VALUTAZIONE IMDb
6,3/10
3029
LA TUA VALUTAZIONE
Nel sud della Francia, Lino è un autista in fuga, ex detenuto e ladro che costruisce auto per scopi criminali.Nel sud della Francia, Lino è un autista in fuga, ex detenuto e ladro che costruisce auto per scopi criminali.Nel sud della Francia, Lino è un autista in fuga, ex detenuto e ladro che costruisce auto per scopi criminali.
- Regia
- Sceneggiatura
- Star
Arnau Gol-Karsunke
- Officier espagnol
- (as Arnau Gol Karsunke)
Recensioni in evidenza
First I want to say, I saw this movie on Netflix but I didn't know it was a trilogy. So I stopped watching the third movie before it even started I knew something was not right. I searched for the other two movies before watching the 3rd movie. The first 2 I watched in one night 😅 then the next day, I finally went back and finished the 3rd movie. Let me tell you something all 3 movies are insane and crazy I hope yall can make the 4th movie soon. I freaking loved it. Good work fellas you earned 10 stars on all 3 movies. Let me know when you guys make the next movies Thank for all you hard work peoples.
Balle Perdue 3 is a little deception and a success in terms of mass kinetics. What did we like about Balle Perdue (2020) by the same Guillaume Pierret? Alban Lenoir, with his mineral charisma, his butch jaw that goes all the way to the end, and who carries a form of mystery. There was also a form of humor, if only visual, with the showcasing of cheesy cars, the Renault 5 and Renault 21, but which have a unique visual signature. We have elements of this here (Stefi Celma's apartment, Julie Tedesco's character, for example). And, of course, crumpled sheet metal and combat sequences in a variety of forms to compose a jubilant whole that lends itself to symphony.
There's not a lot of Alban Lenoir in this third franchise (the poster is misleading in this respect, even though it smells of old-fashioned posters), so it's a disappointment. The main dramatic arc is centered on Nicolas Duvauchelle, always very good, but his character hasn't aroused any empathy until now, and that's still the case; we're not interested in what happens to him. Stefi Celma is a little sacrificed (starting with her hairstyle), i.e. Secondary, in this third film, after her prominence, which we appreciated in Balle Perdue 2 (2022).
We like two characters who come to the fore in this third of the franchise, who are well seen: Julie Tedesco, who we're keen to see again, as a magician garage owner who knows how to manipulate irony; and Quentin D'Hainaut, who comes to the fore and whose contribution in the last quarter of the film suggests that we may see him again in a fourth... In terms of the franchise's main signature, the film is a success. Chases, fights, phenomenal action sequences that don't even smell of CGI porn. In this respect, the film is an impressive success. Motorcycles, cars, trucks, helicopters, streetcars - a multitude of action vectors are used, as well as shootouts and hand-to-hand combat. As for hand-to-hand combat, there's a beautiful sequence in a tramway, which comes close to Nobody's anthology bus sequence (2021, Ilya Naishuller) without matching it (it contains humor that we don't have here). There are also the extensions given to the vehicles, which are always impressive and contribute to the original visual elements that make the film unique.
There's not a lot of Alban Lenoir in this third franchise (the poster is misleading in this respect, even though it smells of old-fashioned posters), so it's a disappointment. The main dramatic arc is centered on Nicolas Duvauchelle, always very good, but his character hasn't aroused any empathy until now, and that's still the case; we're not interested in what happens to him. Stefi Celma is a little sacrificed (starting with her hairstyle), i.e. Secondary, in this third film, after her prominence, which we appreciated in Balle Perdue 2 (2022).
We like two characters who come to the fore in this third of the franchise, who are well seen: Julie Tedesco, who we're keen to see again, as a magician garage owner who knows how to manipulate irony; and Quentin D'Hainaut, who comes to the fore and whose contribution in the last quarter of the film suggests that we may see him again in a fourth... In terms of the franchise's main signature, the film is a success. Chases, fights, phenomenal action sequences that don't even smell of CGI porn. In this respect, the film is an impressive success. Motorcycles, cars, trucks, helicopters, streetcars - a multitude of action vectors are used, as well as shootouts and hand-to-hand combat. As for hand-to-hand combat, there's a beautiful sequence in a tramway, which comes close to Nobody's anthology bus sequence (2021, Ilya Naishuller) without matching it (it contains humor that we don't have here). There are also the extensions given to the vehicles, which are always impressive and contribute to the original visual elements that make the film unique.
I would say that this series probably didnt need to be a trilogy but its appreciated to get an actual end instead of things being left in limbo. Lino once again is trying to finnaly track down his brothers murder and we start with how the last film left off but with a little action sequance involving a granade at the star which I liked. No one told him his car was trashed and so he has a new one made that he then wreaks during yet another car chase. I liked the pickup truck after though but this chase was less enjoyable compared to the last film. Still good action though and acting and a decent end to the trilogy.
I have seen the earlier 2 editions which I really liked, this final edition is not the best one, but I still love the rock hard action and bleak and depressing feel and look of it.
The good: this series is a must see for the action fans who DO care about credible characters and who DONT care if the story is bleak and gritty and depressing.
Just as in the earlier 2 editions this one has got tons of riveting chases and bare knockle fights, but what is most enticing to watch is seeing the leading character endure this surge of violence and fight through it come hell or high water!
Recommended watch for the action fans. The French do definitely know how to produce great credible action flicks! Merci beaucoup!
The good: this series is a must see for the action fans who DO care about credible characters and who DONT care if the story is bleak and gritty and depressing.
Just as in the earlier 2 editions this one has got tons of riveting chases and bare knockle fights, but what is most enticing to watch is seeing the leading character endure this surge of violence and fight through it come hell or high water!
Recommended watch for the action fans. The French do definitely know how to produce great credible action flicks! Merci beaucoup!
You don't need a supercar to make a cool car chase movie, you just need a daily car, creativity, realism, and unexpected angles, then the result is a genius action movie. Hollywood car action movies still have to learn again. Guillaume Pielagi makes action movies without forgetting the storyline that was built since the first film, the humorous side is also not forgotten, even in the middle of the fight action. Although from the story side it is quite simple but it is able to be packaged with action that can make fans look forward to the next film. Alban Lenoir seems to have been a regular presence on Netflix with his action films that are quite entertaining, sometimes his films even exceed the audience's expectations, so it is not surprising that Netflix shows quite a lot of his films.love it!
Lo sapevi?
- BlooperThe front license plate of the white pickup truck at the beginning of the film is invalid ("0" at the beginning of the numbers block, emission stickers are not used anymore).
- ConnessioniFollows Proiettile vagante (2020)
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Dettagli
- Tempo di esecuzione1 ora 51 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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