HIT: The 3rd Case
- 2025
- 2h 34min
Arjun Sarkaar, un alto ufficiale dell'HIT di Visakhapatnam, viene inviato in Jammu e Kashmir per indagare su una serie di brutali omicidi. Mentre insegue un gruppo di inafferrabili assassini... Leggi tuttoArjun Sarkaar, un alto ufficiale dell'HIT di Visakhapatnam, viene inviato in Jammu e Kashmir per indagare su una serie di brutali omicidi. Mentre insegue un gruppo di inafferrabili assassini, il caso mette alla prova le sue capacità.Arjun Sarkaar, un alto ufficiale dell'HIT di Visakhapatnam, viene inviato in Jammu e Kashmir per indagare su una serie di brutali omicidi. Mentre insegue un gruppo di inafferrabili assassini, il caso mette alla prova le sue capacità.
Pavani Gangireddy
- Shraddha
- (as Pavani Gangireddi)
Chaitu Jonnalagadda
- Diwakar
- (as Chaitanaya Jonnalagadda)
Recensioni in evidenza
The HIT franchise, which began with a promising start, has unfortunately seen a steady decline in narrative quality and originality with each installment.
HIT-1, while not without flaws, stood out for introducing the investigation thriller genre to mainstream Telugu cinema. The storytelling had noticeable shortcomings-particularly in pacing and a rather underwhelming, even silly, climax. However, it managed to keep audiences reasonably engaged with its freshness and novelty, which contributed to its success.
HIT-2, though attempting to build upon its predecessor, ended up being a weaker effort overall. Despite a few intriguing elements, the film suffered from a lack of narrative depth and an even less impactful climax. The genre conventions felt overly familiar, and the execution lacked the tension and originality expected from a thriller, making it feel like a retread of what we've seen before-only with less conviction.
HIT-3, regrettably, falls further down the slope. It leans heavily on violence and genre clichés, offering very little in terms of fresh content or emotional engagement. The film feels like a generic action thriller with a glossy exterior-thanks largely to improved production values and a notable star cast-but devoid of substance.
The first half trudges through a formulaic investigation arc that adds no innovation to the narrative. The second half abruptly shifts into a survival-action mode, seemingly inspired by the John Wick franchise, but lacks its finesse or justification. The action is over-the-top, the violence excessive, and the plot twists are painfully predictable. As a result, the film loses credibility and emotional connection with the audience.
Overall, HIT-3 feels overly cinematic and detached from reality, sacrificing depth for style. It's unfortunate that a franchise that began with potential has now become an exercise in style over substance.
HIT-1, while not without flaws, stood out for introducing the investigation thriller genre to mainstream Telugu cinema. The storytelling had noticeable shortcomings-particularly in pacing and a rather underwhelming, even silly, climax. However, it managed to keep audiences reasonably engaged with its freshness and novelty, which contributed to its success.
HIT-2, though attempting to build upon its predecessor, ended up being a weaker effort overall. Despite a few intriguing elements, the film suffered from a lack of narrative depth and an even less impactful climax. The genre conventions felt overly familiar, and the execution lacked the tension and originality expected from a thriller, making it feel like a retread of what we've seen before-only with less conviction.
HIT-3, regrettably, falls further down the slope. It leans heavily on violence and genre clichés, offering very little in terms of fresh content or emotional engagement. The film feels like a generic action thriller with a glossy exterior-thanks largely to improved production values and a notable star cast-but devoid of substance.
The first half trudges through a formulaic investigation arc that adds no innovation to the narrative. The second half abruptly shifts into a survival-action mode, seemingly inspired by the John Wick franchise, but lacks its finesse or justification. The action is over-the-top, the violence excessive, and the plot twists are painfully predictable. As a result, the film loses credibility and emotional connection with the audience.
Overall, HIT-3 feels overly cinematic and detached from reality, sacrificing depth for style. It's unfortunate that a franchise that began with potential has now become an exercise in style over substance.
Compared to first and second cases this one does not have much twists it's is just a regular crime story but the taking the screenplay NANI acting, violence and gore scenes of the film make it amazing. For those who like action and violence will definitely enjoy the film but for people who are intrested in the story may not enjoy it much. But still visuals and technically it is very good. Even the action choreography was nice with utmost realism like not putting finger on the trigger all the time handling gun professional and ofcourse in some parts of action movie team took cinematic liberty like chopping of thighs in one swing which is impossible for humans as thighs are one of the hardest bones in human body. And the long take during action was awesome it gave a vibe of extraction. When nani's body is shown in the end with all the muscles you will be convinced that this person can really kill as many people as he did on the screen. Cameo's gave high at the end of the movie.
Nani's one man show. He is the trump card. No need to say anything about his acting, it looked as if it's tailor made to him. Conversations between Nani and his father Samudrakani brings little smiles. More brutal and bloodshed second half. Story line is weak. Heroine looked good but has nothing much to offer. Biggest drawback is Villain character. Could have been much stronger . I hardly remember the songs. I guess there are 2 which are easily forgettable. Other side characters are decent but didn't create any impact. Last 10min comes as a surprise raising the bar of next part in HIT franchise.
Before I delve into the issues I have, I would like to express my admiration for certain aspects of the film, first & foremost, Nani's performance, and the script's able handling of intense scenes, be it the investigative segments or the climactic confrontation in the final half of the story.
Now coming to the problems, I found that the whole plot lacked emotional resonance; it couldn't effectively harness emotions in a meaningful way.
Now as for someone who enjoys relentless gore and bloodshed, I found the kills and the overall bloodbath in the final hour to be engaging. However, I was left with a sense of dissatisfaction, mainly because these moments of violence did not feel 'earned' or 'justified.' They appeared to be mere byproducts of style and encashing the present day trend rather than yielding substance with some meaning.
Whilst, Nani's performance left a significant impression on me, his character could have benefited from deeper material.
If the filmmakers had taken the time to elaborate on his troubled past, it would have enriched his character and provided a more compelling understanding of his eccentric personality.
Now coming to the problems, I found that the whole plot lacked emotional resonance; it couldn't effectively harness emotions in a meaningful way.
Now as for someone who enjoys relentless gore and bloodshed, I found the kills and the overall bloodbath in the final hour to be engaging. However, I was left with a sense of dissatisfaction, mainly because these moments of violence did not feel 'earned' or 'justified.' They appeared to be mere byproducts of style and encashing the present day trend rather than yielding substance with some meaning.
Whilst, Nani's performance left a significant impression on me, his character could have benefited from deeper material.
If the filmmakers had taken the time to elaborate on his troubled past, it would have enriched his character and provided a more compelling understanding of his eccentric personality.
Hit 3: One of the craziest and most violent movie in the Indian movie history!
Director takes us through a genre of Kill Bill and John Wick, with a blend of investigative psycho thriller and a touch of Indian romance.
Nani goes berserk with full fledge violence ripping and cutting baddies apart. One of his best in terms of anger, blood boiling emotions and hair rising action sequences.
Srinidhi Shetty plays a pivotal role.
The plot keeps you hooked till the end and background music is terrific.
Few pleasant surprises in the climax that gives you pure goosebumps.
It is only for 18+ audience as it has plenty of gore. Not for faint hearted or eye closing audience!
Director takes us through a genre of Kill Bill and John Wick, with a blend of investigative psycho thriller and a touch of Indian romance.
Nani goes berserk with full fledge violence ripping and cutting baddies apart. One of his best in terms of anger, blood boiling emotions and hair rising action sequences.
Srinidhi Shetty plays a pivotal role.
The plot keeps you hooked till the end and background music is terrific.
Few pleasant surprises in the climax that gives you pure goosebumps.
It is only for 18+ audience as it has plenty of gore. Not for faint hearted or eye closing audience!
Lo sapevi?
- QuizNani in an interview revealed that while the previous films in the HIT franchise were whodunit (who committed the crime) thrillers where the investigation started and the killer was revealed only in the end, HIT 3 was not about 'who' but about 'how'. He further added that the film did not justify police brutality.
- ConnessioniFollows Hit (2020)
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Dettagli
Botteghino
- Budget
- 600.000.000 INR (previsto)
- Lordo Stati Uniti e Canada
- 955.000 USD
- Fine settimana di apertura Stati Uniti e Canada
- 955.000 USD
- 4 mag 2025
- Lordo in tutto il mondo
- 1.420.344 USD
- Tempo di esecuzione2 ore 34 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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