Aggiungi una trama nella tua linguaA teenager braves love and sexual awakening, and fights her controlling parents by refusing to eat...until a nightmare ghost appears that may be real, or may be a deadly creation of her star... Leggi tuttoA teenager braves love and sexual awakening, and fights her controlling parents by refusing to eat...until a nightmare ghost appears that may be real, or may be a deadly creation of her starving body.A teenager braves love and sexual awakening, and fights her controlling parents by refusing to eat...until a nightmare ghost appears that may be real, or may be a deadly creation of her starving body.
- Premi
- 4 vittorie e 1 candidatura in totale
Brendan Stevenson
- Kai
- (as Brendan Flynn)
Recensioni in evidenza
Odd story line..keeps you guessing. I watched it for Alexz Johnson. And she KILLED it. Her acting chops have gotten so good. Love her character too. And a ton of her original music appears which is awesome.
The description for this film was that it was about a girl fighting her parents strict rules and refusal to let her grow up by not eating. While doing this, a ghost appears and it could be real or brought about by her refusal to eat.
This was disappointing. It just barely held true to its description. I didn't think that the acting was horrible but it was lacking to be convincing. The story was sorta lame and if you paid attention, it wasn't hard to see where the film was heading. The description made out that the key to the plot was that she was refusing to eat but it wasn't really emphasised and it seemed that it was hardly even worth mentioning. There wasn't much of a "ghost" to speak of either.
I don't know. I watch a lot of horror/thrillers and I know it is easy to become jaded after having seen so many films get played out over and over again with only the people, places and situations changing. I have to say that this is one of those films that I feel was a waste of time. Maybe if you never watch horror this might be somewhat scary but for me, nope. It just didn't deliver.
This was disappointing. It just barely held true to its description. I didn't think that the acting was horrible but it was lacking to be convincing. The story was sorta lame and if you paid attention, it wasn't hard to see where the film was heading. The description made out that the key to the plot was that she was refusing to eat but it wasn't really emphasised and it seemed that it was hardly even worth mentioning. There wasn't much of a "ghost" to speak of either.
I don't know. I watch a lot of horror/thrillers and I know it is easy to become jaded after having seen so many films get played out over and over again with only the people, places and situations changing. I have to say that this is one of those films that I feel was a waste of time. Maybe if you never watch horror this might be somewhat scary but for me, nope. It just didn't deliver.
I fell asleep - I really did. It was that bad...The actors looked bored too, Im not surprised by the terrible repetitive lines they had to deliver from an awful script
The reviewer who gave this 10/10 mugs to work the the filmmaker !
The Wasting (2017) is a psychological horror film written and directed by Carolyn Saunders. It is based on a true story.
Lauren McQueen gives a stellar performance playing Sophie, the protagonist. She plays a young woman in love battling possessive parents, an eating disorder and an evil supernatural presence. The film dramatizes Sophie's attempts to break free from the controlling influences of her parents but things spiral out of control.
Alexz Johnson plays Grace, her devoted, best friend. Brendan Flynn plays Kai, Grace's boyfriend and Liam's brother. Sean Stevenson plays Liam, Sophie's love interest. Gray O'Brien plays IIyas, her overly protective and controlling Chechen father, and Shelagh McLeod plays Valerie, her loving and controlling mother.
The film opens with a wide angle shot of a long take of an overcast river landscape. Leaves are fluttering in the wind, and birds are chirping. The camera pans across to a girl sitting on a stone bench lost in her thoughts. She is in focus and as are her immediate surroundings but there appears for a fleeting moment on the greens in the background a blurred image of a person moving towards Sophie and then, the unknown person disappears from view. Sophie's father, IIyas shows up, and asks her to join him on a walk but she declines wishing to be on her own.
Sophie's attempts to break free from the controlling influences of her parents, her hallucinations and the supernatural occurrences weave themselves throughout the narrative creating fear, drama and suspense juxtaposed against the bucolic, quaint English countryside.
Johnson, Flynn and Stevenson give poignant portrayals of their characters. I was moved by Grace's unwavering support and advocacy for Sophie, and by Liam's love especially when he drew a small ink outline of a heart on her palm to symbolize his love.
The Wasting is a visually appealing film juxtaposing the real and unreal which leaves you guessing and questioning what is really happening. Is Sophie a young woman truly battling a supernatural presence or deeply disturbed? Is she sane or insane? Is she being perceived inaccurately by others? Close ups and medium angle shots are interspersed with wide angle shots of the English countryside. The continuous 360 degree camera shot involving Sophie, Grace, Kai and Liam sitting in a circle outdoors enhances the drama adding an additional layer of complexity to the film, and creating a feeling of motion sickness. And the scenes involving Sophie, Liam, Kai and her father IIyas trapped in the institution's decrepit, dank, and dark basement are both nail-biting and bewildering. If you want to find out what happens to Sophie, well, you've got to watch the film.
The Wasting is a provocative film. Fans of the psychological horror genre will love it. Saunders has woven many visual and sound elements to create a compelling film that shines a light on perception and reality.
Lauren McQueen gives a stellar performance playing Sophie, the protagonist. She plays a young woman in love battling possessive parents, an eating disorder and an evil supernatural presence. The film dramatizes Sophie's attempts to break free from the controlling influences of her parents but things spiral out of control.
Alexz Johnson plays Grace, her devoted, best friend. Brendan Flynn plays Kai, Grace's boyfriend and Liam's brother. Sean Stevenson plays Liam, Sophie's love interest. Gray O'Brien plays IIyas, her overly protective and controlling Chechen father, and Shelagh McLeod plays Valerie, her loving and controlling mother.
The film opens with a wide angle shot of a long take of an overcast river landscape. Leaves are fluttering in the wind, and birds are chirping. The camera pans across to a girl sitting on a stone bench lost in her thoughts. She is in focus and as are her immediate surroundings but there appears for a fleeting moment on the greens in the background a blurred image of a person moving towards Sophie and then, the unknown person disappears from view. Sophie's father, IIyas shows up, and asks her to join him on a walk but she declines wishing to be on her own.
Sophie's attempts to break free from the controlling influences of her parents, her hallucinations and the supernatural occurrences weave themselves throughout the narrative creating fear, drama and suspense juxtaposed against the bucolic, quaint English countryside.
Johnson, Flynn and Stevenson give poignant portrayals of their characters. I was moved by Grace's unwavering support and advocacy for Sophie, and by Liam's love especially when he drew a small ink outline of a heart on her palm to symbolize his love.
The Wasting is a visually appealing film juxtaposing the real and unreal which leaves you guessing and questioning what is really happening. Is Sophie a young woman truly battling a supernatural presence or deeply disturbed? Is she sane or insane? Is she being perceived inaccurately by others? Close ups and medium angle shots are interspersed with wide angle shots of the English countryside. The continuous 360 degree camera shot involving Sophie, Grace, Kai and Liam sitting in a circle outdoors enhances the drama adding an additional layer of complexity to the film, and creating a feeling of motion sickness. And the scenes involving Sophie, Liam, Kai and her father IIyas trapped in the institution's decrepit, dank, and dark basement are both nail-biting and bewildering. If you want to find out what happens to Sophie, well, you've got to watch the film.
The Wasting is a provocative film. Fans of the psychological horror genre will love it. Saunders has woven many visual and sound elements to create a compelling film that shines a light on perception and reality.
Lo sapevi?
- QuizAlexz Johnson plays a small version of her original song "Gonna Get It" early on in the film.
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- Laaghary
- Luoghi delle riprese
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- Tempo di esecuzione1 ora 38 minuti
- Colore
- Proporzioni
- 1.78 : 1
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By what name was The Wasting (2017) officially released in Canada in English?
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