Jim Knopf und Lukas der Lokomotivführer

Michael Ende didn't write as many books as others, but most of his books became instant classics. The tale of "Jim Knopf und Lukas, der Lokomotivführer" ist his best known, next to "Neverending story", which has become a classic both as a book and a film. While the latter aims for adults as well as for older kids, "Jim Knopf" is a great children's story - although it contains elements that will ring more with grown ups.

The book is great in it's detail, and the pictures are fantastic on their own account. Then there's the marionette-version, made for TV by the "Augsburger Puppenkiste", in the 1970s.

Now, Jim finally and well deservingly hits the big screen - and the makers did really, really well! They took lots of inspiration from the beloved TV-Version and didn't change a lot of the story: Jim being brought to the island of Lummerland with only a few habitants and a train engine as a baby, later sailing away (on the engine!) with his fatherly friend Lukas, to explore the secret of his heritage, trying to save princess Li Si from the dragon's city on the way, meeting lots of curious people on their journey...

The director tells the story very straight, the action is well paced, and there are hardly any important parts missing. The visuals are fine, except for Nepomuk, the half dragon, who REALLY looks animated! No 3D, thankfully! The actors are doing a great job, especially both leads, but also all the secondary characters.

A minor annoyance to me was the unnecessary change of the fact that Jim can't read or write at the beginning. That's why he has to DRAW a letter to Mrs. Waas when he's leaving. They kept the drawings in the movie but ADDED additional writing!

Apart from that there's hardly anything to criticise. I rate this fantastic adaption 9/10 and look forward to the sequel "Die Wilde 13"!

Very personal review following:

My young son loved this movie. He wants to watch it over and over and over... It speaks for the quality of the film that we (his parents) haven't grown completely sick of it yet.

What I like about the movies is how much it inspires the imagination of my boy. He endlessly wants to play scenes from the movie, calls himself Jim and his father Luke. At first I thought it might be a bit too scary for a 3 year old but he doesn't mind the slightly darker sequences.

This live action movie tries to bring to the big screen the story of the Jim Knopf cartoons which once entertained my childhood, but as far as I'm concerned, it quite fails. The biggest problem with it is by far its screen time. As you might have guessed, it's simply impossible to fit an entire tv series into a movie, let alone a very short one like this one is, thus you're going to miss a lot of events. Another side effect to this is that the characters are not very well introduced and developed, fact which the series manages without breaking a sweat, thus for someone who hasn't seen the cartoons it would be unpleasant to link them all together. They'll figure it out as it is after all a film intended for children, but again, not the best experience.

Speaking of children, this one seems to have been made solely for them. I'm speaking of course about the way it treats every single situation it encounters. Everything gets sorted out very easily without any drama, through inexplicable exaggerations (even by fantasy standards) or head scratching events, thus expect to be quite a lack of emotion or suspense throughout the entire film. It might be good if you're a little boy/girl watching a movie at the cinema with your parents but for someone like me, it's simply way too childish. The action is meh at best, even if they chose to include a couple of more "intense" events from the series, hoping to impress the viewers but from my point of view, it did a bit too little in this direction. The cast could also have been better if you ask me, as too many actors don't manage to transmit anything through their characters which are very expressive in the animated show.

It's a movie which unfortunately misses the point, or at least the one that I was expecting. It indeed manages to be a movie for the small ones who obviously haven't seen the series but for me who simply loved the cartoons it's a bit too hard to bare.

Before you base yourself on my ratings if you are going to watch this movie or not there are a couple things to clarify. I watched this movie without reading anything about it before, I just stumbled on this movie and gave it a shot. The problem is not that it's in German, even though it's quite funny to see that all Asians speak German, but the fact that I'm fifty years old and that this movie is made for kids between five and eight. So the whole movie looks and sounds very childish. I have a wide imagination but this one is just too childish. If I were six years old I would probably love this movie, but I'm not, I'm fifty and so this movie is, even if it's well made, just not for me. But if you have kids this movie will get their attention and keep them quiet for a while.

This live-action fantasy film is based on the 1960 children's novel of the same name, which was the first published work of Michael Ende. Internationally, Ende is best know for the book on which La storia infinita (1984) was based, although Ende himself didn't like that film. But in Germany, Jim Button is better known than the Neverending Story.

Ende's excellent book won the German Youth Literature Award, but part of the book's success is owed to two adaptations for television by Augsburger Puppenkiste, a marionette theater. The first, Jim Knopf und Lukas der Lokomotivführer (1961), consisted of 5 half-hour episodes in black and white. The color remake, Jim Knopf und Lukas der Lokomotivführer (1977), was shortened to 4 slightly shorter episodes. Regular re-runs of the serial ensured that generations grew up with it, and generations looked forward to passing on the joy of watching the serial to their children, often rewatching it on the occasion. Special cross-over episodes combining Jim Knopf and his friends with other Augsburger Puppenkiste stars were long an important staple of German TV's Christmas Eve programming. But an even more obvious indication of the production's popularity is probably the fact that a remix of the title song (the Lummerland Song "Eine Insel mit zwei Bergen" -- "An Island with Two Mountains") by Dancefloor project Dolls United was in the German charts for 33 weeks in 1995/96, reaching second position at some point. I am not sure they made the song more popular; they just gave people an excuse to play it outside its original context.

It was always obvious that any new adaptation would be received as a remake of the classic marionette version, and so would be held to the highest standards in terms of narrative charm. Failure was almost guaranteed, but in the end they did pull it off. Compared to the 2 hour color serial, some cuts were required, but the result is still a complete, coherent story with all the important highlights intact. And most importantly: The film's visual quality is just stunning. It cannot have been easy to accurately reproduce so many of the marionette serial's shots by means of special effects that hit the sweet spot between realism and overt but seamless artificiality. The casting and acting is also excellent. The actors seem aware at all times that they are replacements for marionettes, acting naturally with just a hint of woodenness.

A few words on the plot / the underlying book: Michael Ende famously wrote its beginning with no idea where it would lead him. So he started with a tiny island in the sea with two mountains, a castle, two houses, and a tiny railway system. It has a king and three subjects, including the shopkeeper and Luke, the train driver. When Ende wrote about the surprise delivery of a large parcel, he himself did not know what it would contain. Similarly, much later Jim, Luke and steam engine Emma find themselves in mortal danger in an extremely dark and cold place. Here again, Ende wrote down the problem before spending weeks in search of a solution.

The film is targeted to children and to adults who grew up with the underlying book and TV serial. But the plot's highly original blend of fantasy and fairy tale, combined with the stunning visuals and high production values, makes the film well worth watching for a more general audience. Just not suitable for those who feel they must constantly prove they are adults and run screaming out the cinema when the film opens with the description of Morrowland -- a tiny fantasy island in the sea that only makes sense as a model railway landscape.