Beats, Rhymes & Life: The Travels of A Tribe Called Quest

I love ATCQ and we do get very exciting looks at the birth of hip hop as a creative force of nature. And the iconoclasts, in their attitude, how they dressed, the topics they addressed in their lyrics. We also have the painful moments of the more toxic by the day band dynamics that lead to the breakup until they get back together to release a brilliant swan song album in 2016.

I don't think the rift between the two band members is completely made clear in the documentary except it's about one of them feeling disrespected and egos and I think there was more there to unearth by a more skilled film maker. But Rapaport made this film with love.

I never really thought about the name of the group, but of course if you do a documentary and have such a weird band name, that will be one of the things explored. While this was to be expected, seeing so many high profile musicians giving their insight on how Quest affected them or the music landscape overall, is quite interesting to say the least.

And all that by one of the whitest Dudes/actors on this planet. Michael Rappaport created this and he really did good. I would think through the friends he has, he had quite the connections to other artists. Nicely edited, with a coherent line to follow for anyone watching. This could have been an episode of the Netflix show that explores Hip Hop, but let's just see this as an added extra

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

Acclaimed director and massive ATCQ fan Michael Rapaport delves into the origins and history of A Tribe Called Quest, one of the most pioneering, influential hip hop groups to emerge since rap burst onto the mainstream with Rapper's Delight in the late 70s/early 80s. Rapaport charts how the groups evolvement started when they met up as friends, to mix beats in their spare time, and how they tried to just be simple entertainment, in contrast to some of the more inflamatory, anti-authoritarian hip hop groups that went before them (as well as explaining the origins of their odd name) before catching up with them on their 2008 reunion tour, where member Phife Dawg has made a comeback after treatment for diabetes.

There doesn't seem to be an awful lot of variety in music these days, with everything pretty interchangeable from everything else, and a lot of new stuff not having the confidence to break away from what went before it and trying to branch out on it's own. So it's a shame that a lot of this samey music does contain a strong hip hop flavour to it, since we have a film here that tries to tell the story of a group from a time when rap was coming into it's own as an art form and spreading it's wings and flying in the charts. There was a genuine, truthful message either way to it, whether they be ardent political statements or just spreading a message of chilling out and getting down.

It's clear Rapaport's a fan, and there is a genuine air of passion and depth about his subjects. But, as is clear in any group of friends, they were obviously some conflicting personalities and, while they managed to work together as a group, tensions could and did inevitably combust back stage. While neither Q-Tip, Phife Dawg, Ali Shaheed Muhammed or Jarobi White exactly gave off a Tupac Shakur vibe about them, it's clear their 'street attitude' was still there and they weren't afraid to throw the f word around liberally. Still, ATCQ were hardly a group that especially glamourized the nastier things in life, while not exactly spreading a message of peace, just distracting the youth from getting into trouble with their funky, jammy beats.

As a suburban white kid (but quite a big fan) there are some aspects of the culture groups like ATCQ represented that will probably always be anathema to me, but that's not to say it's hard to see why groups like them became as successful as they did or grew the fan base they did. ****

"Beats, Rhymes, and Life" does a very good job of exploring A Tribe Called Quest's beginnings as well as it's influence, and is the type of music documentary that all others should look to when trying to tell an artist's story in a impactful and informative way, and it checks off all of the boxes that one should expect such a movie to go through, but it doesn't just cover the group as a whole- it covers all of the members personal lives in a good yet relevant way. The reason why it works better than many other films in this genre is that it covers the bands breakup and fallings out as those things are actually happening; not everything is current and not everything is in hindsight-it's a really healthy and good mix, and that's something I really admire it for. In addition to that, interviews from other musicians that've been impacted by the group's influence do a decent (albeit sometimes generic) job of informing the viewer on the impact the group has actually had. My biggest issue with this film is that it feels a little too long, and sometimes there are interviews that don't feel entirely necessary, and become a little boring and inflate the running time, when what I really want to see is more info from the actual members of the tribe. Overall, I really enjoyed this film and would easily recommend it. 7.4/10

www.eattheblinds.com

Three Hip-Hop groups defined the way I interfaced with Hip-Hop as a kid: The Jungle Brothers, De La Soul and A Tribe Called Quest. Their music was the soundtrack of my youth: beats and rhymes with a positive, life-affirming vibe. To me, these groups were giants living amidst point guards; years later, when I interviewed a number of them for my Hip-Hop documentary 5 Sides of a Coin, I felt like I'd grown up, being allowed to stand face-to-face with many of my childhood idols.

I still love Hip-Hop, but nostalgia has a way of tempering things. It's been nearly 20 years since I've had an epiphanic Hip-Hop moment; the last one I remember was hearing 36 Chambers or Illmatic for the first time. Don't get me wrong, I still bump my head to a lot of what's out there...it just doesn't move me the same way it used to.

A few weeks back I watched Michael Rapaport's Beats, Rhymes and Life: The Travels of A Tribe Called Quest and I was instantly reminded of Hip-Hop's significance in my life. Rapaport's film isn't shot on the best cameras or filmed by the most competent operators, but it really doesn't matter. This film was made by a Tribe fan for Tribe fans and whether it succeeds as therapy or mediation between Tip and Phife is irrelevant. If --somehow-- this doc has anything to do with ATCQ fulfilling their contractual obligation to produce one more album, then it's a monumental success; if not, it's still a great way for die-hard Tribe fans to reconnect with one of Hip-Hop's greatest groups.