Super Deluxe

#SuperDeluxe - This is a strict A film. Not like IAMK type but something that is very new to tamil cinema. The film is so dark because these characters are so real and it's like meeting someone you'll never meet in ordinary life. Director #ThiagarajanKumararaja, he deserves a standing ovation for writing this masterpiece, the screenplay is a high point. Maybe he'll be Kollywood's best known Screen writer.

The background set, Cinematography is all just so perfect. No compromises made anywhere.

Coming on to #Samantha, she made a terrific role. Her second lifetime best role, first is always Nithya from #NEP. #VijaySethupathy has nothing to prove here, we already know what he is. #FahadhFaasil, #Bucks, #Mysskin, small boy, 5 youngesters all gave a wonderful performance.

Overall, I would give Super Deluxe an Oscar if I was part of Jury for it's unconventional story line, something we have never seen in Tamil Cinema. The low point is, it won't work with all of the Tamil audiences. I have a friend who diagrees with all my points and says that 'Super Deluxe' has too many unclutural, uncomfortable scenes or dialogs involved. The problem is that the film is way ahead of our time.

But in the end of the day, a film should either be Art or Entertainment. This is Artainment. This is new, this is very new with Tamil Cinema. I enjoyed every frame of this masterpiece. I cannot guarantee you the same, it depends on how you react when your best friend breaks your brand new TV for seeing something awful in it. So, go and experience this yourself.

'Super Deluxe' is everything you cannot have imagined by just knowing the title. With Thiagarajan Kumararaja at its helm, I did have high hopes. The writing duties were shared between the director, Mysskin, Nalan Kumaraswamy, and Neelan K. Sekar - all promising names in the industry. The cast featured Vijay Sethupathi (in the role of a transwoman as revealed from the poster), Samantha Akkineni, Fahadh Faasil, Ramya Krishnan, Mysskin, and more. Did they deliver? A colossal YES!

Super Deluxe is 'Pulp Fiction' for Tamil cinema in 2019. There are four different storylines happening parallel to each other, yet somehow connected in ways that you would not see coming. Each frame in the film boasts a colour palette that only someone like Kumararaja can come up with. The opacity is rich and saturated, the costumes match the backdrops well, and the colour tones employed by cinematographers Nirav Shah and P.S Vinod blend with the respective storylines brilliantly.

The screenplay will throw a good number of surprises (and twists) at you. It's too random to be placed into a single genre (or even two, or three!). The undercurrent of black humour is certainly there, but when the emotions take centre-stage, the viewer has no choice but to treat it with the seriousness that it whole-heartedly deserves. The list of whammies include someone dying during sex, a husband/father returning to his household in the most unforeseen way possible, a porn movie that had more than what its teen viewers bargained for, and lastly, the struggles of a wife (of a self-proclaimed godman) whose son has met with an unruly accident.

When it comes to performances, Super Deluxe holds nothing back. If we thought Sethupathi did not have any more challenging roles to do (we last saw him as Ayya in Seethakaathi), here comes yet another cracker of a show by him, conveying the troubles that a transwoman often has to deal with in our world. This has to be Samantha's best performance as yet, where she doesn't play second fiddle to a masala/sappy hero, instead putting forth an extremely layered act. Fahadh Faasil is tremendous as usual, playing the husband who has to deal with his wife's infidelity and the unlikely aftermath that follows. The actors who portray the schoolboys who decide to watch porn at home on a regular working day, certainly show promise.

However, the top honours go to Ashwanth Ashokkumar, the child actor playing the kid excited to meet his dad for the first time. This has got to be one of the most well-written, well-acted child characters in a movie in a very long time. He wants to prove to his friends at school that he's not a 'test-tube baby', and he does not care who or how his father has turned out to be in the meantime. And it is for this reason that the finale of this particular segment felt the most satisfying (and heartwarming at the same time).

Leela's (Ramya Krishnan) segment could have been edited better, but the aesthetics (just look at Arputham's prayer hall and how it has been designed) are impressive. Everything in the movie has been placed to impeccable detail - the police station set, the gangster's house that the boys barge into, the roadside walls (filled with movie posters and a parked lorry with rusted barrels and what-not) and many many more. When it comes to comedy, Mugil's (Fahadh) monologue with his wife's dead lover will surely leave you in splits. Berlin, the cop, has been played with the right amount of nastiness by Bucks.

This isn't your regular commercial potboiler - it's a film with substance, well-rounded characters, tasteful aesthetics, clap-worthy performances, a moving background score (by Yuvan) and subtle philosophy. Watch it with people who appreciate cinema for the flagrant/expressive art-form that it is.

Masterpiece would be the perfect word to describe this cult movie. It holds you with curiosity until the last-minute and creates a great impact. All actors have played their part so well that they stay in our mind as characters of the film. Vijay sethupathi as Shilpa, he has given an extraordinary performance as usual. Samantha as Vembu proves that she is a star performer. The end voice over philosophy creates a greater impact and connects all the important dialogues in the movie which points to message that the director tries to conveys to the audience. Thiagarajan Kumararaja deserves National Award! Close to 3 hours movie without songs must watch guys!

Second Time: Watching it for the second time did feel a bit bored as the movie was very very slow paced, but there were few tidbits that I got to notice and few unnoticed background noises, music & dialogues. But still, it is definitely one of the differently best-made movies every in Tamil cinema.

First Time: Yet another pulp fiction kinda movie with 3 plots going in parallel with a wee bit of interesting link in the end along with a universal message that relates to life, relationships, sex, sexism, love and with a whole lot of other societal concerns. Yuvan's BGM is the SOUL of the movie. Camera angles/frames portrayed the environments realistically. Each and every characterization just feels so lively, shuttle performance by everyone. Most importantly, it starts and ends with sex. oooohhh... 😜

If you are expecting tamil cinema to reach its highest limits, watch this movie and you will definitely find the tamil industry already reached beyond its limits. It is a pure and raw form of tamil film. I don't think anyone can cross this limits in future except Thiyagraja. perfect screenplay and script work. he deserves more than a national award for making such an exotdinary film. He shifted the whole industry to the next level with his unique and raw style. Completely satisfied.