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Anesthesia

  • 2015
  • R
  • 1h 30min
VALUTAZIONE IMDb
6,1/10
5229
LA TUA VALUTAZIONE
Anesthesia (2015)
Multiple lives intersect in the aftermath of the violent mugging of a Columbia University philosophy professor.
Riproduci trailer2: 01
2 video
10 foto
CrimeDrama

Molteplici vite si intersecano all'indomani della violenta rapina di un professore di filosofia della Columbia University.Molteplici vite si intersecano all'indomani della violenta rapina di un professore di filosofia della Columbia University.Molteplici vite si intersecano all'indomani della violenta rapina di un professore di filosofia della Columbia University.

  • Regia
    • Tim Blake Nelson
  • Sceneggiatura
    • Tim Blake Nelson
  • Star
    • Sam Waterston
    • Kristen Stewart
    • Corey Stoll
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,1/10
    5229
    LA TUA VALUTAZIONE
    • Regia
      • Tim Blake Nelson
    • Sceneggiatura
      • Tim Blake Nelson
    • Star
      • Sam Waterston
      • Kristen Stewart
      • Corey Stoll
    • 41Recensioni degli utenti
    • 41Recensioni della critica
    • 55Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video2

    Official Trailer
    Trailer 2:01
    Official Trailer
    Anesthesia Official Trailer
    Trailer 2:01
    Anesthesia Official Trailer
    Anesthesia Official Trailer
    Trailer 2:01
    Anesthesia Official Trailer

    Foto9

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    Interpreti principali49

    Modifica
    Sam Waterston
    Sam Waterston
    • Walter Zarrow
    Kristen Stewart
    Kristen Stewart
    • Sophie
    Corey Stoll
    Corey Stoll
    • Sam
    Gretchen Mol
    Gretchen Mol
    • Sarah
    Ivan Goris
    Ivan Goris
    • Ignacio
    Rob Morgan
    Rob Morgan
    • Parnell
    Mickey Sumner
    Mickey Sumner
    • Nicole
    Kaipo Schwab
    Kaipo Schwab
    • Tenant
    Tim Blake Nelson
    Tim Blake Nelson
    • Adam
    Philip Ettinger
    Philip Ettinger
    • Roger
    • (as Phil Ettinger)
    Natasha Gregson Wagner
    Natasha Gregson Wagner
    • Marta
    Erica Cho
    • Teacher
    Jacqueline Baum
    • Allie
    Ekaterina Samsonov
    Ekaterina Samsonov
    • Angie
    Hannah Marks
    Hannah Marks
    • Ella
    Ben Konigsberg
    Ben Konigsberg
    • Hal
    K. Todd Freeman
    K. Todd Freeman
    • Joe
    Michael Kenneth Williams
    Michael Kenneth Williams
    • Jeffrey
    • (as Michael K. Williams)
    • Regia
      • Tim Blake Nelson
    • Sceneggiatura
      • Tim Blake Nelson
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti41

    6,15.2K
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    Recensioni in evidenza

    9StorytellerKefi

    This is New York. Great story

    Wonderful movie! Randomly caught this at the 2015 TriBeCa Film festival and was not disappointed.

    Although there were some minor editing hiccups, this story holds up fantastically as it documents the lives of different New Yorkers. The story gives food for thought and deserves a watch as it has clever dialogue, and authentic acting performances. Thankfully, as the plot got predictable, it made a left turn for a satisfying ending. This story was everything Crash (2004) wanted to be but better. It's also the most honest depiction of New York life I've seen in a long while. I wish this movie well in theaters!
    5cekadah

    Life is a pain

    And the only escape from the pain of life is total sensory deprivation! And this is what this story focuses on; those people in society who seek to escape the pain of living and the unintended or intended effect it has on the people in society who manage to live their daily life pain or not.

    Each character has their own story and most of them are unhappy, mentally fragile, or have fallen into the pit of substance abuse. Only one 'the professor' seem to be truly happy in his life and of course by movies end he suffers the most. We have seen other movies with this format where what appears to be people living separate lives eventually converge due to one event.

    'Anesthesia' is an OK movie well acted and edited and scripted. The story will keep your interest but at movies end - that's it. It ends and you get the message. It's a take it or leave it flick for me!
    VoyagerMN1986

    Intersecting stories trope done pretentiously and badly

    At first it is hard to pin down why this film just doesn't work. Ultimately it is a preachy, dull -- and dull minded -- mediocre work.

    Ok, so we have the intersecting story line. Not only is this getting tired but it is becoming the refuge of second rate ideas. Essentially a gimmick, and it is painfully just that here.

    Then we have philosophy "lite", ie some Socratic musings smattered with a bit of plagiarism of Plutarch and a mention of August. Its undergrad "western philosophy 101" haphazardly superimposed over unimportant events and uninteresting people.

    The kicker is the completely inappropriate apologia for predatory violence. Explain muggers who assault their victims, or rapists, or any other violent criminal as essentially no different than you or I, is just insulting. That is not a case of but the grace of god there go you or I, it is a case of a very small proportion of the population habitually committing predatory violence and choosing to permanently harm people
    5noelcox

    disappointingly predictable and self-indulgent

    I found this film to be disappointingly predictable and a self- indulgent piece of "entertainment".It would have been more entertaining to watch paint drying - and about as easy to guess the next scene. The characters were all two-dimensional and lacking in any depth.

    One detail that particularly irritated me was the lecturing manner - and content - of the supposed Columbia University philosophy professor. He addressed his class in a manner that no real lecturer would, speaking in over-written prose found only in bad novels - and poorer made-for-TV films. The subjects matter he seemed to cover was so eclectic and with such a tenuous connection to any school of philosophy that I wondered if the script writer was having a joke at the audience's - or academia's - expense.

    The concept of one incident linking various disparate individuals, and thus illustrating aspects of life - or in this case New York city - is so over-used that it will now only succeed with a better than average script. Unfortunately, despite the reasonably capable cast, this was a forlorn exercise.
    5PeterLormeReviews

    An indie drama that is a mixed-bag.

    Anesthesia (2015) is an indie drama is produced,written,directed by Tim Blake Nelson, who also stars in the film. This film is a mixed bag for me. I thought the acting was phenomenal. The script was creative, but at times I found it dull. I was bored for most of the film. The ending was investing and pulled me in. I cannot say that about the majority of the film. The movie centers around several characters. This can either work or flop. The movie manages to do both. The characters I liked/cared about: the professor, the self-destructive student and the junkie. The characters that I didn't like/care about: The cheating husband and his alcoholic wife, the junkie's brother, the professor's wife. The other characters are neutral, mainly because they are completely forgettable. Solid start, flat middle, great ending.

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    Trama

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    • Quiz
      The film wasn't announced by trade publications until after college students spotted Kristen Stewart filming on their campus in New York City.
    • Citazioni

      Prof. Walter Zarrow: But then, what do all these thinkers we've examined this semester have in common? If we truly explore to find a common thread? At the outset of a century that would constitute the bloodiest in human history. Along with scientific and technological advancements that would literally make us like Gods. Even as we began to dismantle the very meaning of God. They ask, what is a life? Does to live any longer have a how? Does it any longer have a why? Against a backdrop of industrialization, people will contend with alienation, dislocation, population on a mass scale, and murder on a mass scale. They'll consider the constraints of truth. Whether metaphor or paradigm, with many concluding actual truth has never existed. A nexus in the great human saga, when we dared to trade the organizing bliss, of good and evil, right and wrong, as determined by a creator for other opiates: communism, socialism, capitalism, psychology, technology, any learnable system to replace what had begun to evaporate: the 20th century. My own. But also the one into which each of you was born. For many, an era of hope liberation, possibility. For others of abandonment and despair. A most human century in which we begin really to understand that Nietzsche was right: we are beautifully, finally, achingly, alone. In this void, philosophy at its worst becomes self-reflective, linguistic, semantic, relativism having rendered any discussion of right and wrong, good and evil, to be the quaint concerns of another age. At its most provocative, it asks other questions. Those concerned with locating our stranded selves, when meaning seems to have died, nothing less, in short, then 'why do we live at all?' and 'what makes us who we are?' They ask, 'what now?' And we're still asking it. What will fortify us as another century, your century, commences? Do we abandon finally the search for truths that seem ever more elusive, even silly to some? The ethical? The moral? The good? Principles that by definition can never be prove when so much now can be proved? Or is all this finally and forever pointless? Are we done? We can destroy cities, alter the planet irreversibly, speak instantaneously face-to-face from across the globe, create life where there was to be none, even while intoxicating ourselves with it all. And yet, how do we still seek purpose? And where do we hope to find it if we're so busy convincing ourselves there needn't be any? And so we wander, eyes closed to the dark, while technology, science, medicine and godlessness blaze illusions around us, with less to guide us now than ever, seemingly omnipotent, but more human and just as afraid. These quandaries do not end with this course in a week from today. They begin. And I certainly haven't taught these writers for 30 years just so you can drop references to existential thinkers and their antecedents at dinner parties. The crowd is untruth. In an era darkened by the false shade of imperviousness, you and those who pause to question, carry the light. It's been a wonderful 34 years. Let's not be strangers, either to one another, or more importantly, to everything we've learned from one another. May your best years be yet to come. And so for us all.

      [all applauding]

      Prof. Walter Zarrow: [all cheering] Thank you, thank you, thank you.

    • Connessioni
      Referenced in The Tonight Show Starring Jimmy Fallon: Kristen Stewart/Michael Shannon/Cage the Elephant (2016)
    • Colonne sonore
      Tenderly
      Performed by Bill Evans

      Written By Walter Gross and Jack Lawrence

      Used by Permission of Edwin H. Morris & Company,

      A Division of MPL Music Publishing, Inc.,

      and Range Road Music, Inc.

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    Dettagli

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    • Data di uscita
      • 8 gennaio 2016 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Crímenes y virtudes
    • Luoghi delle riprese
      • New York, New York, Stati Uniti
    • Aziende produttrici
      • Grand Schema
      • Hello Please
      • Nicholson International Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 32.163 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 6747 USD
      • 10 gen 2016
    • Lordo in tutto il mondo
      • 78.270 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 30 minuti
    • Colore
      • Color
    • Proporzioni
      • 1.85 : 1

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