Servants of Two Masters
- L’episodio è andato in onda il 27 feb 2024
- TV-MA
- 58min
L'arrivo di Blackthorne a Osaka suscita un vespaio di rivalità. Mariko è intrappolata tra la sua causa e la sua fede quando deve tradurre per il barbaro sotto la custodia di Lord Toranaga.L'arrivo di Blackthorne a Osaka suscita un vespaio di rivalità. Mariko è intrappolata tra la sua causa e la sua fede quando deve tradurre per il barbaro sotto la custodia di Lord Toranaga.L'arrivo di Blackthorne a Osaka suscita un vespaio di rivalità. Mariko è intrappolata tra la sua causa e la sua fede quando deve tradurre per il barbaro sotto la custodia di Lord Toranaga.
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Recensioni in evidenza
The title "Servants of Two Masters" reflects the divided loyalties many characters face. Toranaga himself is revealed to be a master of manipulation, balancing his own ambitions against his perceived duties to the emperor. At the same time, Blackthorne is torn between his personal desire to survive and his responsibility to his crew and his nation. His ongoing internal conflict about whether to embrace Japanese customs for his own benefit or remain loyal to his Western identity is a central theme in this episode. These dilemmas are depicted through tense scenes of negotiation and power plays, particularly when Blackthorne is summoned to appear before high-ranking officials.
One of the standout features of this episode is the nuanced performances from both the Western and Japanese actors. Richard Chamberlain as Blackthorne continues to excel in portraying the inner turmoil of his character. His visible discomfort and confusion when forced to confront the alien Japanese customs, especially in a court setting, is palpable. Yet, it is Lord Toranaga, played by Toshiro Mifune, who steals the show with his commanding presence. Mifune imbues Toranaga with an aura of calculated patience and cunning, making every scene between him and Blackthorne a masterclass in subtle power dynamics. The supporting cast, including Yoko Shimada as Lady Mariko, adds further layers of intrigue, as Mariko's guidance for Blackthorne becomes more essential to his survival.
While the episode's dialogue-heavy scenes may slow the pacing for some viewers, they are critical to the narrative as they help build the complex political landscape of Japan during this era. The dialogue itself is filled with subtleties, and the writers have clearly taken care to emphasize the contrasts between the two cultures. However, some exposition-heavy moments feel slightly repetitive, as characters explain certain Japanese customs that were already introduced in the first episode. While this serves to ensure viewers unfamiliar with the time period understand the stakes, it occasionally halts the narrative's forward momentum.
Visually, Servants of Two Masters continues the breathtaking cinematography of the first episode. The director, Jerry London, uses the natural beauty of Japan's landscapes to great effect, particularly in the scenes that take place outdoors. The quiet, contemplative moments in between the court intrigue are often framed by sweeping shots of lush forests, pristine rivers, or the imposing architecture of Japanese castles. These visual contrasts serve to highlight the tension between nature and human ambition, a recurring theme in the series. The careful use of lighting, especially in the darker interior scenes, enhances the mood of secrecy and deception that pervades the episode.
One of the most impactful scenes occurs when Blackthorne is taken to a Japanese bathhouse, where he experiences another cultural shock. The bathhouse scene serves as a powerful metaphor for his slow immersion into Japanese society-physically cleansing, but emotionally isolating. Surrounded by people he cannot understand and customs he finds bewildering, Blackthorne is reminded of his vulnerability. This scene also exemplifies the series' commitment to historical accuracy in costume and set design. The attention to detail, from the robes worn by the samurai to the design of the bathhouse, helps immerse the viewer in the world of 17th-century Japan.
In conclusion, "Servants of Two Masters" is a carefully crafted episode that delves deeper into the cultural and political complexities of the world Shogun presents. The slow pacing may not appeal to every viewer, but it is effective in building suspense and allowing the characters' relationships to evolve organically. The episode's strong performances, especially from Mifune and Chamberlain, elevate the material, and the stunning visual elements make it a feast for the eyes. The theme of divided loyalties is handled with subtlety, setting the stage for the power struggles that are sure to unfold in future episodes. While not without its flaws, particularly in pacing and repetition, this episode solidifies Shogun as a thoughtful and visually captivating exploration of cultural collision and survival.
That was, until the final scene of E01 which somehow came with such energy and a great set up for even greater things to come. With E02 they delivered in spades! The only reason I did not rate as a 10 is because I am sure this will get even better.
This series so far has everything, great scenery, fantastic costumes, good balance between action and dialog and the subtitles just adds to it all. The plotting and back-stabbing have just begun, and I felt like I haven't seen anything like this since Ran. I'm excited to see what's ahead.
This series has the potential to be the most talked about series of 2024, and the way it's going I hope they continue the story!
It takes a bit of time to get used to the subtitles as you must always pay attention but if they had all been speaking English it definitely would not be the same impact, so I hope they don't change this.
The characters feel lived-in, with each one contributing something essential to the narrative.
Visually, Shogun continues to impress. The cinematography is nothing short of stunning. The attention to detail in the costumes, set design, and even the soundscape adds to the immersive quality of the show. The storytelling in this episode is also commendable. The pacing is deliberate, allowing for a gradual build-up of tension. The narrative doesn't rush through the complexities but instead takes the time to let the audience absorb the intricacies of the plot.
However, I can't help but keep my fingers crossed. While Episode 2 does a fantastic job of setting up the stakes and drawing me in further, there's still a lot of ground to cover, and the risk of the plot becoming too convoluted is real. The show walks a fine line between being compellingly complex and potentially overwhelming, so I'm hopeful that it continues to strike the right balance in future episodes.
It gives the japanese characters bigger roles compared to 1980, which is definitely a plus, looking at the marvellous cast. Sanada is really comparable to the great Toshiro Mifune here.
I am a bit torn about the Blackthorne actor but for now he's fine.
The actors are great and there's a feeling the makers of this series want to take you on this ride without talking down to you.
Let's see how this plays out! So far, I'm impressed.
What really strikes me is how good this show looks! It has a unique style, visuals, setting and an overall feeling that tve people making this show. Is very passionate about the story they are telling! Some scenes looks cinematic, straight from a movie!
The complexity of the story only reaches new heights, as we further explore the political struggle for power, and who will essentialy rule Japan!
The japanese actors are amazing and manages to capture their historical figures!
Please watch this show, its something that stands out from a lot of TV produced these days!
Lo sapevi?
- QuizThe Treaty of Tordesillas was an agreement between Spain and Portugal that was signed in 1494, in the namesake town in Spain. In this treaty, Spain and Portugal agreed to divide the New World between themselves for colonization, conversion, and administration by setting a line of demarcation that had run from north to south at a meridian about 370 leagues (one league is equal to three miles) west of the Cape Verde islands. Spain would be granted everything to the west of this line, while Portugal would receive everything to the east. This corresponded roughly to most of eastern modern Brazil and Africa being conceded to Portugal, while Spain would take the rest of the New World. It would later be revised by the Treaty of Zaragoza (1529), which included Asia, since neither party had considered the world's spherical shape at the time of drawing the line of demarcation, and they quickly realized they would need a second line to divide the world into two hemispheres. The Portuguese hemisphere included Japan, as well as the rest of Asia to the west, leaving Spain with most of the Pacific Ocean but none of mainland Asia, with the exception of Spain given the right to trade in the Philippines. Though the treaty was largely ignored by other European powers, particularly when the Protestant Reformation took root, Spain and Portugal followed it fairly faithfully, though it did require some amendments as more of the world was charted.
- BlooperWhen the first program ends, Blackthorn is brought to his knees in front of Toranaga. He stays stays on his knees for 16, 17 seconds before bowing to Toranaga. The second program begins where the first ends with an overlap as Blackthorne is brought to his knees. This time, however, as soon as he is put on his knees, he immediately bows before Toranaga.
- Citazioni
John Blackthorne: You're telling me the lords here don't know?
Father Domingo: It's too late for that now.
John Blackthorne: You don't understand. I must tell them. That's my way out.
Father Domingo: You can't play their game. Their rules are too opaque, their hearts too guarded.
John Blackthorne: You don't know me.
Father Domingo: I've known a thousand of you.
- Colonne sonoreShinobi
performed by Atticus Ross, Leopold Ross & Nick Chuba
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Dettagli
- Tempo di esecuzione58 minuti
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- Mix di suoni
- Proporzioni
- 2.00 : 1
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