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L'amant d'un jour

  • 2017
  • Not Rated
  • 1h 16min
VALUTAZIONE IMDb
6,6/10
2560
LA TUA VALUTAZIONE
Éric Caravaca and Louise Chevillotte in L'amant d'un jour (2017)
Guarda Official Trailer
Riproduci trailer1: 57
1 video
55 foto
Drama

Una giovane donna torna a casa dopo la rottura di una relazione e scopre che suo padre sta uscendo con una donna della sua età.Una giovane donna torna a casa dopo la rottura di una relazione e scopre che suo padre sta uscendo con una donna della sua età.Una giovane donna torna a casa dopo la rottura di una relazione e scopre che suo padre sta uscendo con una donna della sua età.

  • Regia
    • Philippe Garrel
  • Sceneggiatura
    • Jean-Claude Carrière
    • Caroline Deruas
    • Philippe Garrel
  • Star
    • Éric Caravaca
    • Esther Garrel
    • Louise Chevillotte
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,6/10
    2560
    LA TUA VALUTAZIONE
    • Regia
      • Philippe Garrel
    • Sceneggiatura
      • Jean-Claude Carrière
      • Caroline Deruas
      • Philippe Garrel
    • Star
      • Éric Caravaca
      • Esther Garrel
      • Louise Chevillotte
    • 8Recensioni degli utenti
    • 43Recensioni della critica
    • 69Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 vittorie e 4 candidature totali

    Video1

    Official Trailer
    Trailer 1:57
    Official Trailer

    Foto54

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    Interpreti principali59

    Modifica
    Éric Caravaca
    Éric Caravaca
    • Gilles
    Esther Garrel
    Esther Garrel
    • Jeanne
    Louise Chevillotte
    Louise Chevillotte
    • Ariane
    Paul Toucang
    • Matéo
    Félix Kysyl
    Félix Kysyl
    • Stéphane
    Raphaël Naasz
    • Le jeune homme à la cigarette
    Nicolas Bridet
    Nicolas Bridet
    • Le prof
    Marie Sergeant
    • Yentel
    Michel Charrel
    Michel Charrel
    • Le patron du bar
    Justine Bachelet
    • L'amie du resto
    Christian Bouillette
    • L'ivrogne
    Laetitia Spigarelli
    • Narratrice
    • (voce)
    Manon Chircen
    • Une danseuse
    Maïa Foucault
    • Une danseuse
    Louise Guillaume
    • Une danseuse
    Morgane Real
    • Une danseuse
    James Borniche
    • Un danseur
    Jean Chevalier
    • Un danseur
    • Regia
      • Philippe Garrel
    • Sceneggiatura
      • Jean-Claude Carrière
      • Caroline Deruas
      • Philippe Garrel
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti8

    6,62.5K
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    Recensioni in evidenza

    7Red-125

    Interesting concept, but it didn't quite work for me

    The French film L'Amant d'un jour was shown in the U.S. with the translated title Lover for a Day. It was co-written and directed by Philippe Garrel.

    This movie has an interesting concept. Jeanne is a young woman who is kicked out of her boyfriend's apartment. She has nowhere to go, so she ends up at her father's apartment. No problem, except that her father is living with a young woman named Ariane, who is about Jeanne's age. It's interesting that Jeanne is played by Esther Garrel, who is director Garrel's daughter.

    The two women get along well enough, and, except for a very dramatic scene, not much happens in the movie. It's very French. For, example, Ariane goes to the boyfriend's apartment to pick up Jeanne's belongings. She and the boyfriend have a very polite conversation, and they end up saying goodbye with the French double kiss. Characters in a U.S. film wouldn't be that casual and polite in that situation. Apparently it works in France.

    We saw this film at the wonderful Dryden Theatre in Rochester's George Eastman Museum. It's a privilege to have a theater that shows a retrospective series of films by a French director who's not exactly a household name in the U.S.

    Sadly, we just couldn't get into Garrel's style of filmmaking. The staff who introduce the films go on and on about his talent, but my wife and I weren't impressed. Maybe you do, indeed, need to be French to appreciate Garrel.

    Almost all of the action in this film takes place indoors, so the movie will work well on the small screen.

    P.S. The movie is loaded with sex. For better or for worse, most of the coupling takes place with the man and woman standing up in lavatories that are only semi-private. Not a great basis for eroticism.
    5alyonkyast

    The review of "Lover for a day" by Philippe Garrel The tearful melodrama in black and white

    At first sight, the interesting plot about relationships of new Gilles's mistress and his daughter seems original, but since the third shot the intrigue becomes predictable. Because of the weak dramatic structure, the film is sluggish. The story is clear. A philosophy professor named Gilles (Éric Caravaca) has a relationship with Ariane (Louise Chevillotte), who is one of his students. Gilles' daughter, Jeanne (Esther Garrel), moves in to live with them after being kicked out of her boyfriend's apartment. Later, we find out that Ariane is attracted to young men and she also was shot for the cover of porn magazine. One of the strangest things that Gilles and Jeanne does not understand who Ariane is. In my opinion, the actress so badly pretends to be a wolf in sheep's clothing, that her heinous character is obvious from the very beginning. There is one positive thing, it is an idea, that false love helps father to establish relations with his daughter. And thanks to negative example of Ariane's behavior, Jeanne and her boyfriend made up and started to appreciate each other. The fuzzy and weak conflict is over like that way. It is not clear what happens in Ariane's soul when she says to Gilles and Jeanne that she loves them both. Furthermore, it is not clear what happens in souls of all characters at this film. The climax is too vague, we also watch as Ariane has sex with another young man. And what conclusion should we draw from this? It is not the first time. The scene like that we saw at least twice before, so it is not surprised us at all. As for director of photography work, it is very simple. The shots are flat without any perspective and depth. The mise en scenes are not built well, big close-ups are not always well connected with previous frames. It may seem, that the editor did not have enough time to make image on the screen more technical quality. The color score, perhaps, must help us to believe in this story and must give us an opportunity to perceive it more reliably. And that's the whole idea! I suppose, that it would have been better if the director had spent more time working with actors than on pondering the color rendition of the film. To sum up, the idea of the film lies on the surface, and the director's conception is too simple for the quality artistic expression.
    8guisreis

    Realistic and dysfunctional love and sex in black and white

    About love and sex affairs, and also other intimate relations, all of them mostly dysfunctional (but realistic). In beautiful black and white cinematography.
    6oOgiandujaOo_and_Eddy_Merckx

    A dad, his daughter, and his lover of the same age as his daughter

    Lover For A Day is about a philosophy teacher who is in a relationship with one of his students, Ariane, and his daughter, Jeanne, of the same age who moves in with them for some time. It is very French in that they immediately co-exist instead of making spectacles (although there are some hints that they are human like the rest of us despite being Parisienne).

    The title of the film refers to the brief infidelities of Ariane. This behaviour seems to be treated as enigmatic, as a philosophical curiosity. There is nothing curious about it, the magisterium of anthropology is the place to turn to, it is well documented that the human animal has primary and secondary sexual strategies for transmitting their genes to the next generation. The answer is banal, the participants in this drama are banal, they do not rise above what is animal in themselves, there is no transcendence, no romance.

    Ariane describes falling in love with Gilles when he says in class, "Philosophy is not about divorcing oneself from life". It was difficult not to see some humour in this in that he comes off as a bookish and torpid man. Of course Ariane is simply sleeping with him because he has roguish good looks, is comfortable in his own skin, and is the nearest authority figure.

    One cannot fault the actors, Éric Caravaca, Esther Garrel, Louise Chevillotte, who absolutely outclass the boring story. I hope that the career of Louise Chevillotte takes off, as this appears to be her "break" as the Americans say.

    The film's main positive is that it has a certain quality of eroticism, Esther finds out that Ariane has appeared in a pornographic magazine quite by chance, and there is no clang here as Chevillotte is genuinely attractive enough that this is believable. The sex scenes are very warming.

    Garrel shoots in black and white because he knows nothing else, an old dog that cannot learn new tricks. Is he the last victim of 1968, dead alive? When the credits rolled there were little gasps and titters, "is that it?", yes that's it, no punchline, a little story without profundities.
    8juanoyhanarte

    Garrel did it again.

    An exploration of love and fidelity tied with a gloomy but humorous feeling.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      L'amant d'un jour (2017) is the third installment of Philippe Garrel's trilogy of love, the first being La gelosia (2013), and the second being All'ombra delle donne (2015).
    • Connessioni
      Referenced in I villeggianti (2018)
    • Colonne sonore
      Lorsqu'il faudra
      Text by Michel Houellebecq

      Music and performed by Jean-Louis Aubert

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    Dettagli

    Modifica
    • Data di uscita
      • 31 maggio 2017 (Francia)
    • Paese di origine
      • Francia
    • Lingua
      • Francese
    • Celebre anche come
      • Lover for a Day
    • Aziende produttrici
      • SBS Productions
      • Arte France Cinéma
      • ARTE
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 2 € (previsto)
    • Lordo in tutto il mondo
      • 383.872 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 16 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 2.35 : 1

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