Mr. Ove

This Swedish original is a great movie, so much better than the American remake "A Man Called Otto".

I usually don't like to read subtitles through an entire movie because it distracts you from watching the actors and the scenes, but in this case it was very well worth it.

This original had much better acting, better and more in depth character background, and the car manufacturer battle was hilarious. The remake did a very poor job in all of these areas, especially in the acting sense. The character were very relatable and realistic.

If you can only watch one version, watch this one, if you plan on watching both, watch this one last, as you will appreciate both of them much better.

When accepting the Best Foreign-Language Film award for Parasite at the 2020 Golden Globes, Director Bong Joon-ho said, "Once you overcome the 1-inch-tall barrier of subtitles, you will be introduced to so many more amazing films."

The reason why I bring up this quote is that there are many great films that just happen to be in a different language. This shouldn't be a detriment to the viewers. After all, there's a reason why we say we're watching a movie, instead of listening to it or reading it. If one looks past the subtitles, they will be able to access more excellent flicks. A great example of this is the 2015 two-time Oscar nominated Swedish movie "A Man Called Ove" due to the simple and effective translation of the book of the same name by Fredrik Backman to the screen.

Since 2012, the book has achieved popularity and retained a cultural legacy in the world of literature due to the deep and simple depiction of a curmudgeon finding ways to heal with the unlikeliest people in the unlikeliest ways. Director and writer Hannes Holm understood this when adapting this through various aspects like cinematography, the transitions, and where to place the big emotional beats. The look of the flick involves drab and bright colors, but they are used as a reflection of Ove's state of mind. In the beginning of the movie when Ove (played by Rolf Lassgård) is inspecting the neighborhood and later whenever he feels depressed, there's a blue tint that clouds the environment. Then, whenever he helps someone like the new neighbors, it brightens up. While this can come off as an obvious way to show how the main character is opening up and healing, it's not blasted into the viewers' faces because Holmes always ensures that the focus is on Ove and his thoughts.

Another element that works beautifully in the film is how it transitions into the flashbacks. Because the novel heavily relies on the stream-of-consciousness device, the movie utilizes this whenever Ove tries to take his own life. Specifically, it flashes back to various moments of Ove's past that get triggered through a variety of things like a conversation with Parvaneh - the pregnant Iranian neighbor (played by Bahar Pars). Then, these thoughts get interrupted when someone needs assistance. Even though I don't remember how the suicide attempts are depicted in the book, they are portrayed somberly in the movie, while the interruptions are more comical. Granted, these scenes can become predictable if the movie was in the wrong hands. Luckily, Holmes makes them into dreams that get disrupted whenever someone wants help. For example, when Ove attempts to take his own life the first time, Parvaneh calls on him to help direct her Swedish husband Patrick as he drives into the neighborhood. As a result, viewers know that someone is going to stand in the way of Ove and his suicide attempts, but the movie is so invested in the flashbacks that it comes as an rude awakening when someone needs Ove's help. This is where the humor comes from.

While the film has its quirky scenes, it's a tearjerker too, and it's another element that it does well. A lot of the emotional scenes take place during the flashbacks. These include the fire at Ove's childhood home and the bomb that goes off on the bus while Ove and his wife Sonja are on vacation. These are usually placed 20 minutes of each other, which allows viewers to think about what they saw and how it affects Ove in the present day while chuckling at various antics like him teaching Parvaneh how to drive. As much as I like the 1939 version of "Goodbye, Mr. Chips," it tries to wring out tears from audiences every 5 minutes, which gets tiring after a while. Speaking of that film, Sonja is like Katherine since both become the person that the titular characters love the most and are able to turn the titular characters' lives around. The main difference is that Sonja's presence remains constant even when she is not on screen because of how Ove constantly thinks of her. This permits audiences to form an emotional attachment to the character and feel the impact of the stuff that occurs to the two characters. Katherine is only present for 20 minutes in "Goodbye, Mr. Chips," and she is barely referred to after she dies despite Chips truly loving her. As a result, audiences don't feel the impact of Katherine and her influence on Chips in the same way that they do for Sonja and her effect on Ove.

And now, I must talk about the strongest aspect of this movie adaptation: the performances. All of the actors do a good job of capturing the spirit of their characters, but of course, I have to single out a few of them. The first is Bahar Pars who plays Parvaneh. Pars played her character as pushy and determined but caring, especially when she wants specifically Ove to help her out. If in lesser hands, Parvaneh could become a nagger, which can become one note very easily. This doesn't happen with Pars as she allows the character to display her caring side, especially when she gets to know Ove more. It also helps that Par and Lassgård have good chemistry with each other, which permits the characters' relationship to evolve naturally.

Ida Engvoll plays Sonja - Ove's wife. She mainly appears in the flashbacks with a younger Ove (played by Filip Berg). Engvoll portrays her as sophisticated, but with a sassy smile and a determination to help others as a teacher. There's also a no-nonsense element to her performance, which makes Ove's attraction to her all the more believable. This is especially true when Sonja out of the blue says that Ove will be a good father.

As mentioned earlier, Filip Berg plays the younger Ove in the flashbacks. Berg brings kindness and awkwardness to the character, showing how he was before all the tragedies occurred. At first, Anglo-American viewers might think that he might be either George or Fred Weasley from the Harry Potter movies, but his deep baritone voice dispels any notion and matches that of Lassgård's. Both Berg and Engvoll have good chemistry, which make their characters' love for each other more believable.

As much as everyone performs well in this movie, the strongest one undoubtedly belongs to Rolf Lassgård who plays the older titular character. The way he moves and speaks all embody a curmudgeon, but above all, he makes Ove more into a person that people can identify with than a caricature. Through his performance, Lassgård makes it clear that Ove fears being lonely and without purpose. Over the duration of the movie, Lassgård lightens up on Ove's curmudgeon ways while not entirely discarding them as the character helps others and opens up about his life and Sonja. The best indication of this emotional transformation is Lassgård smiling in the later parts of the movie when he's with Parvaneh or her daughters. Speaking of transformation, I have to talk about the makeup on Lassgård. Both him and Ove are 59 years old, but in the flick, Lassgård is made to look much older. This makes sense as the world has weighed Ove down so much that he has aged more. I didn't even realize that he had makeup on until I looked at actual photos of Lassgård, who has a full head of hair, and Ove has his balding gray tresses. The way that Lassgård is made up looks very realistic, and I can now understand why Eva Von Bahr and Love Larson got the nomination for Best Makeup at the 2016 Oscars. They deserved it.

In summary, the film adaptation of "A Man Called Ove" proves that great movies can come from other languages because of its deep and simple nature. Holmes truly understood the spirit of the novel and conveyed that in a variety of ways, but the strongest element of the film are performances as it should be with a simple story like this. I can definitely see why the Academy decided to nominate it for Best Makeup and Best Foreign-Language Film at the 2016 Oscars. Like the novel, I recommend the flick to everybody as long as they don't let the subtitles get in the way.

Some of the movies that I find the most interesting are ones that focus on interactions between people from different cultures. "En man som heter Ove" ("A Man Called Ove" in English) is one such movie. The protagonist is a misanthropic, aging man in a neighborhood in Sweden. He spends much of his time telling people if they're breaking the law. But when an Iranian woman and her family move in, this becomes a new opportunity for him.

In addition to showing Ove's relationship with this new family, the movie uses flashbacks to establish what kind of a person Ove is. And believe me, there are some shocking things that happened in this man's life. I had never heard of the director or cast members before watching the movie, but I'm impressed with their work (including the cat). The movie has some clever scenes, but also makes sure to emphasize the characters' relationships with each other. I hope that Hannes Holm continues to make this sort of movie, and I hope to see Rolf Lassgård in more movies. Bra gjort!

This is a Swedish film based on the book of the same name. It is sent to represent the nation at the 2017 Oscars and as for now, it made into the December shortlist. This is the tale of an old grumpy man and the life after the death of his wife. That would be a toughest phase of life for anybody. I am sure you had seen many films like this, but this one was slightly different, yet totally convincing on every topic it focused on. So funny, at a time meaningful and emotional, particularly how the tale ends.

In a small township, a 59 year old man called Ove lived most of his life and now he decides to take his life. But the attempt was prevented when a new lousy neighbour arrives and so it keep delays further. Now's the time to reveal all the reasons behind his dreadful decision with lots of flashbacks and current affairs. That he's a nightmare in his neigbourhood to those who break the rules. He's not a friendly type, because of his childhood and the lessons he learnt from his father to face the life as tough it gets.

The only friend he ever had did not last for a long. His wife was his world and then the job at the railway. The narration given a good enough focus on his romance life. His younger version, played by another actor reveals particularly the initial stage like how he had met her. I don't know these actors, but they all were so good. A perfect setting as well for the story to take place. I think the filmmakers did lots of best decisions and in the end it all paid off with a greater recognition in the international level.

"Honesty is the best thing, Ove. But sometimes honesty needs a little help."

A heartwarming comedy-drama for all age groups. I was looking for such a film and I realised only after watching it. The character Ove was designed awesomely and all the story events built around him was excellent. Covered most of the topics like friendship, love, neighbours, job, moral values, even the pet animals. Loads of fun, guaranteed entertainment if you are seeking a comedy film. As Ove was portrayed very seriously, all his actions, especially the newly arrived woman make major difference to end the film most comedic way.

The regularly visiting his wife's grave, the film beautifully gives an insight on the life of Ove being a widower and a retiree. But also how it all turns around for him who never laughs and finally he does, was the film's highlight. Like I always say, I'm not a book person, but I love watching films based on the good books like this one. An awesome adaptation and I hope those who loved the book, as well enjoyed the film.

Usually all the good films run nearly or over two hours. Because of the slow and steady developments in its characters and the story. For this film, you won't notice the time. The pace of the narration, including the lovable characters and the storyline makes you forget everything else. In a few days the 89th American Academy Awards nominees will be announced and I am sure it will make. Looks like this year, three Scandinavian films going to make the noise at the Oscars. In the meantime, I hint you not to miss it, either it wins or lose, it is one of the best films of the year around the world.

8/10

This movie is about an old man that appears to be grumpy. The story gradually reveals his back-story in a masterful way to explain his behaviour that will probably change your opinion of the main character.

I can honestly say that I have never before felt such a strong connection to a character in a movie. This is an absolute masterpiece.

The directing of the movie is also great. It's easy to understand who is who and when a flashback occurs even if you have not read the book.

The greatness of the movie will be most appreciated if you understand Swedish, but even if you depend on subtitles it will still be a gem that you should not miss out on.

I am very conservative with rating movies 10/10, but this one I think truly deserves it!