Aggiungi una trama nella tua linguaA girl is approached by a strange boy outside her high school. He asks her to follow him to hear stories where gods fall in love with human beings.A girl is approached by a strange boy outside her high school. He asks her to follow him to hear stories where gods fall in love with human beings.A girl is approached by a strange boy outside her high school. He asks her to follow him to hear stories where gods fall in love with human beings.
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Recensioni in evidenza
Best international movie i have watched in a very long time, based upon one of my favorites, metamorphosis by ovid
The ancients constantly retold myths, telling them in what for them was contemporary setting, and adapting the morals and meaning as well. In fact Ovid changed and moralized a number of Greek myths for his audience.
I found this collection to be quite fresh and well done and highly recommend it.
No review needed. If you watch this movie and you find it enjoyable, stop, leave what you are doing, and seek a psychiatrist with urgency! you are literally minutes away from a mental breakdown and your life and others are truly in danger.
This movie is an adaptation of the poem written by the Roman poet Ovid. It has gorgeous cinematography and beautiful acting. I like the modern depiction of the gods in the Roman pantheon and their interactions with humans.
Seen by your reviewer at the 2014 London Film Festival, 'Métamorphoses' transplants Ovid's 'Metamorphoses' to modern-day, working-class France (for those unfamiliar with Ovid - I'm not sure I'd ever heard of him - he was a poet from ancient Rome). A group of Roman deities wander the countryside meddling in human affairs - meddling that generally involves nudity and livestock.
I can't make up my mind whether or not I like this film; I will say it was engrossing. Despite the 'flashbacks within flashbacks within flashbacks' structure, writer/director Christophe Honoré manages to keep the storyline, such as it is, flowing neatly and the viewer does not get confused about where he is in the narrative.
Little of the nudity is particularly attractive; unfortunately Honoré has gone for people with natural, rather than film star (or indeed classical god-like), bodies! But my main concern is the treatment of the many animals in the film: a cow simply standing tethered in a field is one thing, but in the scene where a lion and lioness are trapped in a room and the lioness begins to attack the lion, one wonders whether that was spontaneous action or was she trained to do it - and if so, was anyone concerned for the animals' welfare?
I can't make up my mind whether or not I like this film; I will say it was engrossing. Despite the 'flashbacks within flashbacks within flashbacks' structure, writer/director Christophe Honoré manages to keep the storyline, such as it is, flowing neatly and the viewer does not get confused about where he is in the narrative.
Little of the nudity is particularly attractive; unfortunately Honoré has gone for people with natural, rather than film star (or indeed classical god-like), bodies! But my main concern is the treatment of the many animals in the film: a cow simply standing tethered in a field is one thing, but in the scene where a lion and lioness are trapped in a room and the lioness begins to attack the lion, one wonders whether that was spontaneous action or was she trained to do it - and if so, was anyone concerned for the animals' welfare?
Lo sapevi?
- QuizAmira Akili's debut.
- Colonne sonoreZaide Overture, Symphony No. 32
Composed by Wolfgang Amadeus Mozart
Performed by Stuttgart Radio Symphony Orchestra & Chorus, conducted by Alfons Rischner
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Dettagli
- Tempo di esecuzione1 ora 42 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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