Metacritic

Not just the year's most impressive first feature but also the strongest new movie of any kind I've seen in 2010.

It took writer-director Samuel ''Shmulik'' Maoz nearly 30 years to make this disturbing, visceral, personal film.

Lebanon is meticulous, nearly clinical in its attention to what happens in war -- specifically what happened in the first days of the Israeli invasion of Lebanon in 1982 -- but it is also a palpably and intensely personal film.

The performances are spot on and so is the film's ever growing sense of horror.

The emotional traumas of young Israeli soldiers drafted into the war with Lebanon in the 1980s are recounted through the eyes of a tank crew in this wrenching concentration of raw emotion directed by Samuel Maoz.

Very little gets in the way of Lebanon's apocalyptic mood; if it turns its audience even slightly away from barbarism, it might have done its job.

Lebanon is inspired by the director's traumatic days at the front, giving his work a sense of authority.

Visceral, torn-from-the-memory filmmaking that packs every punch except one to the heart, Lebanon is the boldest and best of the recent mini-wave of Israeli pics ("Beaufort," "Waltz With Bashir") set during conflicts between the two countries.

Director Samuel Maoz's gripping you-are-there feel does for tanks what "Das Boot" did for submarines, and that chokehold only gets tighter as this taut drama about the 1982 Israeli-Lebanese war goes on.

The film's visceral assault extends to the sledgehammer script, an amassment of unsubtle ironies and war-is-hell clichés that often reduce it to an amateurish theatrical stunt.