Aggiungi una trama nella tua linguaA dark comedy about a disgruntled summer-stock actor who contemptuously disregards the superstition surrounding Shakespeare's tragedy, Macbeth. By doing so, he unleashes the curse of The Sco... Leggi tuttoA dark comedy about a disgruntled summer-stock actor who contemptuously disregards the superstition surrounding Shakespeare's tragedy, Macbeth. By doing so, he unleashes the curse of The Scottish Play and wreaks havoc on the company.A dark comedy about a disgruntled summer-stock actor who contemptuously disregards the superstition surrounding Shakespeare's tragedy, Macbeth. By doing so, he unleashes the curse of The Scottish Play and wreaks havoc on the company.
- Premi
- 5 vittorie e 1 candidatura in totale
Recensioni in evidenza
This is a neat little comedy with an edge of suspense. The premise is basic: A theatrical troupe gets together on an old estate in New England in order to rehearse and present MacBeth. It being "the Scottish play," things go wrong.
If you know a little about theater, you may know that productions of Shakespeare's play about a murderous pair of royals often go awry. Alec Guinness, for example, got the worst reviews of his life for a MacBeth he did in 1963 or so. (I've heard the audio version he did for Caedmon. It sounds like a great performance to me.) Actors, directors and producers have stories about bad productions and disasters surrounding the performance of MacBeth.
Ghost Light makes clear from the start the superstitions around the play. You do not have to know much more than that to enjoy what is a nice, light look at people who make theater for the love of it.
There is a lot of nuance in this film. The actors are shown in multiple lights. Carol Kane is sympathetic as an overplaying Witch, Cary Elwes, who, at first, seems like a self-centered ham, becomes a serious MacBeth. Roger Bart as the stressed, kindly director, centers the movie.
If you know the play fairly well, you'll notice the parallels between the actors' lives and those of the characters they play. The cast in uniformly good. Shannyn Sossamon is very convincing as the lady who wants to play Lady MacBeth. Tom Riley, whose character rehearses Macbeth when the actor whose supposed to play him is momentarily out of commission after a mysterious on-set accident, is really good at playing an actor AND playing MacBeth.
Liliane Klein and Zele Avradopoulas as the landladies who lease their space to these over-ambitious but weirdly gentle troupers, highlight the world outside the play, until...well - watch it.
The special effects are good, and, indeed, a movie which has, as its goal, the idea of showing how and why this particular play makes actors a little cray-cray, should have good special effects.
This is an enjoyable way to spend a little over ninety minutes. if you have affection for theater and enjoy a few riffs on a bardic theme, this is for you.
I just finished watching this & I really enjoyed it. It was just what I needed & expected. Don't try to make this movie into anything....just kick back & enjoy the story.
It could've been a bit darker & sexier, but as it is, I dig it....recommend= yup
With the likes of Tom Riley, Cary Elwes, Carol Kane, Roger Bart & countless others, I thought I was in for a treat. And although it has some funny moments and a few "scares", its neither hilariously funny nor scary creepy. Maybe if you're a big fan of the Theater, Shakespeare and Shakespearean superstition you might appreciate it more, but I found it only mildly entertaining at best.
It's not often that I see a film like this. I love it that the play took on a life of its own, especially with Macbeth and all the associated mythology. This was a lot of fun to watch.
This was a lucky find. I saw it at the Folger Shakespeare Library in DC. I'll definitely watch it again. The plot is tight and surprising and very dark. The cast is superb and clearly in tune with one and other. The film will have a wide appeal, but especially for folks who know the Scottish Play.
Lo sapevi?
- QuizAccording to director John Stimson, "The idea for Ghost Light came from my years in the theatre and particularly the Hasty Pudding at Harvard. I get such a kick out of the ridiculous but very seriously regarded superstitions that actors believe in. It called out for a comedic approach, but there are necessarily horrific moments. We're dealing with the tragedy of Macbeth after all!"
- Blooper(around the 42-minute mark) As Liz is seducing Thomas out in the field, the position of her hair changes between shots. Sometimes parts of it are down in front of her face, and sometimes it's all combed off to the side.
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Dettagli
- Tempo di esecuzione1 ora 42 minuti
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By what name was Ghost Light (2018) officially released in India in English?
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