Vite da popstar

Ridiculously underrated. Despite not doing good box office numbers, it remains a hilarious movie

The big question heading into "Popstar: Never Stop Never Stopping" was whether The Lonely Island trio of Andy Samberg, Jorma Taccone and Akiva Schaffer could make their brand of pop music humor work in a format that lasts longer than three minutes. Not surprisingly, it's in different three-minute clips that "Popstar" works best.

"Popstar" is a music mockumentary following a pretty standard faux biography structure: Conner4Real (Samberg) is a huge star who made it on his own after many of years of success as a member of the Nasty Boyz, a trio with his childhood best friends, Owen (Taccone) and Lawrence (Schaffer). The story predictably follows his rise and fall, narrating it with a host of cameos from actual music celebrities playing themselves as well as supporting characters.

Conner is an over-the-top caricature of the dumbest celebrity you can imagine, and Lonely Island makes sure that there's no element of his music or rise to fame that you take seriously. Ripping into pop music culture, however, isn't the movie's focus. It's a film about a music group because its creators' gimmick is musical comedy. The goal, presumably, was to create outrageous characters and scenarios, not create stinging satire.

"Popstar" opts for the machine gun style of comedy, unloading jokes in rapid succession knowing that if at least a majority of them stick, they've done their job. Ostensibly, that strategy works. A number of gags land and feel like rather original jokes, too. From a wolf attack to a wardrobe malfunction to an argument in a limo that's besieged by naked body parts, the sequences constructed with the intention of being funny often are, it's the wedged-in jokes that aren't centerpieces that fall flat.

Surprisingly, the comedy songs used in this movie aren't the highlights. Conner's single about equality in which the lyrics are all about how he's not gay even though he's singing about LGBTQ rights is pretty standard for Lonely Island. Fans of their music will be pleased, but the comedy really comes from the joke-writing and the occasional quick-witted dialogue exchanges.

Nothing about the plot is surprising or particularly clever, however, and knowing exactly what direction they're going to take the story within the first 10 minutes weighs down the ceiling for what "Popstar" could be. If more jokes missed than hit, this flaw would be abundantly apparent and have caused the whole movie to collapse.

The Lonely Island brand of cleverly packaged immature humor won't be a hit with everyone, but it definitely salvages "Popstar," at least enough that I can highly recommend the clips.

~Steven C

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I truly was expecting more out of this movie. Based on Andy Samberg's strong recent outputs in Brooklyn 99 his performance was a little light in this film. Although packed with cameos, it was a derivative and scripted. I do admit certain parts had me chuckling. The song parodies are still strong and a highlight of the movie, but the plot was easily discernible. I realize that heavy plot twists were not expected in an offering of this type, but a good story is still a good story and it lacked in this aspect. Any Lonely Island fans might enjoy the music and a few light guffaws. I still prefer Samberg in "Hot Rod" over this film.

The excessive world of modern pop is so soulless and pretentious, it's ripe picking for drama. The mental breakings of stars like Mariah Carey, Britney Spears, Michael Jackson and others show an inherent flaw in how human beings are turned into oblivious money-making commodities, and then unceremoniously spit-out when their glimmer dies. Popstar, the brain child of the YouTube-turned-SNL stars The Lonely Island, touches on these things enough, but mostly it's just fantastic jokes. A timely and lightning-fast musical mockumentary, I could barely catch my breath from laughing. The story works as a parallel to the careers of the three Lonely Island guys themselves. Conner4Real (Samberg) is an international popstar who has grown beyond the popularity of his two Style Boyz partners (Taccone, Schaffer). While it uses that parallel effectively, it never becomes overbearing. Instead what shines are the original songs, a staple of these guys past endeavors, including their groundbreaking "SNL Digital Shorts" segments. Each one is an instant classic (i.e. "I'm So Humble", "Things in My Jeep"), played ridiculously as if they have influenced real musicians, many of whom make hilarious cameos. For those of you old enough to remember the comedy classic "Spinal Tap", this format may seem somewhat familiar. However, a distractingly blatant rip-off this is not. It uses its 30-year separation as a way to point out the modern massive difference between actual artistic influence and silly cultural nostalgia that permeates the musical landscape. And while it doesn't quite reach Spinal-Tap-heights of greatness, if you're looking for a perfect friends-night-out, this is a comedy you will be happy to visit and revisit over and again.

I am not in the target audience for "Popstar", as I am a guy in my 50s who has no interest in rap or anything written after about 1985. So, the fact that I enjoyed this is something...isn't it?!

In many ways, this film is very much like "Walk Hard: The Dewey Cox Story" as well as "Talladega Nights: The Ballad of Ricky Bobby"....along with a heaping helping of pop music and rap. Just like Ricky Bobby, Conner (Andy Samberg) goes from the top of the game to total loser very quickly...and only by learning humility and appreciating his friends can he once again be on top. And, like "Walk Hard", it's a mockumentary about the music industry...and it's very crude at times and has some genitalia. It is NOT a film for kids, that's for sure!

Overall, it's a clever an perceptive film...making fun of the stupid antics MANY modern musicians engage in as well as tickling your funny bone in the process. Enjoyable and worth seeing...provided you are an adult and have a relatively high threshold for the offensive.