Kawaki.

A jaded Japanese detective reevaluates his faded memories of his estranged teenage daughter when asked by his ex-wife to investigate her disappearance in this one-of-a-kind crime drama directed by Tetsuya Nakashima. The film is assembled with a very vibrant visual style that varies from rapid fire edits to bouts of animation to slow paced, leisurely shots that bask in the beauty of Christmas lights. The film also begins in a curious anti-narrative manner as the protagonist's memories are mixed with clips of his daughter partying and the police quizzing him. Narrative point-of-view is also broken for several flashbacks told from his daughter's boyfriend's perspective. Given the plot and stylistic touches, the film is perhaps best described as 'Kill Bill' meets 'The Third Man' and it gets points for originality alone. The dialogue is full of philosophical quips too about how some of us are not "cut out to be a human being" and how easy it is "to fall into a hole so deep" that you keep falling. Yet, for all its daringness and intelligence, the film does not entirely work. The actual solution to the girl's disappearance is mundane and the value of all the red herrings is debatable, especially the question mark placed over the true nature of his relationship to his daughter, but it does cause one to think. The ultimate messages at hand are relatively simple (not everyone is who you think they are; some vices in life are dangerous), however, the emotional roller-coaster is a hard experience to shake. This is an effective film in that it gets you in the protagonist's mind and forces you to question how you would react. The Harry Lime dynamic also works well with a protagonist as naïve as Holly Martins. This is not however the easiest film under the sun to endure.

I had previously seen an earlier film helmed by Tetsuya Nakashima, namely Confessions (2010). I seem to remember that one dealt with some disturbing material involving high school kids. Well, this latest film from Nakashima also delves into these particular waters. In this one we have an older central character, a man who is an alcoholic, violent and a bad father. He is a former detective who is on the hunt for his missing daughter. As he progresses in his investigation, layer by layer he discovers more and more of his teenage daughter's horrendous double-life.

This Japanese mystery-thriller was not unlike the South Korean film Oldboy (2003) with its complete absence of likable characters populating a world where every part of society is rotten. If anything, this movie is even more extreme in this regard. It's a very violent film, although its heavy stylization meant that the nastier elements are less disturbing overall. In truth the style that the film presents its story is possibly both its strength and its weakness. It is made up of rapid edits, with memories and present day occurrences being interwoven together. It is a bit full-on I have to say and thank heavens for the rewind button! It can be hard to follow if I am totally honest and you will need to be alert to keep up with this one. So I think the presentation can be a bit of an issue, however, it is also this very complex editing that ensures that the story is more compelling. Once you look back on it, the story has certain weaknesses, with an ultimate resolution to the mystery not necessarily being as interesting as the journey we take getting there. But the journey is interesting and dynamically told and, in fairness, I am sure this one would benefit from a re-watch given that there really is a lot going on. In addition to the relentless editing, there are also anime and comic-book graphics interspersed throughout, as well as twee Japanese schoolgirl material mixed in with disturbing and violent stuff; while there is a constant reference to 'Alice in Wonderland' with the idea of a girl falling down a hole that just keeps on going. It's a heady mix of ideas all things considered and I have to say that its ambitious presentation made this one a film well worth seeing.

I have no idea what to say. It's impossible not to go "What The Hell" like, a 100 times until the end of the movie. I can't even describe it.

===1. STORY - 6/10===

The story's pretty much about a father searching for his lost daughter, who has been missing for about a week. Every step closer to finding his daughter, sheds a new light on his daughter's true colours. Quite an adventure. It gave me new ideas and tips on to how to create a real thrilling story.

The downside is, watching this movie made me walk over to a corner, get down into a fetus position, and rock back and forth. It was REALLY violent, REALLY disturbing, ABSOLUTELY depressing and OVER THE TOP disgusting.

The upside is, however, was it wasn't one of those films with random killing and stuff. The movie actually had a story. Everything'll be explained throughout the movie until the credits. All they did was add a little more bonkers into every action they did.

===2. ACTING - 9/10===

The acting however, was absolutely fantastic. Akikazu, Kanako, and everyone else. They all did an amazing job. The movie's true aim was to show that you can't trust anybody but yourself. In the movie, you think that the character seems nice, but next thing you know, they just go ridiculously crazy.

===3. CINEMATOGRAPHY - 9/10===

The cinematography and imagery were REALLY good. It really gave the vibe of a dark,cold and sad world.

===4. SOUNDTRACK - 8.5/10===

The music's really good too. Playing some classic Dean Martin hits while a murder is taking place. It really gave me the feeling of uneasiness they wanted to deliver.

===5. OVERALL - 7/10===

Never watch this at a family gathering.

I watched this movie because I loved the film "Kamikaze Girls" which was made by the same director. But instead, I got a film with a 'slice of hell' mushed all over it.

Moral To Story: Never do drugs.

A father searching for his kid, very similar style like Confessions (2010) which i've just realized, share the same director Tetsuya Nakashima. Nana Komatsu the cutie playing Kanako's nice to watch, also the main lead, Koji Yakusho playing her dad acted well as a bad person. It goes back and forth between 2 characters at different times. Some parts are very distasteful but they keep the suspense & mystery going, it got me interested enough to stay watching till the end to find out what happens next. The resolution of the story's quite beautiful too. This film's unexpectedly bonkers.

So yeah, most certainly if you really enjoy mystery suspense films with some craziness particularly like Confessions (2010) or Oldboy (2003) , i think you may appreciate this flick too.

7/10

I think I would've liked reading the source material for this movie. Seems like a good read. The actual movie on the other hand, it was a bit of a hit and a miss for me. I liked the colors, the great acting, and the fact that Kanako's dark secret wasn't something I saw coming. However, I felt like it started out great and then kind of dragged on a little bit on the second half just to end as a totally confused mess. Too many characters and too many sub-plots all of a sudden. I think with a little bit of editing and focusing more on some of the characters (like the bullied boys who were in love with Kanako, or the thug girl) the movie would've been a bit more interesting. If you want to watch something violent and gory, with a decent story and a dark twist I would recommend it. It's pretty unique. I wouldn't buy it, but it was entertaining, a decent watch.