VALUTAZIONE IMDb
6,2/10
13.254
LA TUA VALUTAZIONE
Ambientato nella Belfast degli anni '90, un'attivista dell'IRA diventa un'informatrice per l'MI5 al fine di salvaguardare il benessere di suo figlio.Ambientato nella Belfast degli anni '90, un'attivista dell'IRA diventa un'informatrice per l'MI5 al fine di salvaguardare il benessere di suo figlio.Ambientato nella Belfast degli anni '90, un'attivista dell'IRA diventa un'informatrice per l'MI5 al fine di salvaguardare il benessere di suo figlio.
- Premi
- 8 vittorie e 9 candidature totali
Jason Stalkey
- Agent 1
- (as Jason Salkey)
Recensioni in evidenza
Throughout the years, the IRA and the 'troubles' in Northern Ireland have been a source of inspiration for countless British and Irish movies. What can 'Shadow Dancer' add to what we already know about this conflict? The answer is: nothing, really. This film isn't about the struggle for freedom, it isn't about catholics and protestants, it isn't even about right or wrong. It's only about suspense. This isn't a political movie, it's a thriller.
In fact, this movie could just as easily have been set in the context of the Italian mafia or a Mexican drugs gang. The story about a young female terrorist who, after a failed bombing attempt, becomes an informant for the authorities to escape a prison sentence, is extremely suspenseful. She lives in constant fear of being discovered, which would almost certainly lead to her execution. 'I am dead', she literally tells her contact at one point.
The film starts off with a clever flash-back, a very intense scene that explains her motivation to become a terrorist. The rest of the film is told in chronological order, with the suspense rising gradually, until the unexpected and dramatic climax.
In a subplot, we see that the British secret service is subject to the same sort of internal discussions, infighting and ego-tripping as the IRA. Clive Owen and Gillian Anderson (nice to see her again!) are fine as secret service persons, but the best acting is done by Andrea Riseborouh as the proud and independent terrorist Collette McVeigh.
The film is also excellent in recreating the atmosphere of the catholic working class neighbourhoods in Belfast (actually, it is shot in Dublin), where terrorism in the 1990's was a part of everyday life. Director James Marsh uses faded colours in many scenes to recreate the rundown streets and interiors.
This is a gripping, intelligent psychological thriller with excellent acting and a plot that will have you hooked from start to finish. I was amazed the IMDb-rating is not higher than 6.6.
In fact, this movie could just as easily have been set in the context of the Italian mafia or a Mexican drugs gang. The story about a young female terrorist who, after a failed bombing attempt, becomes an informant for the authorities to escape a prison sentence, is extremely suspenseful. She lives in constant fear of being discovered, which would almost certainly lead to her execution. 'I am dead', she literally tells her contact at one point.
The film starts off with a clever flash-back, a very intense scene that explains her motivation to become a terrorist. The rest of the film is told in chronological order, with the suspense rising gradually, until the unexpected and dramatic climax.
In a subplot, we see that the British secret service is subject to the same sort of internal discussions, infighting and ego-tripping as the IRA. Clive Owen and Gillian Anderson (nice to see her again!) are fine as secret service persons, but the best acting is done by Andrea Riseborouh as the proud and independent terrorist Collette McVeigh.
The film is also excellent in recreating the atmosphere of the catholic working class neighbourhoods in Belfast (actually, it is shot in Dublin), where terrorism in the 1990's was a part of everyday life. Director James Marsh uses faded colours in many scenes to recreate the rundown streets and interiors.
This is a gripping, intelligent psychological thriller with excellent acting and a plot that will have you hooked from start to finish. I was amazed the IMDb-rating is not higher than 6.6.
In 1993, the IRA member Collette (Andrea Riseborough) is arrested in the London tube after leaving a bomb in the facility. MI-5 Agent Mac (Clive Owen) offers a deal to Collette to become an informer. She accepts the agreement to protect her son and in return Mac offers a new identity to her after a period working for the MI-5. Soon Mac learns that his superior Kate Fletcher (Gillian Anderson) is using Collette to protect her mole inside the Irish organization. Mac tries to find the identity of the informer and protect Collette.
"Shadow Dancer" is a dramatic thriller developed in slow-pace with a good story and a confused screenplay. The situation of Collette is heartbreaking since she has to betray family and friends to protect her son. The performances are top-notch, but there are ellipsis (or cuts in the edition) that are confusing. For example, I did not understand why Collette kisses Mac. My vote is six.
Title (Brazil): "Agente C – Dupla Identidade" ("Agent C – Double Identity")
"Shadow Dancer" is a dramatic thriller developed in slow-pace with a good story and a confused screenplay. The situation of Collette is heartbreaking since she has to betray family and friends to protect her son. The performances are top-notch, but there are ellipsis (or cuts in the edition) that are confusing. For example, I did not understand why Collette kisses Mac. My vote is six.
Title (Brazil): "Agente C – Dupla Identidade" ("Agent C – Double Identity")
Shadow Dancer follows an Irish woman, who has a son. She works for the IRA in the 1990's. When she gets caught attempting to place a bomb on a London subway she must become an informant for the MI5.
Interesting story. I really had no clue about this film, I was just bored and looking for a film to watch. So you can guess I have never read the book so I do not know how closely it follows it. However the author did write the screenplay. Anyway, I thought the film itself was OK. In general, everything felt like it was neutral/ on the line. Nothing really stuck out and there was no real memorable scenes. The film also seemed very slow and dragged out.
The acting from everyone involved was good. Nothing special, but nothing terrible. However, my main complaint would have to be the characters. I didn't feel connected to any of the characters, especially the protagonist , which is the main thing really. I felt the IRA characters were too clichéd and just the same generic IRA men as in every other film with IRA men in them.
Overall, the film did not impress me. However, I wasn't expecting anything special so I suppose it balances it out. I'd give it a solid 6/10. But, gun to my head - would I recommend it? - No. Probably not.
Interesting story. I really had no clue about this film, I was just bored and looking for a film to watch. So you can guess I have never read the book so I do not know how closely it follows it. However the author did write the screenplay. Anyway, I thought the film itself was OK. In general, everything felt like it was neutral/ on the line. Nothing really stuck out and there was no real memorable scenes. The film also seemed very slow and dragged out.
The acting from everyone involved was good. Nothing special, but nothing terrible. However, my main complaint would have to be the characters. I didn't feel connected to any of the characters, especially the protagonist , which is the main thing really. I felt the IRA characters were too clichéd and just the same generic IRA men as in every other film with IRA men in them.
Overall, the film did not impress me. However, I wasn't expecting anything special so I suppose it balances it out. I'd give it a solid 6/10. But, gun to my head - would I recommend it? - No. Probably not.
With films like In The Name of the Father, Michael Collins, and Hunger, you really have to have a great film about the IRA to get attention. This film not only succeeds as a film that belongs with the others mentioned, but it is really an impressive film.
The lighting, scenery, costumes and photography, and background music all contribute to the film in a way that one expects of a great film about Britain in the 90s.
Andrea Riseborough (Margaret Thatcher: The Long Walk to Finchley), Domhnall Gleeson (Anna Karenina), David Wilmot (Intermission), and Brid Brennan (Dancing at Lughnasa) gave notable performances allowing us to really feel the personal dilemmas and betrayal they experienced.
Good espionage films tend to keep my interest, and this was edge-of-the- seat action.
The lighting, scenery, costumes and photography, and background music all contribute to the film in a way that one expects of a great film about Britain in the 90s.
Andrea Riseborough (Margaret Thatcher: The Long Walk to Finchley), Domhnall Gleeson (Anna Karenina), David Wilmot (Intermission), and Brid Brennan (Dancing at Lughnasa) gave notable performances allowing us to really feel the personal dilemmas and betrayal they experienced.
Good espionage films tend to keep my interest, and this was edge-of-the- seat action.
SHADOW DANCER (definition: a dance presented by casting shadows of dancers on a screen) is another film about the conflicts of the IRA during the 1990s. Despite the fact that the theme is a recurring one in films, the core meaning of the conflict remains a bewildering mystery to those not living in Ireland or in England, and that is what makes this film fall short of being excellent - there is much significant information that is not shared with the audience as though we all understand fully both sides of the conflict well enough to muddle through the outlines of the plot that are presented. Tom Brady wrote screenplay based on his own novel and even director James Marsh can't seem to iron it out into a comprehensible story.
The film opens in 1973 in Belfast when young Collette (Maria Laird) is asked by her father to run an errand but she is far more interested in making bead necklaces so she sends her younger brother Sean (Ben Smyth) who is killed outside their home. Jump to 1993 and Collette (Andrea Riseborough), mother of a young son, has become a mole ('tout') for the IRA, and is arrested in the London tube after leaving a bomb in the facility. MI5 (definition: Military Intelligence section 5 is a British intelligence agency working to protect the UK's national security against threats such as terrorism and espionage) Agent Mac (Clive Owen) offers a deal to Collette to become an informer. She accepts the agreement to protect her son and in return Mac offers a new identity to her after a period working for the MI5. Soon Mac learns that his superior Kate Fletcher (Gillian Anderson) is using Collette to protect her mole inside the Irish organization. Mac tries to find the identity of the informer and protect Collette. In the midst of all of this Collette's brothers Connor (Domhnall Gleeson) and Gerry (Aidan Gillen) and their mother (Brid Brennan) become targets for both sides. In the end the true informer is a surprise to everyone and the film documents the impact of terrorism on family and its human cost.
Though there are moments of fine acting, the entire movie seems as though it was shot in a fog: the focus is as blurry as the action. If the audience is completely familiar with the IRA vs. MI5 conflicts, then the film will likely appeal. Otherwise, read up about Irish politics before attempting to understand all the nuances in this film.
Grady Harp
The film opens in 1973 in Belfast when young Collette (Maria Laird) is asked by her father to run an errand but she is far more interested in making bead necklaces so she sends her younger brother Sean (Ben Smyth) who is killed outside their home. Jump to 1993 and Collette (Andrea Riseborough), mother of a young son, has become a mole ('tout') for the IRA, and is arrested in the London tube after leaving a bomb in the facility. MI5 (definition: Military Intelligence section 5 is a British intelligence agency working to protect the UK's national security against threats such as terrorism and espionage) Agent Mac (Clive Owen) offers a deal to Collette to become an informer. She accepts the agreement to protect her son and in return Mac offers a new identity to her after a period working for the MI5. Soon Mac learns that his superior Kate Fletcher (Gillian Anderson) is using Collette to protect her mole inside the Irish organization. Mac tries to find the identity of the informer and protect Collette. In the midst of all of this Collette's brothers Connor (Domhnall Gleeson) and Gerry (Aidan Gillen) and their mother (Brid Brennan) become targets for both sides. In the end the true informer is a surprise to everyone and the film documents the impact of terrorism on family and its human cost.
Though there are moments of fine acting, the entire movie seems as though it was shot in a fog: the focus is as blurry as the action. If the audience is completely familiar with the IRA vs. MI5 conflicts, then the film will likely appeal. Otherwise, read up about Irish politics before attempting to understand all the nuances in this film.
Grady Harp
Lo sapevi?
- QuizGuy Pearce was at one point set to play Mac.
- BlooperIn the police station Windows 95 (released in 1995) is shown several times on computer monitors. The movie is set in 1993.
- Citazioni
Kate Fletcher: Is this just because she has a pretty face?
- Curiosità sui creditiThe opening and closing major credits are typed out as if on a computer screen.
- ConnessioniFeatured in Projector: Shadow Dancer (2012)
- Colonne sonoreNight Whispers
Composed by Simon Tindale, Joel Bevan and George Robertson
Published by Focus Music (Publishing) Ltd
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
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- Celebre anche come
- Shadow Dancer
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 100.616 USD
- Fine settimana di apertura Stati Uniti e Canada
- 10.672 USD
- 2 giu 2013
- Lordo in tutto il mondo
- 2.255.291 USD
- Tempo di esecuzione1 ora 41 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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