Dopo un naufragio, un robot intelligente di nome Roz rimane bloccato su un'isola disabitata. Per sopravvivere al duro ambiente, Roz lega con gli animali dell'isola e si prende cura di un cuc... Leggi tuttoDopo un naufragio, un robot intelligente di nome Roz rimane bloccato su un'isola disabitata. Per sopravvivere al duro ambiente, Roz lega con gli animali dell'isola e si prende cura di un cucciolo d'oca rimasto orfano.Dopo un naufragio, un robot intelligente di nome Roz rimane bloccato su un'isola disabitata. Per sopravvivere al duro ambiente, Roz lega con gli animali dell'isola e si prende cura di un cucciolo d'oca rimasto orfano.
- Candidato a 3 Oscar
- 93 vittorie e 106 candidature totali
Lupita Nyong'o
- Roz
- (voce)
- …
Pedro Pascal
- Fink
- (voce)
Kit Connor
- Brightbill
- (voce)
Bill Nighy
- Longneck
- (voce)
Stephanie Hsu
- Vontra
- (voce)
Matt Berry
- Paddler
- (voce)
Ving Rhames
- Thunderbolt
- (voce)
Mark Hamill
- Thorn
- (voce)
Catherine O'Hara
- Pinktail
- (voce)
Raphael Alejandro
- Peck
- (voce)
Eddie Park
- Honkington
- (voce)
Dee Bradley Baker
- Raccoons
- (voce)
- …
Randy Thom
- RECOs
- (voce)
- (as Randall Thom)
Keston John
- Weasel 1
- (voce)
Riepilogo
Reviewers say 'The Wild Robot' conveys themes of empathy, connection, and belonging, emphasizing cooperation, tolerance, and unity. The film explores a robot's emotional journey, highlighting motherhood, resilience, and kindness. It also touches on environmental consciousness and nature's beauty. The movie promotes looking beyond differences, encouraging community and shared purpose. Some praise the animation and voice performances, while others find the story predictable and pacing slow. Overall, it's a heartwarming tale with valuable messages.
Recensioni in evidenza
The movie, despite being based on a book, has a unique concept. A robot surviving and adapting in the wild is both whimsical and thoughtful. It captures the viewer immediately.
The idea of an emotionally detached robot slowly becoming more human than machine through her interactions is intriguingly captivating. Not to forget the gorgeous illustrations and animation Subtle but powerful themes about nature, empathy, and what it truly means to be alive.
The only flaw is that some characters feel as if they are not quite developed for instance Pink Tale is a fun character and seems to have a nice background story, but it was only insinuated. Overall, the movie is heartwarming.
The idea of an emotionally detached robot slowly becoming more human than machine through her interactions is intriguingly captivating. Not to forget the gorgeous illustrations and animation Subtle but powerful themes about nature, empathy, and what it truly means to be alive.
The only flaw is that some characters feel as if they are not quite developed for instance Pink Tale is a fun character and seems to have a nice background story, but it was only insinuated. Overall, the movie is heartwarming.
The Wild Robot is a monumental film that in many ways transcends the medium of film into something greater - a portrait of universal human experiences.
Throughout the film, a beautiful tapestry of human experience is woven - comprising the experiences of love, nature, connection and belonging. Almost every frame, through the music, through the colours, through the narrative and the composition and the environments, are able to communicate, in their own way, the essence of one of those experiences; and when they are put together they create something far greater than the some of their parts.
Now this film, is not a masterpiece, but in my opinion no film or piece of art can be. In many ways it just serves as an excellently made 'kid's movie', with nice universal themes and Schadenfreude humour. But what's great about this film is that it's visceral; it's direct. And that is in opposition to many films that are just targeting an adult audience.
A common mindset shared between many artists is that oblique complexity lends itself to high value art. That vague themes and narratives ushers the art into the club of 'high art.'
But in part due to the fact The Wild Robot is a 'kid's movie', it avoids those pitfalls of obliqueness and is able to beautifully and directly convey its themes.
And although The Wild Robot is a film, it has the essence of a tapestry, of a painting. In so many of the frames, there is a profound sentiment expressed. The frames pique a ruminative state, while also engrossing your emotions. It's truly something special to experience. And an experience I have not had before in the over 300 films I have seen.
In terms of film-making techniques, originality and creativity, there are certainly other films that could be said as being superior. But in terms of visceral expressions of love, of human experiences and the ups-and-downs of connection - The Wild Robot is in a category of its own as a film. And I think it belongs with some of the best art humanity has ever created.
Throughout the film, a beautiful tapestry of human experience is woven - comprising the experiences of love, nature, connection and belonging. Almost every frame, through the music, through the colours, through the narrative and the composition and the environments, are able to communicate, in their own way, the essence of one of those experiences; and when they are put together they create something far greater than the some of their parts.
Now this film, is not a masterpiece, but in my opinion no film or piece of art can be. In many ways it just serves as an excellently made 'kid's movie', with nice universal themes and Schadenfreude humour. But what's great about this film is that it's visceral; it's direct. And that is in opposition to many films that are just targeting an adult audience.
A common mindset shared between many artists is that oblique complexity lends itself to high value art. That vague themes and narratives ushers the art into the club of 'high art.'
But in part due to the fact The Wild Robot is a 'kid's movie', it avoids those pitfalls of obliqueness and is able to beautifully and directly convey its themes.
And although The Wild Robot is a film, it has the essence of a tapestry, of a painting. In so many of the frames, there is a profound sentiment expressed. The frames pique a ruminative state, while also engrossing your emotions. It's truly something special to experience. And an experience I have not had before in the over 300 films I have seen.
In terms of film-making techniques, originality and creativity, there are certainly other films that could be said as being superior. But in terms of visceral expressions of love, of human experiences and the ups-and-downs of connection - The Wild Robot is in a category of its own as a film. And I think it belongs with some of the best art humanity has ever created.
I saw the Wild Robot during its TIFF premiere and I have not been able to stop thinking about it. It's one of those movies that really makes an impact on you, and you leave that theatre feeling completely changed. The story was so beautiful, so heartfelt and touching that I cried 3 times. It was a beautiful tale about a found family, unexpected bonds and the beauty of motherhood. I'm currently reading the book and can't wait for the rest of the world to see this wonderful movie. Not to mention, the animation is so adorable, especially Brightbill, you will be holding in a coo every couple minutes. I absolutely adore this movie and can't wait to watch it again.
Marking the end of an extremely successful and entertaining era for DreamWorks in-house animation studios which will move onto outsourced works in the future, Chris Sanders newest venture behind the camera following his well-liked works as overseer on hits Lilo & Stitch, How to Train Your Dragon and The Croods is a wonderful send-off for the brand that gave us many an animated classic, with The Wild Robot a genuine contender against box-office heavyweight Inside Out 2 as the animated film of 2024.
An adaptation of author Peter Brown's hit books of the same name, Robot has already been drawing rave reviews and comparisons to the likes of The Iron Giant and Sanders own Dragon adventure, far from feint praise for a film in this genre that here manages to become an all-round package sure to inspire those youngsters that will flock to the story of lost robot Roz and her budding friendship with street-smart fox Fink and young gosling Brightbill, who she acts as a surrogate mother for but also a film that will resonate with older viewers who are sure to find much to enjoy from such a lovingly crafted film full of heart and soul.
Utilising the entirety of its quickfire 100 minute running time, Robot has very few lulls or downtime as Roz's journey of discovery with new friends, as well as what it means to truly care and love outside of her designed confines takes us on a familiar theatrical ride but one that's done with enough uniqueness and sense of its own identity that there's never a worry that Robot is merely ticking boxes along its way to crafting a memorable outing that will have you cheering, laughing and more than likely crying throughout its course.
Standing out amongst everything here is Robot's CG animation style that Sanders himself describes as "a Monet painting in a Miyazaki forest", a style that creates more than its fair share of visually outstanding segments and when this lovingly crafted vibrancy comes together with thoughtful lead voice performers Lupita Nyong'o as the loveable Roz and Pedro Pascal as the initially detestable but eventually likable Fink and enhanced by Kris Bowers exemplary and soaring score, Robot comes together as a complete package in every department.
Narratively Robot undoubtedly takes few risks and many key happenings will be overtly predictable for any seasoned viewer but it would take a very jaded and cold cinematic soul to not find joy and comfort from a film so enjoyable as this, a fitting swansong to a wonderous period of DreamWorks products and a further reminder that the animation world is alive and well with many more notable stories yet to tell.
Final Say -
One of the years most pleasant surprises regardless of genre or design, The Wild Robot is a winning mix of heart, humour and imagination, gifting this familiar feeling tale with a sense of wonderment and adventure that should ensure its place amongst the years biggest audience hits.
4 feigned deaths out of 5
Jordan and Eddie (The Movie Guys)
An adaptation of author Peter Brown's hit books of the same name, Robot has already been drawing rave reviews and comparisons to the likes of The Iron Giant and Sanders own Dragon adventure, far from feint praise for a film in this genre that here manages to become an all-round package sure to inspire those youngsters that will flock to the story of lost robot Roz and her budding friendship with street-smart fox Fink and young gosling Brightbill, who she acts as a surrogate mother for but also a film that will resonate with older viewers who are sure to find much to enjoy from such a lovingly crafted film full of heart and soul.
Utilising the entirety of its quickfire 100 minute running time, Robot has very few lulls or downtime as Roz's journey of discovery with new friends, as well as what it means to truly care and love outside of her designed confines takes us on a familiar theatrical ride but one that's done with enough uniqueness and sense of its own identity that there's never a worry that Robot is merely ticking boxes along its way to crafting a memorable outing that will have you cheering, laughing and more than likely crying throughout its course.
Standing out amongst everything here is Robot's CG animation style that Sanders himself describes as "a Monet painting in a Miyazaki forest", a style that creates more than its fair share of visually outstanding segments and when this lovingly crafted vibrancy comes together with thoughtful lead voice performers Lupita Nyong'o as the loveable Roz and Pedro Pascal as the initially detestable but eventually likable Fink and enhanced by Kris Bowers exemplary and soaring score, Robot comes together as a complete package in every department.
Narratively Robot undoubtedly takes few risks and many key happenings will be overtly predictable for any seasoned viewer but it would take a very jaded and cold cinematic soul to not find joy and comfort from a film so enjoyable as this, a fitting swansong to a wonderous period of DreamWorks products and a further reminder that the animation world is alive and well with many more notable stories yet to tell.
Final Say -
One of the years most pleasant surprises regardless of genre or design, The Wild Robot is a winning mix of heart, humour and imagination, gifting this familiar feeling tale with a sense of wonderment and adventure that should ensure its place amongst the years biggest audience hits.
4 feigned deaths out of 5
Jordan and Eddie (The Movie Guys)
I had low expectations for this movie, but guess what?! My goodness, I haven't seen a movie like this for a long time! Simple but deep at the same time. The message about life and how it's goes, and how the life is, it's deeper, inspirational and I think it can move us to think about life and our relationships. It's a such good movie for a kid or an adult. I'm very impressed! I hope that the industry could copy the formula for doing a great movie. The message on the movie helps and make our life's richer about what really matters. It's instantly a classic, and I hope my review helps more people to watch that movie and experience a beautiful master piece!
Lupita Nyong'o Plays "What's in the Box?"
Lo sapevi?
- QuizAccording to author Peter Brown, the inspiration for "The Wild Robot" came from a sketch he did of a robot in a tree. He then asked the question "What would an intelligent robot do in the wilderness?"
- BlooperIn one scene the fox talks about hibernating. Foxes do not hibernate.
- Curiosità sui creditiOne post credit scene. Paddler and Fink plant a tree together. A squirrel shows up laughing.; Fink throws an acorn at the squirrel.
- ConnessioniFeatured in Jeremy Jahns: The Wild Robot - Movie Review (2024)
- Colonne sonoreKiss the Sky (From The Wild Robot)
Written by Delacey, Jordan Johnson, Stefan Johnson, Maren Morris, Michael Pollack, Ali Tamposi
Performed by Maren Morris
Produced by The Monsters & Strangerz and Isaiah Tejada
Orchestral arrangement by Kris Bowers
Maren Morris appears courtesy of Columbia Records
By arrangement with Sony Music Entertainment
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Dettagli
Botteghino
- Budget
- 78.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 143.901.945 USD
- Fine settimana di apertura Stati Uniti e Canada
- 35.790.150 USD
- 29 set 2024
- Lordo in tutto il mondo
- 333.165.945 USD
- Tempo di esecuzione1 ora 42 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1
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