Muhammad Ali's Greatest Fight

A worthy and earnest look at the Supreme Court decision on whether Ali's reasons in avoiding the draft were legally sound because of his religious beliefs.

The court did not want to create a precedent where everyone could claim to be a conscientious objector by claiming to be an islamic minister.

Director Stephen Frears wisely opts for archive footage of Ali to be used as the Supreme Court decides on the issue.

Set in the early 1970s, it is a time of great change in America. The judges in this drama talk about the thorny issue of abortion in Roe v Wade which is due to come up. They have to view pornography as that is another matter they need to ponder on.

Frank Langella plays Chief Justice Burger. A conservative appointee and a puppet of the Nixon presidency. They may be experienced lawyers but these people are political appointees. The judge who vacillates is Justice Harlan (Christopher Plummer) another conservative but more wily and nuanced. He senses that the times are changing and the Supreme Court might be in danger of being out of step.

The drama is framed by Frears through one of Harlan's clerks. Kevin Connolly (Benjamin Walker) who finds a precedent and brings it to Harlan's attention. Connolly is a plucky outsider in the Supreme Court where the other clerks are from top universities and do not want to make waves.

The surprise was Thurgood Marshall (Danny Glover) the Supreme Court's first black judge. He was against Ali because he viewed him as a segregationist.

It was a good drama but at times it felt flat footed. You sense why this was suited as a made for cable television production rather than as a cinema release. The fictional character of Connolly was just too determined like a good boy scout who believed in Ali's case. It was like those legal dramas, where the one person believes the accused is innocent and will bang heads to get others to their way of thinking.

What I enjoyed most about this movie, it wasn't dramatic. It wasn't polished. It was real. It was factual. It shows us that life isn't full of glitz. It shows us that real life the hours and days are long. The conflict is real. I loved that all of Ali's footage was actual footage. It was well done. I enjoyed the different layers of story lines. You had the SCJ, the interns, the Justices with their staffs, you had the support staff and the families. It was welcomed to see the "behind the scenes" office interactions along with the times at their houses. I appreciated the personal touch they showed in dealing with a mental illness and how that wore on the Justice, along with his own physical battle. I came across it yesterday on HBO and was instantly drawn in. It was like a great book. I sat down and couldn't stop watching until it was over. We need more movies like this one.

The movie was very accurate to the actual story. The use of actual footage from interviews with Ali was very informative and made the movie more creditable. Because the movie was based on the U.S. Supreme Court Justices, there was no need to actually cast someone to play Muhammad Ali and because of this the movie was far better. Because I was just a teenager when the events of this movie actually played out, there is information in the movie that I wasn't aware of, such as Justice John Marshall Harlan II's fight with cancer. The movie is really a must see for anyone who grew up watching the Ali, Forman and Frazier fights of the time. They were the main reasons boxing was so popular in the 70's.

The filmmaking (or rather, videomaking) by Stephen Frears is not particularly noteworthy, nor are some of the secondary performances. Still, the film allows one a rather fascinating peek at various forces (personal and cultural) influencing the Supreme Courts decision with regard to the legality of Mohammed Ali's refusal to serve in the U.S. army. As noted elsewhere, the segments involving the competition between interns are very much a distraction. Only one of the interns is of any narrative importance and his thread could easily have been played out in scenes between him and Judge Harlan (Christopher Plummer). In short, view this for the history, rather than the art.

It should suffice to observe that Stephen Frears, the crew and cast took on a subject that no other film-maker chose to, and did so commendably. As Justice Harlan, Christopher Plummer also does a very commendable job. I also did not particularly find Mr. Plummer's early performances suitable for the screen, from 'Inside Daisy Clover' to 'Somewhere in Time'. Somehow, the hammiest roles early on were preferable (he does what the script demands as Commodus in 'The Fall of the Roman Empire' and his Atahualpa in 'Royal Hunt of the Sun' is actually much fun: "They EAT Him!"). As his art has matured ('Silent Partner'; 'Dolores Claiborne'; 'The Insider'; 'The Last Station'; 'The Girl with the Dragon Tattoo'), the more I have looked forward to his performances, as here. Still, while I understand the politics of casting better-known actors in leading roles, I regret that Harris Yulin, another great too long under-appreciated in movies who plays Justice Wm. O Douglas, was not cast as Justice Harlan. Mr. Yulin ('Clear and Present Danger'; 'Training Day'; 'Looking for Richard') will always bring to his characters, villains included, a delicate gravitas that does not belie the humanity of their circumstances: different surely, if not better or preferable to Mr. Plummer's characterization - but audiences would certainly have regarded it very well-tailored for him.