VALUTAZIONE IMDb
5,6/10
9733
LA TUA VALUTAZIONE
Vengono svelate cinque storie dell'orrore di filmati trovati che portano gli spettatori in un viaggio terrificante attraverso il cupo mondo sotterraneo degli anni '80.Vengono svelate cinque storie dell'orrore di filmati trovati che portano gli spettatori in un viaggio terrificante attraverso il cupo mondo sotterraneo degli anni '80.Vengono svelate cinque storie dell'orrore di filmati trovati che portano gli spettatori in un viaggio terrificante attraverso il cupo mondo sotterraneo degli anni '80.
- Premi
- 1 vittoria e 1 candidatura in totale
Bonnie Rae
- Carol (segment "No Wake
- (as Bonnie Sorenson)
- …
Recensioni in evidenza
V/H/S/85 is my least favourite out of the new V/H/S/ films. It's a shame because I was looking forward to this one. It's not a bad movie or anything like V/H/S: Viral.
There were some compelling ideas, with one segment involving a lake with supernatural abilities if you go into the water. Or how about a detective receiving video tapes filmed by a serial killer of a series of murders that has yet to happen, and the detective must track down the potential victims before it happens?
Speaking of that, the segment Dreamkill by director Scott Derrickson was my favourite. I noticed that Derrickson pulled ideas from his other movies, such as his 2012 film 'Sinister', where we get a Super 8-found footage POV of the killer committing the horrific acts. Or how the crime scenes looked straight out of Michael Mann's 'Manhunter'. Great stuff.
The scene transitions could have been smoother, as it did feel like I was watching a Nick Crowley YouTube video at times, which isn't an insult to Crowley himself; it's just a unique editing style that I didn't expect a movie production to take on board, intentional or not. It took me a bit to realize when the next horror segment started, as it wasn't always crystal clear.
Despite that, I'm still looking forward to more movies in the future. Again, it is not a bad movie, just a bit disappointed.
There were some compelling ideas, with one segment involving a lake with supernatural abilities if you go into the water. Or how about a detective receiving video tapes filmed by a serial killer of a series of murders that has yet to happen, and the detective must track down the potential victims before it happens?
Speaking of that, the segment Dreamkill by director Scott Derrickson was my favourite. I noticed that Derrickson pulled ideas from his other movies, such as his 2012 film 'Sinister', where we get a Super 8-found footage POV of the killer committing the horrific acts. Or how the crime scenes looked straight out of Michael Mann's 'Manhunter'. Great stuff.
The scene transitions could have been smoother, as it did feel like I was watching a Nick Crowley YouTube video at times, which isn't an insult to Crowley himself; it's just a unique editing style that I didn't expect a movie production to take on board, intentional or not. It took me a bit to realize when the next horror segment started, as it wasn't always crystal clear.
Despite that, I'm still looking forward to more movies in the future. Again, it is not a bad movie, just a bit disappointed.
It gets right into it. No main story arc about who's watching these videos. We start off with a story of vacation, youth, recreation, death, sudden and surprising horror, partying, wait, this was just an old video tape of young adults having fun, right? What could possibly go wrong....oh wait.... HOLY @#$!
So the first segment was so misleading, I honestly forgot what kind of movie I was watching until things got intense. Then it took a turn. A very "different" turn. This is not your usual VHS film, nor is it a typical, cash-grab low-budget horror. It does well for itself.
Despite the unattractive, distracting segment totally dependent on subtitles (unless you are fluent in Spanish), every segment is promising, intense, and fun. There are lots of great moments. It's not at fearful as the first VHS movie. No VHS sequel only will be. But this is the best installment since the release of the original.
It does get a little weak and predictable for the last couple segments. Still, it's fun. Have a few drinks, kick back, and just have fun.
So the first segment was so misleading, I honestly forgot what kind of movie I was watching until things got intense. Then it took a turn. A very "different" turn. This is not your usual VHS film, nor is it a typical, cash-grab low-budget horror. It does well for itself.
Despite the unattractive, distracting segment totally dependent on subtitles (unless you are fluent in Spanish), every segment is promising, intense, and fun. There are lots of great moments. It's not at fearful as the first VHS movie. No VHS sequel only will be. But this is the best installment since the release of the original.
It does get a little weak and predictable for the last couple segments. Still, it's fun. Have a few drinks, kick back, and just have fun.
I just watched this and it's definitely better than it's rating right now. The stories are varied with some being splitt into parts and spread out so that we get both variation and familiar parts. There's fear, gore, murders and monsters and most of it is well made and well acted, and it's all sewn together in a period correct nice glitchy VHS chaos. I guess for me it had what I expect from a horror movie but a lot more varied and some of it cooler than I expected, for example the story of the scientists with ..something... behind a one way mirror (slightly reminding me of beyond the black rainbow somehow)
Although it doesn't show off the variety & versatility this franchise is renowned for, this newer expansion still possesses plenty of charm and freshness of its own that will help keep the audience committed for the entire course.
If you are an ardent follower of the V/H/S series or a general admirer of Found Footage features, you will find yourself right at home with sufficient blood and gore to satisfy your appetite. However, others may not get the appeal and might be confused about the rationale of the plot and its bizarre structuring. And that is completely understandable, as it is not made for everyone.
Please bear that in mind.
If you are an ardent follower of the V/H/S series or a general admirer of Found Footage features, you will find yourself right at home with sufficient blood and gore to satisfy your appetite. However, others may not get the appeal and might be confused about the rationale of the plot and its bizarre structuring. And that is completely understandable, as it is not made for everyone.
Please bear that in mind.
I recently watched V/H/S85 (2023) on Shudder. This horror anthology is skillfully presented as an 80s-style documentary, with a collection of videos that perfectly capture the camcorder-caliber quality of the 1980s. The stories within cover a range of themes, from cults and teenage antics to glimpses of the future and a compelling police interrogation.
Co-directed by David Bruckner (The Ritual), Scott Derrickson (The Black Phone) and Natasha Kermani (Imitation Girl), the film features a solid cast, including Freddy Rodríguez (Planet Terror), Jordan Belf (Entourage), Andrew Ghai (For All Mankind"), Chelsey Grant (Scare Package I & II) and Justen Jones (Accidental Family).
This installment has quickly become one of my favorites in the V/H/S series. The stories involving cults, the police interrogation, and the boat segment were particularly outstanding, I'd rate them between an 8 and 10/10. All of the segments featured commendable gore effects. Even the technology-themed episode, while not my personal favorite in terms of storyline, made up for it with its impressive gore effects. Unfortunately, the final episode didn't quite measure up to the rest.
In conclusion, V/H/S85 is a worthwhile modern-day horror anthology that I would strongly recommend. I would give this a rating of 7.5/10.
Co-directed by David Bruckner (The Ritual), Scott Derrickson (The Black Phone) and Natasha Kermani (Imitation Girl), the film features a solid cast, including Freddy Rodríguez (Planet Terror), Jordan Belf (Entourage), Andrew Ghai (For All Mankind"), Chelsey Grant (Scare Package I & II) and Justen Jones (Accidental Family).
This installment has quickly become one of my favorites in the V/H/S series. The stories involving cults, the police interrogation, and the boat segment were particularly outstanding, I'd rate them between an 8 and 10/10. All of the segments featured commendable gore effects. Even the technology-themed episode, while not my personal favorite in terms of storyline, made up for it with its impressive gore effects. Unfortunately, the final episode didn't quite measure up to the rest.
In conclusion, V/H/S85 is a worthwhile modern-day horror anthology that I would strongly recommend. I would give this a rating of 7.5/10.
Lo sapevi?
- QuizScott Derrickson said that his segment is set within the world/continuity of the Black Phone.
- BlooperThe band Gwar is shown for a few seconds in between sections, but the band member shown was not in the band in 1985. Even though Gwar was formed in 1984, Balsac The Jaws of Death was not a member until 1988. The costume did not exist yet in 1985.
- ConnessioniFollowed by V/H/S/Beyond (2024)
- Colonne sonoreHamburger Lady
Performed by Throbing Gristle
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Đoạn Băng Kinh Hoàng Năm 85
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 50 minuti
- Colore
- Proporzioni
- 1.33 : 1
- 1.78 : 1
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